Organizers of Vale Vibe Cooler Fete made a pretty good decision in moving the fete from its former, Maracas Bay location, and instead opting for Drew Manor in Santa Cruz. On Tuesday, from 4pm, fete lovers were entering the venue, ready to party with good friends and once again, create memories that would take them through another year.
There’s something about a cooler fete that intensifies the revelry in the carnival atmosphere. It’s something you’ll hardly ever experience in an all-inclusive setting. The Vale Vibe cooler team has continuously prepped their followers for the jammin,’ and annually, the event engages fans of soca music and the carnival vibe from all over the world. This year was no different. Billed to perform were Iwer George, Viking Ding Dong and the dynamic duo of Fay Ann Lyons and Bunji Garlin.
THE BOSS IN ACTION
Iwer mounted the stage first and as usual, his set gave those who’d come out to fete, just what they needed to get the adrenaline going. He explained that the organizers had asked him to do a bit of a retro set to balance the event’s entertainment to which he obliged. There was some grumbling about the feeling that Iwer’s set has never quite changed over the years however, despite that observation by some, many danced and followed instructions given by the boss. When he exited the stage after his performance time was up, the crowd called for him to return, and like clockwork, George brought his bottle of water, throwing it out into the crowd, with that well known blessing.
Viking Ding Dong was next. He too, brought good energy to the fete. His growing catalogue of impressive soca tunes proved enough to get the crowd singing along and dancing. The young entertainer and DJ is enjoying a successful Carnival 2023 season, doing it all the while with a big smile plastered across his face.
THE REVELRY INTENSIFIES
Vale Vibe Cooler fete revelers came out in their numbers on Tuesday. The event was sold out, according to reports and as Bunji Garlin and Fay Ann Lyons made their way to the stage, a capacity-filled Drew Manor seemed to have become even more saturated. Nobody seemed to mind though and so, with that, the Vikings added even more pressure.
Fay Ann, dressed simply in a pair of cut out jeans and t-shirt, which bore the word, Power, supported her husband as he made his way to the stage to kick things off with his Road March contender, ‘Hard Fete.’ The crowd immediately flew into a frenzy. Bunji’s strong, masculine presence dominated as he worked the stage and proved that he is a man of the ground. Fay would present next and together, the pair brought even more life to the event.
The fete lovers would be impressed with current and older hits from both artistes and the continuous exchange between the crowd and their soca superstars, proved satisfying for both. The venue’s layout offered an elevated view toward the back, allowing some who may have found it difficult to see the stage, to maybe find a space up top. From start to finish, Vale Vibe Cooler was in essence, a real vibe. There’s no question that many will be back next year for the energy of true Carnival enjoyment!
Spice Mas, like every other carnival, is seasonal, but for Carriacou, Grenada artiste, Skinny Banton, music isn’t. He has unleashed seven songs in 2026, and like clockwork he’s locked in and ready to deliver his energy, good vibes and storytelling strengths to audiences celebrating another memorable Spice Mas experience this year.
For Skinny Banton, whose real name is Shirlan George, Grenada’s Jab culture is fuel to his fire. In the past, songs like ‘Soak It Good’ and ‘Wrong Again,’ brought him tremendous acclaim across the region and internationally. This season, The Jambalasse project is anticipated to be one of the artiste’s most powerful contributions, signaling his intentionality to promote his country’s authentic culture, wherever he goes. “With this project we’re trying to keep the history, while celebrating the present by revamping a song that was done by Moss International 35 years ago,” he said. That song was called ‘Jambalasse Rule,’ released in 1991. “We revamped the riddim because it was one of the first songs considered to be an original Jab Jab song from Grenada, at that time,” he explained.
Proud of his personal efforts to keep the awareness on Grenada’s cultural traditions, Skinny Banton advocates for the continued celebration of these traditions and understands his role as an artiste. “No matter what we face as artistes in this space, we stay true to our mission. I have several songs that the people will enjoy in Spice Mas and beyond. One of my personal favourites is ‘Pain,’ a song I would like to share with my fans in Trinidad and Tobago when Carnival 2027 comes around,” he said.
Strengthening Others
Other tracks released by Skinny include, ‘When Yuh Eating,’ ‘Right Up,’ ‘Black Fuh Juvay,’ ‘Can’t Stop Us,’ ‘Carnival Traffic’ featuring Jamaican artiste, I Octane, ‘My Behaviour,’ featuring Tonic X and ‘Water Line Burst,’ collaboratively done with Nicki Akull. “The collaborations done with Tonic X and Nicki Akull mean a lot to me. They are upcoming artistes who I share good vibes with. When I was younger and had hopes of connecting and collaborating with bigger artistes, it was not easy,” he recalled, adding that it often felt daunting. He says because he understands the feeling, he is happy to be able to help these up-and-coming entertainers. “This was just my way of giving them strength and encouragement. I feel like nobody takes you seriously when you don’t have a foot in the door – they refuse to embrace you because you are not known. I want them to keep pushing after this,” he added.
Dedicated and refocused, Skinny Banton is pushing full speed ahead. “I’m doing music videos for most of the songs. I already have a video for ‘Black Fuh Juvay,’ which has been uploaded to YouTube and all other streaming platforms, and the video for ‘My Behaviour’ with Tonic X is also out,” he said. Grateful to Jamaican artiste, IOctane for the strength given to him on their collaboration on the single, ‘Carnival Traffic,’ Skinny said this particular song is one that he loves, and he hopes the people will, as well.
For the past three years, the artiste had been approached by upcoming entertainer, Nicki Akull for the single they eventually brought forward this year. “Waterline Buss – Nicki Akull’s persistence and determination really brought this song into existence,” he said, happy to have eventually come around to making it happen. Even with such a vast number of singles released, Skinny Banton says he is ready to work with artistes across the Diaspora. “I’m still creating, still working and I’m looking forward to establishing more ground in the Soca community and around the world.”
Social Media, Music and Trends.
Certainly attuned to the necessary promotional adjustments that many artistes have been forced to adopt, Skinny Banton says he hopes that despite the rise in social media content distribution, true talent and good music is not sacrificed. “I feel like content creation online should not take away from artistes creating and delivering great music, because without the content, the music should still stand on its own, and with the content, the people still need the music,” he shared. “I also feel like a lot of trends are created from making yourself an online spectacle and not the music being able to sustain itself, so you may get attention for what you post as content, but the music you’re posting the content for sometimes does not have enough substance to sustain itself for longevity,” he rationalized.
Thoughtful, conscious and truly talented, Skinny Banton is a necessary part of the Caribbean’s creative landscape. His storytelling ability, coupled with his appreciation for the art and vocal capacity, makes him an artiste everyone should tap in to. “I want to encourage the young artistes to stay focused and keep pushing and never be discouraged by the many things that’s said on social media. They must work hard to establish their business to suit them, because every artiste will do things differently, when it comes to the business; Never be discouraged by the naysayers,” he advised. He thanked his fans for their love and support over the years. “People who’ve been supporting from day one and continue to support, as well as the new supporters I’ve gotten along the way – thank you. To the DJs and radio personalities, I appreciate you. One hand doesn’t clap. Thank you for keeping my songs on rotation and I hope you all continue to support me.”
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
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