It’s a noticeable fact that Soca music is touching people in places one would find difficult to even believe. Some say the emergence of the genre’s ‘dopeness’ came with Bunji Garlin’s ‘Differentology’, which was remixed by Major Lazer to offer an even stronger EDM undertone than it started off with when it was dropped in Carnival 2013. Some are even saying Soca is becoming the Caribbean sound of choice in the region, overpowering dancehall, and with Jamaica’s World Boss, Vybz Kartel incarcerated for murder, and obviously unable to perform his countless dancehall anthems, the question provoked is whether the other dancehall deliverers have what it takes to keep the genre on top.
Bass’ ‘BumBum’ received endorsement from the Massive B duo in NYC.
On Sunday, in New York City, Hot 97FM delivered Bass’ Carnival 2016 anthem, ‘Bum Bum’, best known as ‘If Yuh Stush’. The single was played by Bobby Konders and Jabba on Hot97’s very popular ‘ On Da Reggae Tip’ Sunday show between 10pm and 12am. Bass, who’s dropped the ‘3rd’ from his sobriquet , told EBUZZTT that he’s known Bobby Konders for quite a few years personally, having worked at Hot97 when he lived in New York. “When I got up to New York in late 1999-2000, they were still playing a lot of old soca songs- my old song, ‘Yuh Make Meh Feel’ and ‘Big Truck’ and ‘You Ain’t Nothing But A Teaser’ and that kinda thing. I was instrumental in going to the distribution in Brooklyn and getting them to get new soca music, so we’ve had a relationship since then and that’s how they started to play new soca on Hot97,” he explained.
HOT97’s Bobby Konders and Jabba have been instrumental in getting dancehall music delivered to the masses in NYC.
Having just released a new song called, ‘Summerparty’, Bass says he’ll be heading to New York at the end of the month where he’ll be featured at Bobby Konders and Jabba’s event ‘Fire Sundays’ at a club in New York. He’ll even be making a guest appearance on the weekend show on Hot97 with the Massive B duo. Bass says he expects the new single to do well in the New York area since it was done specifically with that New York West Indian market in mind.
Radio airplay remains an essential part of growth for any musical genre- this despite the strong emergence of modern day social media and video sharing tools in the promotion of music. Bass is undeniably appreciative of the love shown to him by the New York radio heavyweights who have, in the past, made a number of dancehall anthems reach the ears of Caribbean and non caribbean listeners. With a number of Caribbean carnivals on the horizon in the US, Bobby Konders and Jabba’s endorsement of ‘Bum Bum’, he knows, could go a very long way.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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