Music News
Terry Seales Pushes In With Optimism. Anticipates Return of International Soca Competition.
Recent confirmation by the Tourism, Culture and Arts Ministry in Trinidad and Tobago that an international Soca competition is on the way for next year’s carnival, has been met with optimism by Soca artiste, Terry Seales. He says it’s long overdue, and necessary for the development of creatives in Trinidad and Tobago. News of the new competition came even as the artiste prepared to unleash a brand-new single on the ‘Jam and Move’ riddim- a project produced and worked on collaboratively with fellow artistes, Chenko and Yohan Popwell, who’s best known as Dna 868 Muzik. “‘My single, Jam and Move’ brings all the elements of carnival together in one road- ready single,” says Seales. He is eager to make his presence felt again.
In 2023, ahead of Carnival 2024, Terry says he did his due diligence as a longstanding part of the T&T Carnival ecosystem. “I released three songs for Carnival this year and despite that, people would meet me and express hope of hearing music from me in the season.” His expression highlights the common sentiment of many artistes in Trinidad and Tobago, particularly at Carnival time. Together with Chenko and Dna 868 Muzik this time around, he is optimistic that the music will ultimately speak for itself. “Chenko’s single is called, ‘Greater Dan Dem,’ and Dna 868 Muzik brings a tune called, ‘Mash Up.’ With my single, ‘Jam and Move,’ the idea is to create the nostalgic energy of what many carnival revelers know in their hearts, is true, about this season,” said Terry, adding, “the music must bring the vibes.”
The team has worked together before and for Terry, the brotherhood and musical cohesion, is particularly refreshing. “We worked together last season and the music we delivered was excellent I believe. The aim is to maintain that level of consistency. This time around, we’re promoting using all the tools that are available to us, because ultimately, we just need the music to reach the people.”
On the topic of a new International Soca competition, Seales says he is hopeful that there will be equity in the selection process, and throughout the competition when that time comes. “I think the competition should be fair and the people should be the final judge,” he suggested.
For artistes like Terry Seales who’ve mounted stages within the carnival landscape for many years, any opportunity for potential growth in the carnival space, is anticipated. He says over the years he has observed the change of the music and is accepting of its overall direction, explaining that from a financial perspective, Groovy Soca makes sense. “The grooves are hitting better because on the international market, it’s more laid back, slower, more lyrics, better hooks. Internationally, they cannot understand the speed of the Power Soca. Mical Teja won Road March with a Groovy Soca song. The energy of that slower groove is much stronger now than the Power Soca and the Power Soca is more seasonal,” said Seales, noting that Kees Dieffenthaller’s ‘Cocoa Tea’ is presently leading the way into Carnival 2025.
Prepared to make the most of the 2025 season, Terry is set to release a second single in the weeks ahead. That groovy contribution, along with the Power Soca energy he delivers with, ‘Jam and Move,’ will tie up his offerings. “I’d really like the public to be given the chance to hear the music and decide whether they like the songs or not,” said the entertainer. For Terry Seales, this is not a re-entry or a return. He’s continuing on a journey that’s inspired by pure passion and with conviction, he’s hell bent on making a mark in 2025.
Ebuzz News
At Just 11, Yung Kymani Understands the Importance of Culture. Calls for More Calypso and Soca in T&T.
“Out of the mouths of babes and sucklings”… and so it is that at just 11-years-old, one of Trinidad and Tobago’s rising superstars is calling on the nation to sing less dancehall and Trinibad music, and instead focus on the traditions of T&T. Yung Kymani placed second in the 2024 Junior Soca Monarch competition. This season, the youngster whose family ties are linked to both Morvant and Carenage, is using his voice in multiple ways, delivering a remake to Machel Montano’s age- old hit, ‘Too Young to Soca,” while standing in support of the development of, and investment in T&T’s Soca and Calypso music. Yung Kymani’s single is called, “Soca In Meh.”
Sustained and strengthened by the support of his parents, Kymani continues on his road to musical success. His appreciation for the cultural traditions of his homeland, is strong. “Calypso and soca are basically one in the same as uncle Machel said in his 2024 Calypso Monarch song, Soca is the soul of Calypso,” he noted, adding that the main differences he sees are the speed and the information that’s shared using both genres. “With Calypso, there’s a lot of information on things that are happening around the world and at home. I learn a lot of things from listening to Calypso music – things I didn’t even know were happening,” he rationalized, adding, “Soca on the other hand, is really upbeat and is there to make us dance and be happy.”
