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Rikki Jai’s Homesick. Artiste’s Love for Soca Runs Deep.

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No matter where they roam, and for what purpose foreign lands become their home, Trinbagonians always yearn for their island in the sun, even if it’s just for a short while. “Looking out at the scenery from a bus – scenery that is bleak and the place is just cold… at some point the average Trini gets homesick,” admits Soca and Chutney Soca artiste, Rikki Jai. He’s in Trinidad now, unleashing new soca music, and happily taking in the island breeze. One of his singles, ‘Home Sick’ gets real about the reality of migration to foreign lands.  

For Rikki and others like him, who’ve set up businesses overseas and are even raising families outside of their homeland, the desire to be in the islands increases when festivals like Carnival come around. “You don’t feel the same breeze, hear the same sounds, and the food just isn’t the same outside of T&T,” says the Jai’master. He has created a brand in the music industry in the Caribbean and even in Caribbean communities overseas, that is sturdy, respected and valued. Even so, he feels compelled to consistently deliver music, remind fans of his love affair with Soca music, and build on that with younger artistes, for a legacy worthy of praise. 

Even after years in the business, Rikki Jai says each season feels brand new to him. He’s excited and his desire to make people smile, dance and enjoy themselves through music, is unwavering. “When I started my career, I did not start with Bollywood of Chutney music. Soca music has been an integral part of my life for as long as I can remember,” he says, noting that while many may brand him as a Chutney Soca artiste, he entered the music business as a Soca artiste. “I’ve had songs like Pumpin, Sumintra, Bolo and Wine on A Bumcee, but because I spent many years winning the International Chutney Soca Monarch, people have probably forgotten that I am a Soca artiste.”

Now, having teamed up with songwriter extraordinaire, Jason ‘Shaft’ Bishop, Jai shares ‘Home Sick.’ The song was produced by De Red Boyz out of Barbados. It’s a top tier combination and offers a sweetness that’s reminiscent of island life, all by itself. He didn’t stop there. A second track, ‘Total Freedom,’ done collaboratively with All Starz band frontline artiste, College Boy Jesse, showcases Jai’s desire to share his style, knowledge and energy with the youths who are next in line to carry on the cultural vibe. 

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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