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Archived: Terri Lyons on Relationship With Big Sis, Fay-Ann- “We Cool.”

Are Terri Lyons and Fay Ann just Cool? Hmm. Terri says they are.

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Fay-Ann and Terri Lyons
Approx. 2 min read

Terri Lyons says despite public perception, she and sister Fay-Ann Lyons Alvarez are simply busy living their respective lives and doing their thing, individually. In a recent radio interview, the ‘I am Lion’ singer said, “right now our relationship is… she is doing her thing, I’m doing mines,” referring to what some have speculated has been a strained relationship between the two.

Terri Lyons ‘I Am Lion’ is causing a stir in Trinidad and Tobago.

Terri has been riding a wave of popularity this season, propelled by a song that many feel is a double entendre that points fingers at the elder Lyons, via a line that speaks of Terry being the real lion. On the weekend, Terri told Hollywood Sachy that she is happy to have reached this point of success on her own and has ambitions to keep trotting her course, until greater opportunities come her way. Her 2017 hit was recently followed up by a collaboration with St. Vincent’s Skinny Fabulous. That song, they called, ‘Recruit’ is also building momentum heading into the climax of the Carnival 2017 season.

“The relationship is … we cool. She doing her thing and I doing my thing. It’s just that John Public would sometimes irritate certain things,” said Terri on Saturday. The young artiste was then asked to clarify, with her host explaining that the public would most likely be questioning why Fay Ann had not, to this day, pulled her younger sister into the ranks of what is now the Asylum Vikings. “That is a question for her,” said Terri coyly.

Fay-Ann and Terri in seemingly happier times.

Terri Lyons says if her sister reaches out to her to be a part of the band, at this point, she would not necessarily refuse. “Rain and sun does fall at the same time so anything is possible. Look at Bunji and Machel now,” she replied.

Terri Lyons is now managed by Ian Pantin- Bunji Garlin’s former manager, who was fired in 2013.

“The relationship is … we cool. She doing her thing and I doing my thing. It’s just that John Public would sometimes irritate certain things,”- Terri Lyons 

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‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Caribbean Buzz

Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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