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Archived: Trinidad and Tobago’s National Instrument Undeserving of Carifesta Main Stage?

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The Carifesta XIV experience being hosted in Trinidad and Tobago this year may have a bit of upheaval, this as Pantrinbago says the national instrument isn’t being treated with the respect it deserves.

Ace pannist Dane Gulston has spoken out on the matter of the steelpan not being included in the main concert event, “Island Beats”, which is carded for August 24th.

The Isand Beats event being hosted at the Queen’s Park Savannah, will be headlined by Machel Montano, Grammy Award winner, Shaggy and Guadeloupe’s Kassav, with other performances by young entertainers like Nailah Blackman and Voice. Gulston argues it’s outrageous that no thought was given to including the host country’s national instrument in the main stage lineup, further stating that the use of steel pan only at the opening and closing of events, is essentially a slap in the face.

Speaking on television on Friday morning, Pantrinbago President, Beverly Ramsey-Moore said while the organization, under her stewardship, has enjoyed a very good relationship with Culture and Arts Minister Nyan Gadsby Dolly, her response to the request from Pantrinbago to be included in the main stage dynamic, was unappreciated. She relayed how Gadsby Dolly seemed to have been taken aback by the request, in essence squealing, “Pan on stage with Machel and Shaggy?!”

Jamaican reggae artistes, Maxi Priest and Tarrus Riley were treated to the sweet steel pan music by Dane Gulston in May this year.

The Minister is yet to comment on the issue, this as social media is now abuzz with online commentators arguing that Trinidad and Tobago’s renowned national instrument- the only major musical instrument invented in the 20th century, should be loved by its people and shared with the world, at any opportunity given.

In May this year, Jamaican reggae sensation Tarrus Riley was greeted by Gulston to the sound of the steelpan, which he enjoyed tremendously.

Jamaican reggae hit maker @tarrusrileyja is certainly a fan of the steel pan. He’s in #TrinidadandTobago ahead of Saturday’s #Redemption6 concert being held at the Queen’s Park Savannah in Port-of-Spain. He met up with ace pannist, #DaneGulston who showed him a thing or two. The culture of the Caribbean, while sometimes vastly different, is always wholeheartedly embraced by all Caribbean people. What a beautiful thing. #caribbean #entertainment #music #steelpan #trinidadandtobago #tarrusriley #ebuzztt

Posted by Etceterabuzz Trinidad on Thursday, May 30, 2019

Reporting by: Melissa Stanisclaus.

Caribbean Buzz

Terri Lyons Expands. Artiste Shows Immense Creativity on New RC Mas Monday Wear.

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There’s no box to be held in. Terri Lyons is proving that as she moves into the Monday Wear market, partnering with RC Mas ahead of Carnival 2027.

The reigning Calypso Monarch Queen of Trinidad and Tobago and multiple time Queen of Queens, on Thursday, revealed her creative ability in the mas making sector, sharing her design, ‘Purple Paradise’ – a carefully created design that’s all hers.

The entertainer told Ebuzztt she had the idea and went to the masterful, Kinaji Couture, admitting that Kinaji is a force in the market. “She does a lot of bathing suits and prototypes for bands locally, regionally and further abroad. I knew she could do it and she did execute it perfectly. I just added the flowers,” said Lyons.

CHECK OUT HER PROCESS HERE

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Caribbean Buzz

Kes The Band’s ‘Roots, Rock, Soca’ Tour Concludes with Sold-Out International Success.

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Kes the Band has officially concluded its highly acclaimed Roots, Rock, Soca Tour, marking another groundbreaking moment in the band’s remarkable journey. The international tour captivated audiences across the United Kingdom, Europe and North America – making history as the first Soca act to sell-out stadium shows in the United States and to sell out the RBC Amphitheater in Toronto, Canada with 16,000 fans.

The tour featured sold-out shows in major music cities such as London, Vancouver, Los Angeles, New York, and its final stop in Toronto – with thousands of fans gathering night after night to experience the signature sound, musicianship, and infectious energy that have made KestheBand one of the Caribbean’s most influential live acts.

The ‘Roots, Rock, Soca’ Tour became a celebration of culture, connection, and community. Each performance in the concert series showcased the band’s ability to transcend borders and generations, bringing together audiences from diverse backgrounds through music rooted in Caribbean identity. With energetic performances spanning storied venues such as Forest Hills Stadium in New York and The Bellwether in California, Kes the Band continues to cement its place in history as an enduring, generational force that bridges rhythms, unites audiences, and elevates the heartbeat of Caribbean culture in communities across global borders.

KestheBand’s Frontman, Kees Dieffenthaller, serenades the sold-out audience at the RBC Amphitheater in Toronto, Canada to conclude the ‘Roots, Rock, Soca’ Tour. Photo; Jono Hirst

Led by charismatic frontman Kees Dieffenthaller, the band’s world-class lineup includes Dean Jameson drums, Jon Dieffenthaller on guitar, Riad Boochoon on bass, Mario Callender and Geiron Mangon keyboards, and Robert ‘Robbie Styles’ Persaud on DJ and Ableton. Together, they delivered dynamic performances that combined exceptional musicianship with the unmistakable spirit that has become synonymous with KestheBand.

Adding to the excitement throughout the tour were a number of memorable surprise guest appearances from some of soca’s most celebrated artists, including Coutain, Lady Lava, Barbados Soca legend Edwin Yearwood, Iwer George, London’s Haile of WSTRN, Haitian singer J Perry, and Ravi B. Their appearances created unforgettable moments for fans while highlighting the camaraderie and creative excellence that continue to define Caribbean music.

The overwhelming response to the tour underscores Kes the Band’s continued evolution from a beloved Caribbean band to a truly global cultural ambassador. Across every city, audiences embraced the music, creating an atmosphere that reflected the growing international appreciation for soca and Caribbean artistry.

Soca is joy: these fans could barely contain their excitement at the closing show of KestheBand’s ‘Roots, Rock, Soca’ Tour stop in Toronto, Canada.
Photo: Jono Hirst.

As the curtain closes on the Roots, Rock, Soca Tour, Kes the Band is already focused on the next chapter. The band will soon return to the studio to begin work on new music for an upcoming album, continuing its tradition of pushing creative boundaries while staying true to the sound that has resonated with fans around the world.

The momentum also continues for Kes the Band on stage over Labor Day Weekend as the iconic group takes the stage at the DC Jazz Festival (DCJF), one of the United States’ premier music festivals, taking place September 2–6, 2026. Following the band’s debut on NPR Tiny Desk in the capital of the United States earlier this year, the band continues to expand its reach and introduce Caribbean music to new audiences on some of the world’s most respected stages.

With decades of groundbreaking music, unforgettable live performances, and an unwavering commitment to cultural excellence, Kes the Band continues to redefine what’s possible for Caribbean artists on the global stage. The success of the Roots, Rock, Soca Tour is both a celebration of an extraordinary series of performances and a defining chapter in the band’s enduring legacy, setting the stage for an exciting new era of music and global performances.

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