Hollywood Carnival was indeed a movie this past weekend and with some of the big names in soca representing in LA, Ebuzztt.com now brings you a 10 point review, if you didn’t experience it first hand. Our carnival buzz watcher was on hand and here’s what she said went down:
Brooklyn based, Angela Hunte got major forwards during each of her performances. The crowd loved and sang along to Bon Ami and they still love ‘Party Done’
Ricardo Drue’s performance was enjoyed at Hollywood Carnival.
Olatunji didn’t connect well with the audience on Friday at Passport Experience but had a much better response at the Carnival Village on Saturday.
Barbados’ Fadda Fox hit single, ‘Ducking’ remains a big tune and DJ Stephen is still teaching fetters the dance. Other notable crowd pleasers were Peter Ram’s “All Ah We”, Voice’s “Cheers to Life”, Olatunji’s “Ola”, Neutron’s “Scene”, Kerwin Du Bois’ “Circles” & “No Apology”.
Ladies LOVE Ricardo Drue. He was only there for the welcome party but he was lustily lapped up.
12 year old aspiring DJ and Dancer, Little Marquis was given centre stage to perform and got full support from both DJ Stephen and Machel Montano. Small man can wine!!!
Machel Montano, who partnered with Hollywood Carnival 2 years ago, played ambassador and host all weekend long. He never did a full set but touched the stage in and around other artists on their collaborations.
Saturday saw thousands of revelers in the Parade of Bands, which featured 47 bands representing 30 Caribbean and Latin American countries. The parade route ran 3 miles down the famed Hollywood Blvd, ending at the Carnival village where performances continued into the evening. Performers included Jovi Rockwell, Supa G & LovaBoy from Belize. Of course MM’s Epic Mas is still the largest band but SWS, Extacy and Hollwood Massive all came nice with strong showings.
Machel Montano played host at Hollywood Carnival all weekend long.
Sunday afternoon delivered the last lap party ‘Shine’, which was a repeat of last year’s successful event held on the rooftop of the venue OHM, which overlooks Hollywood Blvd. The event turned into Private Ryan inside vs DJ SuperRoy outside and Soca vs Reggae with both DJs alternating genres. By 3pm capacity was reached at the venue and no more people were allowed in. The event was supposed to end at 5pm, however it didn’t.
EPIC Masquerade Band delivered the biggest masquerade show.
Caribbean nations were well represented at Hollywood carnival! Belize had the largest group. Bahamas, Barbados, Haiti, Jamaica, Puerto Rico, St. Kitts & Nevis, St. Vincent and T&T were all seen!
Hollywood Carnival carried its own energy this year! It was non stop Vibes!!! “Hollywood Carnival can easily become the best Caribbean Carnival in the U.S. when it comes to vibes!”
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.