The mission is clear, and the moves are deliberate. On Sunday, alongside his bandmates in Dil-E-Nadan, Stephen Marcelle graced the stage at Soka in Moka to commemorate the 25th anniversary of the iconic event. His latest track, ‘Trini Sweet,’ made its debut at the all-inclusive fete, adding another layer to the artist’s rising star. But for Stephen, this is just the beginning. As Carnival 2025 looms large on the horizon, he’s preparing for the breakthrough that will transform him into the artist he’s always dreamed of becoming.
“I’ve been with Dil-E-Nadan for over ten years now, and the experience has been incredible. The opportunities I’ve received have been invaluable, but my ultimate goal is to make Stephen Marcelle a household name,” he shares with unwavering determination.
Marcelle is a Phd student, artiste and
Balancing multiple roles as a healthcare professional, PhD student, and artist, Stephen is dedicating himself to building a robust music catalogue while sharpening his marketing game. “I’ve put out songs over the years, but as an artist, you need to properly market yourself and your work. It’s been challenging with my schedule, but now I’m making it a priority,” he admits. With junior management responsibilities at the North West Regional Health Authority, a busy touring schedule with Dil-E-Nadan, and his academic commitments, Stephen has become a master of time management. “I’m ready for the challenge,” he asserts.
This November, he took his talent overseas, performing with Dil-E-Nadan in Amsterdam. It was yet another chance to showcase his versatility as a Trinidad and Tobago-born artist on an international stage. “I’ve been performing a Dutch song – I’ve done it in Suriname, and I did it in Amsterdam. The crowds are always amazed that I can perform in their language,” he reveals. Stephen is eager to continue expanding his global reach, embracing new markets and cultures beyond the Caribbean.
His new single, ‘Trini Sweet,’ penned by the legendary Jason ‘Shaft’ Bishop and produced by Lunatix Productions, is a love letter to the essence of Trinidad and Tobago. “The song captures the unique sweetness of our country – from the food and freedom to the warmth of our people and culture. When foreigners visit, they can’t help but agree: Trinidad and Tobago is paradise,” he says, proudly.
Marcelle says T&T is still sweet, even as the country combats crime.
Of course, Stephen doesn’t shy away from the challenges his homeland faces. “Yes, crime is an issue, and the blame game will continue. But we all have a part to play in the solution. Despite that, T&T is still a beautiful place, and there’s no place like home.”
This Carnival season, Stephen is stepping into the spotlight with fierce determination. “I’m entering competitions this year, and my focus is on strengthening my personal brand. Not only does that benefit me, but it also benefits the Dil-E-Nadan brand. I want to be known for more than just ‘the other guy.’ I know what I need to do, and I’m doing it,” he says.
A true cultural ambassador, Stephen’s love for Trinidad and Tobago’s music scene is undeniable. He was crowned Emancipation Calypso Monarch in 2012 and Young King Calypso Monarch in 2013, and has been a consistent semi-finalist at Skinner Park for seven years. “I’ve also been writing calypso for children’s competitions, and that’s something I’m committed to expanding on,” he shares. These days, Stephen uses his time wisely, writing new material during his flights as he travels for work and performances. “I don’t sleep on the plane; I write, study, or work. There’s always something to do.”
Stephen Marcelle is more than just a bandmate or a healthcare professional. He is an artist with a story to tell and a sound that deserves to be heard. As he continues to carve his path in the industry, he’s confident that one day, Trinbagonians and Soca lovers across the Caribbean will no longer refer to him as “the other guy” but as Stephen Marcelle, a name that will echo through the halls of soca history.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
On the heels of the release of new material, Buju Banton recently rode through Brooklyn with comedian, Queensflip on a dollar cab. The candid discourse has however landed the veteran reggae and dancehall artiste in a viral war of words it would appear, as someone speaking on behalf of fellow entertainer, Wayne Wonder is now challenging Buju’s utterances.
In a post shared on social media on Monday, Buju Banton is lambasted on behalf of Wayne Wonder, with the spokesperson alleging that Buju was responsible for the removal of Wayne Wonder’s name on credits for his 1992 hit single, ‘Murderer.’
Buju’s utterances was owed to questions asked by QueensFlip on the matter of his relationship with Wayne Wonder.
In response, a representative, now understood to be the wife of Wayne Wonder, countered Buju’s sentiments, harshly criticizing Buju’s character and alluding to dishonesty and unfair treatment meted out to her husband.
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