The entertainer who attends St. Peter’s RC School, is excited to once again partake in the Junior Soca Monarch competition in 2025. His remake of Machel’s ‘Too Young to Soca’ hits home, he says, having faced the same kind of remarks from those outside of his close circle. “I’ve been told that I am too young to be doing this, and that I should stop singing Calypso and Soca, but I am so happy to have gotten this opportunity to remake this song, and to add my flavour to it.”
The song was written collaboratively by Nigel Lopez, Yung Kymani and Kymani’s mom, Kezia Hector. It was produced by Miguel Charles of the A Team Band and Robert SN Baptiste. The track was later mixed by Lunatix Productions and mastered by Precision Productions, making it a true expression of collaborative energy. “As a youth in Trinidad and Tobago, I really think we should try to preserve our culture,” said Kymani, this as he prepares to go head-to- head with other brilliant, young singers this carnival. “This music not only makes me happy, it’s a part of our culture. I think it should be taught in schools as a subject, we should have more jump ups and instead of singing Trinibad music, we can sing more Calypso and Soca. There should also be community classes that can teach our youths and even the adults, about the music and the culture,” said the youngster.
In 1985, at the age of 9, Machel Montano released ‘Too Young to Soca,’ a track that became an immediate hit and remains a distinctive part of the King of Soca’s lifetime music catalogue. “I did not want the song to sound too much like the original. I’ve added my vibe to it and I am very happy that I have been given the opportunity to remake it,” said the budding star.
Caribbean Buzz
Lil’ Bitts Vows Never to Miss de Mas Again as She Prepares for a Jam-packed 2025 Season
After two decades in the business, Lil’ Bitts—aka Shivonne Churche-Isaacs—has made a vow she plans to keep: never again will she sit out Carnival. The multi-talented artiste, known for her infectious energy and stage presence, has had a front-row seat to Trinidad and Tobago’s iconic festival season for years, but it wasn’t always smooth sailing. She still remembers the shock she felt when she made the decision to skip the parades on Carnival Monday and Tuesday one season, only to end up physically sick. “I got sick—like, literally,” she admits. “I’ll never ignore Carnival’s call again.”
This year, Bitts is more than ready to hit the streets with Yuma for an unforgettable Carnival 2025. The excitement is palpable as she gears up for what’s sure to be a thrilling season, both on and off the road.
Rising to the Occasion with “Brighter Days”
With five songs under her belt and a growing social media presence, Lil’ Bitts is enjoying a well-deserved moment in the spotlight. Her Instagram and other platforms have become hubs of interaction with fans, opening doors to new collaborations and promotional opportunities. “Social media is the ultimate artiste toolkit,” she says, urging fellow performers to embrace the digital world to connect with their audiences.
One of her most highly anticipated projects is the track “Brighter Days,” which she says has been in the works for three years. Produced by Gaffa Productions, the song has become a personal passion project. “This one is really special,” she shares. “The world needs positivity right now, and I feel like this song is necessary.” She credits the magic of modern technology for making it all come together, working with talented producers like Stemz, District 6 Studios, and Benje Music in hybrid mode from different locations in the region. She’s also collaborated with M1 on a single called “Wetter” for the 2025 season. “We’ve been talking about working together for years, and I’m so happy it’s finally happened,” she says. “M1’s a unique talent; there aren’t a lot of artistes like him.”
A Dream Come True: Chutney and Multi-Cultural Magic
As if things weren’t busy enough, Lil’ Bitts has recently ventured into the world of chutney music. She got a call from the Pungalunks Factory to contribute vocals for a track with Reshma Ramlal, the Warrior Princess herself. The track, “Poowah Nah Ready,” is a dream come true for Bitts, who has always had an affinity for East Indian culture. “When I was a kid, I loved dressing in Indian clothes and watching Bollywood movies. I knew I wanted to do a Chutney song one day, but it had to feel natural. And this—this feels right,” she said. Bitts reflects on how much she’s learned and appreciated about Trinidad and Tobago’s multicultural beauty through this experience. “The energy on set, the unity—it was amazing. We’re one people, and that’s something I never want to forget.” The collaboration has already earned a place in the spotlight, with Ramlal making it into the semi-finals of the Chutney Soca Monarch competition.
