From dancehall music with rough lyrical content to social commentary that aims at changing mindsets, East Trinidad native, Squeezy Rankin says he has found his true calling in Calypso music. The entertainer is on the road to the preliminary round of the Calypso Monarch Competition later this month, with a single called ‘Rat Race’ – this, one year after ‘Justice’ influenced younger audiences to take a stronger look at the Calypso genre, something that he hopes he can continue to do as his journey in music continues.
Squeezy Rankin has been an artiste on the ground for many years. He has pivoted from dancehall into Calypso music.
In a recent radio interview, the reigning Young King, whose real name is Anthony La Fleur, said prior to 2025, he had not done music professionally in 13 years. Jumping back into the spotlight, he said, was a bit intimidating, but the exposure last year has prepared him for 2026 and the artiste is expected to confidently claim his space in the Calypso Monarch competition this year.
As real as it gets, Squeezy Rankin- a man on the ground, has always fought for his place in the music industry locally. Now, as Calypso music embraces him even more, he says he believes he’s found his place. “I plan on releasing two songs during the year because I want to change the narrative that Calypso music is old people music,” he said, adding that his hope is that urban radio stations see the value in sharing topics of social commentary, such as ‘Justice’ and ‘Rat Race’- songs deep in meaning and valuable beyond measure, in the greater scheme of things.
Determined to change mindsets one song at a time, Squeezy Rankin says his strong suit is certainly social commentary and he will not, at any time, delve into political commentary. “I was advised by someone who is deep in politics to stay out of it and I literally listened. You know sometimes we hear people, but we aren’t listening. I thought about what he said, and it made sense. I literally listened, even though they say I don’t listen,” he said with a laugh.
‘Rat Race’ was written by Squeezy and Angelo Pantin with production by Q-Ban Production.
Pure heart and true spirit, a focused mind and the understanding that faith conquers all fear, has secured the Junior Soca Monarch crown for 12-year-old artiste, Yung Kymani. In the aftermath of his success on February 10th, the young artiste attested to the support of his parents, saying he was grateful that they pushed him and motivated him to keep going.
It’s certainly not his first roll in the hay, but this year he was more confident than ever that his music could engage his peers and the judges in the competition. Kymani was also a semi-finalist in the Junior Calypso Monarch competition this year, and while his goal had been to successfully make it into the finals, he will have to try again in 2027.
No matter the challenge, the young, ambitious student who puts culture above hype, says he isn’t concerned with titles as much as he’s focused on creating quality music that can live on for many years to come. His mother, Kezia Hector says she’s incredibly proud of her son’s attitude. “He is preparing for the SEA exam in March and he has been balancing his studies and his music very well. He told me that he is focused on making quality music and the winning track, ‘Link Up’ was created based on that mindset,” she explained.
‘Link Up,’ written by Kymani, his mother Kezia Hector, and Nigel Lopez, expresses in song, the diversity and variety that Trinidad and Tobago’s culture presents to the world. “The song is mid-groovy and it’s all about the culture, the music, the events, the carnival vibes and all else carnival. There’s a dual meaning as well, since the musical styles in the song are varied. There is a little Calypso, Soca, rhythm section and dub,” said Hector, as she highlighted Kymani’s desire to promote the authenticity of Trinidad and Tobago’s cultural product. “The song is really a poem and it’s written with a poetic flow. It’s done in a way that everyone can enjoy,” she explained. “We really wanted to address the fact that Soca is sounding a bit different now- more like RnB, and we wanted to bring back the original sound of our music,” she added. Acknowledging the public discourse on the sound of Soca, she highlighted that while a Grammy award would be nice for Trinidad and Tobago’s music and culture, authenticity should not be compromised. “We are making every attempt to help our son stay close to the true energy of Soca music. Kymani is very versatile and he can pivot outside of the carnival season,” she said.
Machel Montano, a source of tremendous inspiration for Kymani, he hopes to follow in the megastar’s footsteps, sharing good music with people, the world over. “This year my goals also include reaching more people around the world with my music and building a bigger fan base,” he said.
Amid the hard work and dedication to ensure her son is healthy and mentally prepared for any outcome, Kezia Hector says she consistently reassures Kymani. “As a parent you have to encourage them and even if they don’t win, we have to explain the importance of trusting in God always,” she said.
On the topic of Soca’s continuity, Kezia said, “We are hoping that people his age who are in the entertainment sector, can pick up the mantle and push the culture, and that’s why we are sticking to the sound of our music.” Additionally, she said, “I do think there are a lot of young people, Kymani’s age, who do enjoy the music of our country, however these children are not showcased enough. They need to do a better job of showcasing the youths to encourage them. We can’t just stop at Machel Montano or Terri Lyons. There are so many talented youths out there. You can’t keep the focus only on 5 or 10 artistes,” she reinforced.
Carnival is more than jump and wave in today’s world. It’s an experience that event organisers go hard at to establish their individual brands. This coming Sunday, one team of organisers says their event will be perfection. Brunch and Soca – the premium, all inclusive carnival fete, takes place at Trinity East College, Trincity from 4pm to 11pm. St. Vincent and the Grenadines artiste, Skinny Fabulous, is a part of the organizing team.
With an ever- evolving entertainment landscape, the expectations of carnival event attendees is at an all time high. For the organisers of Brunch and Soca, it’s a challenge they’ve dedicated their time and energy, to ensuring complete satisfaction in 2026. “Brunch and Soca Trinidad will ultimately deliver top tier food stations, multiple premium bars, the greatest soca Djs, and trending soca artistes, all within a beautifully designed, upscale setting. This is where Carnival meets premium execution,” said one event coordinator.
Fashion and style now a major part of the Carnival dynamic in the Caribbean, many often question how should one dress for an event of this calibre. “The dress code is fashionably brunch- chic, so patrons are encouraged to come styled up, and ready to enjoy the Carnival Sunday atmosphere,” said the coordinator.
The Brunch and Soca team has effectively and dedicatedly worked toward leaving a lasting memory, with each event executed. “Patrons have higher expectations when it comes to creativity, ambiance and value, which is pushing promoters like us, to elevate our productions. While the industry is more competitive, it’s creating better, more intentional events,” said the spokesperson. Additionally, she explained that there is now a strong demand for premium, well curated experiences. “There’s a lot of opportunity now for brands that focus on quality and authenticity.”
Even amid the high demand for more quality, fashion, creativity and perks at Carnival fetes, feting in itself remains a very important aspect of the Brunch and Soca experience. “This event is unique because it blends brunch culture with carnival energy, creating not just a party but really, an all round memorable, premium experience.”
Brunch and Soca tickets are available at all CACHE locations in Trinidad and Tobago and online at www.brunchandsoca.com.
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