He’s never too far. He’s a part of the carnival tapestry even when you hardly hear of his pursuits in a season. T&T’s carnival 2019 period has seen Jason ‘Shaft’ Bishop penetrate the airwaves with more than six carnival anthems. He’s the man behind Patrice Roberts’ killer tourism-jingle- like hit, ‘This is The Place,’ and Lyrikal’s monster chipper, ‘Passing Through.” Shaft’s always in the shadows, even when his name isn’t calling much.
For years, Jason’s been the songwriter of choice for many. From Destra Garcia who’s hit ‘Lucy’ was written by Bishop, to Machel Montano, Nikki Crosby’s ‘Granny’ persona- who he manages, and certainly Patrice Roberts, with whom he struck gold when they delivered, “Big Girl Now”. His artist repertoire across the islands, includes the likes of Peter Ram, Alison Hinds, King Bubba and Ricardo Drue. Jason ‘Shaft’ Bishop is most certainly the model songwriter in the Caribbean. “I’m an executive songwriter. I’m the only songwriter with such a significant number of songs tabulated since 1999,” he said to us during an exclusive EBUZZTT interview. Jason’s however got his eyes set on international territory these days, telling us that when Carnival is over, he’ll be heading out to Los Angeles where he’ll be treading deep waters outside of his calm Caribbean comfort zone.
Jason writes for each season, one year in advance. Explaining his process to EBUZZTT, he said he offers artistes full concepts based on his vision for the songs he pens. He also personally hand picks who receives which songs, based on character, topic and personality. Ahead of Barbados’ CropOver, he’s already prepared to distribute songs to the artistes who’ll sing them. “I’m heading to Barbados this evening,” he said when we spoke with him on Thursday. Jason’s been hard at work. His team, based in Barbados, has worked arduously behind the scenes, executing his vision of creating a full fledged songwriting business, that also features other elements that would aid all artistes in the execution of their goals. “I’m setting up offices of Shaft Vibes Entertainment in Barbados, Trinidad and New York,” he said, highlighting that artistes will be able to hire professional songwriters for all genres, videographers, marketing specialists and even dancers.
A Caribbean tour that started in Trinidad on Saturday and has continued in Grenada, this afternoon, has intrigued GenZ and GenAlphan fans across the Caribbean and internationally, all thanks to digital influencer, IShowSpeed, whose real name is Darren Jason Watkins Jr.
The 21-year-old Cincinnati, Ohio native who has racked up over 53 million YouTube subscribers touched down in Trinidad on Saturday, much to the excitement of local gaming and streaming fanatics, many of whom are teens and pre-teens.
Accompanied by several Trinidad and Tobago influencers and chaperoned by Machel Montano’s manager, Che Kothari, the vibrant young streamer was shown various parts of Port- of- Spain, Trinidad, and introduced to aspects of the culture often experienced by visitors to T&T, particularly at Carnival time.
From Saheena, to Roti, Bake and Shark and Doubles, IShowSpeed tried several Trinbagonian dishes and even some of the snacks manufactured locally. He was exposed to Carnival culture and traditional carnival characters and further to that, Trinidad and Tobago artistes like Lady Lava, Nessa Preppy and Jimmy October shared in the thrill of his visit. Many young, eager Trinbaonians, inclusive of parents who are familiar with the young influencer, engaged happily with Watkins Jr. throughout Saturday’s trip, all as he streamed the fun, live. Running through the streets as he moved through places like Tragarete Road and Charlotte Street in downtown Port-of-Spain, he was visibly excited to experience the country known especially for the Greatest Caribbean Carnival, the world over.
The trip, though quick, was streamed to some 7 millions online viewers and while some found it difficult to relate to the new wave of digital marketing and influencer branding potential for the small, twin island, others have since been marveling at the fact that this 21-year-old has managed to gift Trinidad and Tobago more publicity in mere hours, than that which Caribbean celebrities have been able to attain, over years in cultural ambassadorship.
Now, he turns his energy to Grenada. He was welcomed to the island by Grenadian cultural ambassador, Mr. Killa on Sunday, and Grenada’s signature Jab is expected to be on full display as the opportunity to reach millions around the world, now presents itself. The tour will continue to other Caribbean tourist destinations, inclusive of Antigua and Barbuda, St. Lucia, Bahamas, St Vincent and the Grenadines, St. Kitts and Nevis, Sint Maarten, Dominica, The Dominican Republic and Jamaica.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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