Not everybody can make it to T&T this year for that sweet Trini Christmas. Well, we’re all about spreading the good vibes so no matter where you’re spending your season, we’ve got some recipes that’ll make you feel like you’re spending it with us, right here on the island of sun, steelpan and sweet wine… (wink wink).
Ever tried making Ponche de Creme (Ponch A Creme) ? Try this…
Ingredients
6 eggs, beaten
2 teaspoons grated lime zest
3 (14 ounce) cans sweetened condensed milk
3/4 cup canned evaporated milk
1 1/2 cups rum
1 tablespoon aromatic bitters
1 pinch freshly grated nutmeg
Directions
In a large bowl, beat eggs and lime zest using an electric mixer until light and fluffy. Gradually pour in the condensed milk while continuing to mix, and then pour in the evaporated milk.
Stir in the rum and bitters, and sprinkle with nutmeg. Transfer to a bottle and chill for at least 1 hour before serving. Serve over crushed ice.
Now, here’s the recipe for the Trini Fruit Cake. Be sure to let us know how it turns out!
Ingredients
1 pound pitted prunes
1 pound dark raisins
1/2 pound pitted dates
1 pound dried currants
1 pound dried cherries
8 ounces glacé cherries
4 ounces mixed candied citrus peel
3 cups dark rum, plus more as needed
1 1/2 cups cherry brandy (may substitute Manischewitz Concord grape wine), plus extra for grinding fruit
4 ounces blanched, slivered or sliced almonds
2 cups granulated sugar
1/4 cup boiling water
1 pound (4 sticks) unsalted butter, plus more for the pans
1 pound dark brown sugar
10 large eggs
Finely grated zest of 2 limes
2 teaspoons vanilla extract
1/2 teaspoon Angostura bitters
1 pound flour
4 teaspoons baking powder
2 teaspoons ground cinnamon
Directions
Combine the prunes, raisins, dates, currants, both kinds of cherries, the candied citrus peel, 2 cups of the rum and all the brandy in a large container with a tight-fitting lid. Let sit at room temperature for at least 2 days and up to 1 year. Shake or stir the mixture occasionally.
When ready to bake, combine the macerated fruit mixture with its liquid and the almonds in a blender or food processor and process in batches, using extra brandy to loosen. Grind to a coarse paste, leaving centimeter-size chunks of some of the fruit intact for texture.
Pour the granulated sugar into a heavy-bottomed pot over medium-high heat. Cook, stirring occasionally with a wooden spoon, until the sugar has melted and caramelized until almost black; it will smoke a bit and it’s much darker than you’ve caramelized sugar before. Turn off the heat, then carefully add the boiling water (furious steam here), stirring to incorporate. It may stiffen up before you add some of the caramelized sugar to the batter, just return the pot to a burner on low heat, which will loosen it up again.
Preheat the oven to 250 degrees. Use butter to grease three 9-inch or four 8-inch pans, then line the bottom of each with a double layer of parchment paper.
Combine the 4 sticks of butter and the dark brown sugar in the bowl of a stand mixer or hand-held electric mixer; beat on low, then medium speed for several minutes, until light and fluffy. Stop to scrape down the bowl. On low speed, beat in the eggs, one at a time, then add the lime zest, vanilla extract and the Angostura bitters, beating until well incorporated. Scrape the very wet batter into a very large mixing bowl.
Combine the flour, baking powder and cinnamon on a sheet of wax paper or parchment paper. Fold the flour mixture by hand into the butter mixture, then gradually stir in the macerated fruit paste and 1/4 cup of the black/caramelized sugar. This is a very heavy batter, and stirring will take muscle; you might want to divide among a couple of bowls for mixing in a stand mixer; you can use a dough-hook attachment. The batter should be the color of dark walnuts; if the color seems too tan or light, stir in more or all of the black/caramelized sugar as needed.
Divide the batter among prepared pans, filling them almost to the top. Bake for 1 hour, then reduce the temperature to 225 degrees; bake for about 2 hours, or until a tester inserted into the center of each cake comes out clean. Transfer the cakes, in their pans, to wire racks to cool.
While the cakes are cooling, baste them with the some of the remaining cup of rum every few minutes until the cakes are cool and/or no longer absorb rum. They will absorb several tablespoons each; you may not use all the rum.
When completely cool, invert the cakes onto plates. The cakes are ready to serve, but will taste better if they sit for at least a few days.
We’ll have more for you as the days to Christmas stroll on, so keep checking back with your favorite hub for Caribbean entertainment news. We love having you!
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.