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Caribbean Buzz

5 Reasons We’d Recommend YUMA For The Carnival Thrill Everyone Deserves.

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Approx. 4 min read

Trinidad and Tobago’s 2025 Carnival season was pretty much a blockbuster movie – a critically acclaimed experience that nobody could’ve possibly been truly prepared for. Three months of full-fledged, hyper-energetic ecstasy culminated with the traditional mas on the road experience that many travel from parts far and wide to enjoy, annually. This year, YUMA provided an experience for not only seasoned masqueraders, but many newcomers who’ve already co-signed with friends and family, to do it again, and again, and again.

1. COSTUME DESIGN AND QUALITY:

Marie Collette wearing her design, ‘Poui’. PHOTO: @idouglasphoto

For quite a number of years, the YUMA brand has maneuvered the carnival landscape, with its designers like Rawle Permanand and Marie Collette, delivering exquisite costumes for the road. This year was no different. The costume quality and beauty stood effectively, leaving very little, if anything more to be desired. The band’s ‘Echoes of IERE’ theme featured sections like Marie Collette’s ‘Poui’ in a choice of a vivacious hot pink or an eye-catching bright yellow. Collette herself paraded the streets of Port-of-Spain on Carnival Tuesday in the full hardline ensemble in her choice of bright yellow. The beauty and quality of her costume was unmistakeable. Other sections included Flambeaux, Hibiscus, Magnificent 7, Masala, Nariva, Riddim, Iere, Emperor, Echoes, Castara, Doux Doux Dahlin, Bucco and Bae-Go- rounding off the total street design showcase to 14. When it came time to show off and show out, the vibrance of the intricate designs and captivating kaleidoscope of colour, could not be ignored.

2. PROFESSIONALISM AND EFFICIENCY

YUMA costume designer, Rawle Permanand on the road on carnival Tuesday.

Whether in part owed to its partnerships with brands like Digicel, Dasani, Hennessy, Johnnie Walker, Maybelline New York, Ocean Spray, VISA, Red Bull, Coca Cola, Shine Distributors, Skins, Hai Trim and Feathers, Carib, Jose Cuervo and Guinness, or simply its distinct and intentional effort to provide its masqueraders with the very best money can buy, YUMA once again delivered on customer satisfaction. From the costume collection where masqueraders received backpacks, which held a variety of goodies inside, inclusive of two branded aluminum cups and other necessities that would be appreciated for the road experience, and beyond, to the effort shown by drink attendants and security staff to minimize discomfort in any way, and of course, the detail and attention paid to their lunch stop, many basked in the YUMA vibe and professionalism throughout the two-day experience.

3. MUSIC SELECTION AND VIBE

4. THE PEOPLE WHO BRING THE VIBE

Jadel played in the section, ‘Echoes’ designed by Rawle Permanand.

YUMA has always been known to be the band of the superstars. This year was no different, with a slate of popular faces in the mix, inclusive of influencers like Anil and Kineta James, Neicey bwoss, model, Mela, Charlotte Wingham, Carnival Sabrina, cricketer, Dwayne Bravo, and others. Soca artistes like Jadel, Lyrikal, Lady Lava, Voice, The A Team Band and others were also a part of the vibe. “As an artiste, I can say the artistes were treated amazing. We got VISA bands for YUMA and I loved the fact that YUMA had The A Team band LIVE. That was so entertaining and masqueraders appreciated that so much. A lot of mas bands do not bring that live band element to the road and that live band on the road, did it for me,” Jadel told Ebuzztt. She also said the drinks truck was on point. “I had no problems with the drinks at all, the courtesies extended were amazing. The whole vibe- the energy was just love – love and happiness and unity,” she added.

5. READY- FOR- ANYTHING MASQUERADERS

With social media and trend-setting being the kill-joy for many in the carnival space, it would be remiss of us not to mention the fact that on the road, masquerading was the order in YUMA. While there were moments for the ‘gram’ and TikTok, this did not take away from the overall energy of the people on the road. Beautiful women, handsome men – all up for the thrill of the carnival roadshow experience, immersed themselves in the music of the season and showed off their effervescent nature, making it abundantly clear that YUMA just might be THE band to truly bring the VIBES, not just in 2025 but way into the years ahead.

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Caribbean Buzz

Tobago Heritage Festival 2025 to Kick off On July 10th.

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The Tobago Festivals Commission Limited has officially launched Tobago Heritage Festival 2025. The theme for this year’s Festival is “Time Longer Than Twine”.

This year’s theme pays homage to a local proverb that encourages patience and perseverance. It suggests that while a physical twine or rope has a limited length, time is endless and vast, meaning that if one is patient and works diligently, their desired outcome will eventually come to pass.

The month of July has also been declared ‘Heritage Month’ with islandwide events from July 4th to August 1st with the ‘Grand Opening Gala’ carded for July 10th. This event will be managed in partnership with the Tobago Performing Arts Company who will curate the event’s structure.

The Festival will also feature several iconic events such as Belmanna Riots in Roxborough, Courtship Codes in Golden Lane and Yesterday’s Children as well as signature events like Charlotteville’s Natural Treasures Day & the Tobago Ole Time Wedding in Moriah.

There are also several competitions being staged inclusive of Junior Heritage (July 8th), Heritage Food Fair (July 11th), Folk Fiesta (July 15th), the popular Ms Tobago Heritage Personality Show (July 25th) and the Heritage Calypso Monarch (July 26th).

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Caribbean Buzz

Concert Still On. Promoter Says Legal Regulations in T&T Stumped Efforts to Make Final Payment to Vybz Kartel.

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The One Caribbean Music Festival will go on as planned, according to organizers.

Following news that headliner, Vybz Kartel would not be in T&T for the event, organisers OCMF, via media release, confirmed the situation and explained that the matter unfolded as a result of local regulations that did not permit the final financial transaction allowance, to the artiste’s management.

The initial media release, which highlighted the artiste’s cancellation, was issued by Trinidad and Tobago advertising agency, Lonsdale Saatchi & Saatchi.

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