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Terry Seales Pushes In With Optimism. Anticipates Return of International Soca Competition.

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Recent confirmation by the Tourism, Culture and Arts Ministry in Trinidad and Tobago that an international Soca competition is on the way for next year’s carnival, has been met with optimism by Soca artiste, Terry Seales. He says it’s long overdue, and necessary for the development of creatives in Trinidad and Tobago. News of the new competition came even as the artiste prepared to unleash a brand-new single on the ‘Jam and Move’ riddim- a project produced and worked on collaboratively with fellow artistes, Chenko and Yohan Popwell, who’s best known as Dna 868 Muzik. “‘My single, Jam and Move’ brings all the elements of carnival together in one road- ready single,” says Seales. He is eager to make his presence felt again. 

Chenko has delivered ‘Greater Dan Dem.’

In 2023, ahead of Carnival 2024, Terry says he did his due diligence as a longstanding part of the T&T Carnival ecosystem. “I released three songs for Carnival this year and despite that, people would meet me and express hope of hearing music from me in the season.” His expression highlights the common sentiment of many artistes in Trinidad and Tobago, particularly at Carnival time. Together with Chenko and Dna 868 Muzik this time around, he is optimistic that the music will ultimately speak for itself. “Chenko’s single is called, ‘Greater Dan Dem,’ and Dna 868 Muzik brings a tune called, ‘Mash Up.’ With my single, ‘Jam and Move,’ the idea is to create the nostalgic energy of what many carnival revelers know in their hearts, is true, about this season,” said Terry, adding, “the music must bring the vibes.” 

Dna 868 Muzik unleashes ‘Mash Up.’

The team has worked together before and for Terry, the brotherhood and musical cohesion, is particularly refreshing. “We worked together last season and the music we delivered was excellent I believe. The aim is to maintain that level of consistency. This time around, we’re promoting using all the tools that are available to us, because ultimately, we just need the music to reach the people.” 

On the topic of a new International Soca competition, Seales says he is hopeful that there will be equity in the selection process, and throughout the competition when that time comes. “I think the competition should be fair and the people should be the final judge,” he suggested.  

AD- MZURI PEOPLE PRESENTS THE A TEAM BAND.

For artistes like Terry Seales who’ve mounted stages within the carnival landscape for many years, any opportunity for potential growth in the carnival space, is anticipated. He says over the years he has observed the change of the music and is accepting of its overall direction, explaining that from a financial perspective, Groovy Soca makes sense. “The grooves are hitting better because on the international market, it’s more laid back, slower, more lyrics, better hooks. Internationally, they cannot understand the speed of the Power Soca. Mical Teja won Road March with a Groovy Soca song. The energy of that slower groove is much stronger now than the Power Soca and the Power Soca is more seasonal,” said Seales, noting that Kees Dieffenthaller’s ‘Cocoa Tea’ is presently leading the way into Carnival 2025. 

Prepared to make the most of the 2025 season, Terry is set to release a second single in the weeks ahead. That groovy contribution, along with the Power Soca energy he delivers with, ‘Jam and Move,’ will tie up his offerings. “I’d really like the public to be given the chance to hear the music and decide whether they like the songs or not,” said the entertainer. For Terry Seales, this is not a re-entry or a return. He’s continuing on a journey that’s inspired by pure passion and with conviction, he’s hell bent on making a mark in 2025. 

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Music News

Belmont, Trinidad Delivers On ‘Hill and Gully’ Riddim. Anisha Pleas for Peace.

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A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.

Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.

Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.

For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”

Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”

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Praise Music Hits Hill and Gully Riddim, Out of Trinidad and Tobago.

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Urban Christian artiste JrDynamite is making a bold declaration of faith with the release of his latest single, “Big and Bold”, a powerful anthem encouraging believers to stand confidently for Christ in an increasingly challenging world.

Recorded on the legendary Hill & Gully Riddim, produced by renowned Jamaican producer Stephen “Di Genius” McGregor, the track fuses infectious Caribbean rhythms with a fearless message of conviction, purpose, and unwavering faith.

“Big and Bold” challenges listeners to reject fear, compromise, and silence, while embracing their God-given identity and calling. Through energetic delivery, commanding lyrics, and a memorable hook, JrDynamite reminds believers that faith was never meant to be hidden.

The release arrives at a time when many Christians are navigating cultural pressures and societal expectations. “Big and Bold” serves as both a rallying cry and a source of encouragement, reminding listeners that bold faith can inspire transformation in others.

Known for blending authentic Caribbean sounds with impactful gospel messages, JrDynamite continues to carve out a unique space within the gospel and dancehall landscape. His growing catalogue has consistently showcased his lyrical versatility, energetic performances, and commitment to spreading the Gospel through music.

With the backing of the iconic Hill & Gully Riddim and a message that resonates far beyond the dancefloor, “Big and Bold” is poised to become another standout addition to JrDynamite’s growing catalogue of faith-driven anthems.

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