Ebuzz News
Rihanna Was a Sight at the Academy Awards. Caribbean People Are Proud.
Stop the press. If the Caribbean isn’t proud, something’s definitely wrong. Rihanna represents for the people of not only her homeland, Barbados, but she reps for all Caribbean islands that have, maybe unknown to her, adopted her. On Sunday, the ‘Lift Me Up’ singer gave every little Caribbean girl, a glimmer of hope in a world that can sometimes feel harsh and unkind. Rihanna stood tall and powerful at the 95th Academy Awards, delivering a flawless performance on stage, and before that, proving that she is as warm and embracing as she is professional and talented.
The Fenty Corp owner has accumulated countless accolades, she became America’s youngest self-made female billionaire in 2022, recently performed spectacularly at the Superbowl – baby in womb, and on Sunday, March 12th, Rihanna gracefully strutted the red carpet at the Academy Awards. Prepped to show off her rising baby bump for a second time, she cheerfully engaged photographers, smiling heartily and unhesitatingly answered to their calls for varied poses. Rihanna killed it, to say the least.
Born in Barbados as the world knows, Rihanna has never shied away from her roots. In fact, she has, time and time again, shown us all, what true representation and patriotism is. For that, she was declared a National Hero in her home country, in 2021. “May you continue to shine like a diamond,” said Prime Minister Mia Mottley in presenting Rihanna with the title two years ago ; And shone bright like a diamond, she certainly has.
On stage at the Academy Awards on Sunday, Rihanna performed, ‘Lift Me Up’ the soundtrack of the ‘Black Panther : Wakanda Forever,’ Marvel movie. The song was written by fellow vocalist, Nigerian artists, Tems. The women, together with co-writers, Ludwig Goransson and Ryan Coogler, had been nominated for Best Original Song, but did not win the award. Despite that, 35-year-old Rihanna once again reminded the world that her name and worth go beyond the confines of territory and organization, this as she lifted her voice to the world looking on, whether via television, social media or otherwise. Rihanna had done what we all anticipated. She made the world stop, stare and remember that she is an undeniable force, hailing from the West Indies.
As social media excitedly pushed out photos and videos captured of the superstar entertainer who is soon to be a mother of two, the Caribbean stood watch, happy to once again witness one of its own, deliver like she always has.
Rihanna received a standing ovation from the audience following her performance.
Ebuzz News
A Band That’s Building Legacy for Culture. Blow Mano Blow Promises Memorable Carnival 2027 with Tribute to The Birdie.
Amid a chorus of consistent calls across the length and breath of the country for more creativity and commitment to cultural preservation in Carnival in Trinidad and Tobago, one band continues to answer the call. Bert and Dianne Marcellin’s ‘Blow Mano Blow’ have once again stepped up to the cultural plate, prepared to remind the world, through mas, of the contributions made by a true stalwart of Trinidad and Tobago’s carnival and culture.
Though born in Grenada, The Mighty Sparrow was raised in Trinidad and Tobago from a young age. His achievements over decades at the forefront of Calypso music, have been plenty. World- over The Mighty Sparrow is known as The Calypso King of the World. Now, ahead of another Carnival in Trinidad and Tobago in 2027, ‘Blow Mano Blow’ – an all-inclusive, Carnival Monday T-Shirt band, is set to revel with five well thought-out sections that were revealed this past Saturday night, in Port-of-Spain. The theme is for 2027 is ‘To Birdie with Love.’
The band launch, hosted at the Garden Theatre of the Queen’s Hall in St. Ann’s, saw band faithfuls and friends gather to view and choose the sections they’d be hitting the streets in, come Monday, February 8th, 2027. A well-produced theatrical showcase unfolded just after 10pm – marking the start of what would be a band launch filled with much humour and excitement. From ‘Happy School Days’ to ‘Congo Man,’ ‘Marajhin,’ ‘Margarita’ and ‘Jean and Dinah,’ the songs that have brought great laughter and joy to Calypso lovers around the world for many years, now becomes tangible expressions for the road in T&T Carnival 2027.
On launch night, Bert Marcellin said he was pleased to continue the work that his father, Mano Marcellin began many years ago. With his father’s dedication at the core of Bert’s determination to keep culture alive, the younger Marcellin paid it forward on Saturday night.
