Recent confirmation by the Tourism, Culture and Arts Ministry in Trinidad and Tobago that an international Soca competition is on the way for next year’s carnival, has been met with optimism by Soca artiste, Terry Seales. He says it’s long overdue, and necessary for the development of creatives in Trinidad and Tobago. News of the new competition came even as the artiste prepared to unleash a brand-new single on the ‘Jam and Move’ riddim- a project produced and worked on collaboratively with fellow artistes, Chenko and Yohan Popwell, who’s best known as Dna 868 Muzik. “‘My single, Jam and Move’ brings all the elements of carnival together in one road- ready single,” says Seales. He is eager to make his presence felt again.
Chenko has delivered ‘Greater Dan Dem.’
In 2023, ahead of Carnival 2024, Terry says he did his due diligence as a longstanding part of the T&T Carnival ecosystem. “I released three songs for Carnival this year and despite that, people would meet me and express hope of hearing music from me in the season.” His expression highlights the common sentiment of many artistes in Trinidad and Tobago, particularly at Carnival time. Together with Chenko and Dna 868 Muzik this time around, he is optimistic that the music will ultimately speak for itself. “Chenko’s single is called, ‘Greater Dan Dem,’ and Dna 868 Muzik brings a tune called, ‘Mash Up.’ With my single, ‘Jam and Move,’ the idea is to create the nostalgic energy of what many carnival revelers know in their hearts, is true, about this season,” said Terry, adding, “the music must bring the vibes.”
Dna 868 Muzik unleashes ‘Mash Up.’
The team has worked together before and for Terry, the brotherhood and musical cohesion, is particularly refreshing. “We worked together last season and the music we delivered was excellent I believe. The aim is to maintain that level of consistency. This time around, we’re promoting using all the tools that are available to us, because ultimately, we just need the music to reach the people.”
On the topic of a new International Soca competition, Seales says he is hopeful that there will be equity in the selection process, and throughout the competition when that time comes. “I think the competition should be fair and the people should be the final judge,” he suggested.
AD- MZURI PEOPLE PRESENTS THE A TEAM BAND.
For artistes like Terry Seales who’ve mounted stages within the carnival landscape for many years, any opportunity for potential growth in the carnival space, is anticipated. He says over the years he has observed the change of the music and is accepting of its overall direction, explaining that from a financial perspective, Groovy Soca makes sense. “The grooves are hitting better because on the international market, it’s more laid back, slower, more lyrics, better hooks. Internationally, they cannot understand the speed of the Power Soca. Mical Teja won Road March with a Groovy Soca song. The energy of that slower groove is much stronger now than the Power Soca and the Power Soca is more seasonal,” said Seales, noting that Kees Dieffenthaller’s ‘Cocoa Tea’ is presently leading the way into Carnival 2025.
Prepared to make the most of the 2025 season, Terry is set to release a second single in the weeks ahead. That groovy contribution, along with the Power Soca energy he delivers with, ‘Jam and Move,’ will tie up his offerings. “I’d really like the public to be given the chance to hear the music and decide whether they like the songs or not,” said the entertainer. For Terry Seales, this is not a re-entry or a return. He’s continuing on a journey that’s inspired by pure passion and with conviction, he’s hell bent on making a mark in 2025.
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
The vibrant sounds of classic dancehall and contemporary reggaeton collide on “De Shot Call (Remix),” a dynamic new collaboration from Trinidad and Tobago recording artist General Grant and versatile entertainer Mr. Renzo.
.Designed to ignite dancefloors while honoring the rich musical heritage of the Caribbean, the track blends the raw, energetic spirit of early 1990s dancehall with the infectious grooves and global appeal of modern reggaeton. The result is a high-energy anthem that bridges generations, cultures, and musical styles.
Inspired by the golden era of dancehall that helped shape Caribbean music culture, “De Shot Call (Remix)” reimagines that signature sound through a contemporary lens. The production delivers nostalgic undertones while embracing the polished rhythms and vibrant energy that resonate with today’s audiences.
For General Grant, the project continues his commitment to preserving and evolving authentic Caribbean music. Widely respected for his contributions to the dancehall and reggae landscape, he brings his signature delivery and commanding presence to the remix, reinforcing the song’s connection to the genre’s roots.
Joining him is Mr. Renzo, a singer, songwriter, and entertainer whose career spans more than two decades. Recognized for his ability to blend Caribbean, Latin, pop, and urban influences, Mr Renzo adds a fresh and modern dimension to the track, helping to create a sound that transcends borders and appeals to a broad international audience.
Together, the two artists showcase how Caribbean music continues to evolve while remaining grounded in its traditions. “De Shot Call (Remix)” serves as a celebration of that journey, highlighting the seamless transition from dancehall’s formative years to Reggaeton’s current global prominence.
The single was executive produced by Lawrence Adams – Mr. Renzo, who also co-wrote the track alongside Curtis Grant – General Grant. Recording and editing duties were handled by Stephon Gabriel, while engineer Ovy Thouni delivered the song’s polished mix and master.
With its infectious rhythm, energetic performances, and cross-generational appeal, “De Shot Call (Remix)” is positioned to become a favourite among fans of Caribbean music and lovers of dancefloor-ready hits alike.
Whether you’re a longtime dancehall enthusiast or a fan of today’s reggaeton movement, this collaboration offers the perfect soundtrack to turn up the volume and celebrate the enduring influence of Caribbean music.
“De Shot Call (Remix)” is now available for audiences ready to experience the fusion of old-school dancehall energy and modern reggaeton flavor.
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