Presenting a young, female musician with a gift from the the band, he shared that his father believed musicians were lovers. “Tonight we are paying tribute to Sparrow but we also need to pass the baton on. My dad used to say, musicians are lovers, not fighters so all the folks who have kids, get them to pick up an instrument and get into music; Do something positive,” said Bert, explaining that music is a recipe for stress relief. The owner of Brass 2 the World, the brass band that accompanies his mas band on the road on Carnival Monday, Bert advocates for creatives in a strong way. “Music is enjoyment, it’s an occupation and it makes people happy,” he said, before presenting Tiquana Joseph with an instrument, courtesy Brass 2 The World. “Tiquana started her music career. She is in the Trinidad and Tobago cadets and she just started her theory. She is reading music and we want to give her a start,” he said before presenting the young lady with her very own trombone.
The band is all-inclusive and presents an alternative option that’s reasonably priced, safe and at its core – an ode to Trinidad and Tobago’s culture. In 2026, Blow Mano Blow will be joined in partnership with Sweet 100FM. The radio station presents Jean and Dinah for the road. Over the years, Blow Mano Blow has paid tribute to several well known and well loved legends, among them, Calypso Rose and Lord Kitchener.
Fun, culturally sound and welcoming to every true fan of Trinidad and Tobago’s Greatest Show on Earth, Bert and Dianne Marcellin’s Blow Mano Blow is expected to once again offer patrons an amazing time on the road on Carnival Monday. Live instrumental accompaniment courtesy Brass 2 The World, with Snakey and Sanelle Dempster, food, drinks and a costume that pays homage – what more could a real culture lover want? On Saturday night, patrons got a taste of what’s to come on the road come 2027. The band delivered powerfully, Sanelle proving that she is still the woman who can command any audience. Also appearing as a guest at the event was Ding Dong who made the crowd feel every bit of excitement for yet another carnival on the way.
The energy of the season of revelry in T&T may be months away, but for die hard carnival lovers, this taste of what’s to come was incentive enough to go secure their costumes with Blow Mano Blow. In the audience, one patron could be heard discussing her choice for the road – “I like Congo Man,” she told her friend excitedly. “That is what we going with eh!”
No matter which section’s chosen, one thing’s for sure, Blow Mano Blow will deliver yet again, with the people in mind, on Carnival Monday next year.
For more information on how you can play with Blow Mano Blow, follow them on Facebook.
Ebuzz News
Kymani Marley Set to Release Anticipated New Album, on August 28th. Latest Single, “A Little Bit,” Delves Deep.
Ky-Mani Marley returns with “A Little Bit (I’m Okay),” the fourth and final single ahead of his highly anticipated new album, Love and Energy, which is slated for an August 28th release, and available to pre-save now on all digital platforms via his Konfrontation Muziklabel in partnership with New York-based DubShot Records.
Written by Ky-Mani, his daughter Imani Marley, and longtime collaborator Shaquel Leon, “A Little Bit (I’m Okay)” turns a deeply personal chapter in Marley’s life into an honest reflection on mistakes, uncertainty, resilience and ultimately, acceptance. Rather than pretending everything is perfect, Ky-Mani lands somewhere more real: life can take you down roads you never expected, force you to question yourself and leave you carrying lessons you never asked for — and you can still come through it able to say, I’m okay.
“A Little Bit (I’m Okay)” became a crowd favorite during the European leg of Ky-Mani’s recent Love and Energy summer tour. A live video for the song, which premiered on his YouTube channel, captures an intimate performance filmed at the Toulouse Rio Loco Festival in France this past June, alongside behind-the-scenes footage from the road.
Built around a classic one-drop reggae rhythm and the distinctive cry of pedal steel guitar from musician Tal Morris, the track was produced by Ky-Mani Marley, Anthony Smith, and Llamar “Riff Raff” Brown. Ky-Mani opens the song with a vulnerable look at the roads that shaped him. “I’ve been walking roads with no clear signs, trying to read between the wrong and the right lines. I took some turns I didn’t plan, just trying to figure out who I am– made some mistakes I can’t erase, but that’s alright.”
For Marley, the message is not about having life completely figured out. It is about making peace with the journey. “‘A Little Bit (I’m Okay)’ came from a real place in my life,” he said, adding, “I was going through some things, questioning things, looking at choices I made and roads I had taken. Sometimes life doesn’t go the way you planned, and you don’t always have all the answers. But you learn, you grow and you keep moving. For me, being able to say ‘I’m okay’ doesn’t mean everything is perfect – it means I’ve made peace with where I’ve been and I’m grateful for where I am. That feeling runs through Love and Energy. This album is probably one of the most honest reflections of where I am today,”
That sentiment sits at the heart of Love and Energy, a 14-song collection accompanied by two spoken-word reflections, marking Ky-Mani’s first solo studio album in more than a decade. Throughout the project, Marley explores the experiences, relationships, struggles and growth that have shaped both the artiste and the man he is today, while staying rooted in the reggae foundation that has defined his musical journey.