It’s barely been a week since we said goodbye to Carnival 2017 and many of us are already putting things in place for T&T Carnival 2018 ; But before we move on to next year, we have to admit, Carnival 2017 was filled with some unique moments. Ebuzztt has compiled carnival 2017’s biggest winners and best moments – moments that will likely live on in our memories for many years to come.
The Highlight of Our Rose
Calypso Rose has been honored for her lifetime of service, by the government of Trinidad and Tobago.
Even when her Songs “Abatina” and “Leave Me Alone” were released, it was hardly imagined that Tobago born, international Calypso songbird, Calypso Rose, would make the impact she eventually did, in carnival 2017. Amid the festive enjoyment in Trinidad and Tobago came word that the Calypso Queen of the world had won herself the Victoires de la Musique- the French Grammy. She had done so after her platinum selling album Far From Home, was voted Album of the Year. She subsequently performed at Machel Montano’s Machel Monday concert event in Trinidad, before a crowd estimated at over 10,000.
Toward the end of Carnival 2017, Trinidad and Tobago’s government announced that Rose would be honored with diplomatic status and a Caribbean Airlines aircraft would be named after her, for her lifetime service to Trinidad and Tobago.
Vikings x MM
The Vikings and the MONK make amends.
The infamous promotional image took social media by storm mere weeks before Carnival Monday and Tuesday. Many doubted but many were optimistic. Bunji Garlin and Machel Montano together on a track? Both sides had found mutual ground and came together for ‘Buss Head’- a song which saw the pair find common vocal ground and balance. While many expected more, the unity of the artistes seemed to stand at the fore of the single, lending to a season that promoted more love and less division. Montano and Garlin’s first performance of the song came at the much anticipated and well attended Soaka carnival fete at O2 Park. Their meeting on stage buried, to some extent, talk of a ‘business arrangement’, with many seeing the collaboration for what it seemed to be even at the end of Carnival- a new found relationship. They appeared at numerous fetes on stage together and symbolic of their strengthened relationship was the headline performance of Bunji Garlin at Montano’s blockbuster Carnival event- Machel Monday.
Terri Lyons Roars
Terri Lyons was joined on stage at ISM 2017, by her father, Superblue. PHOTO CREDIT: @islandereventstt on IG.
She came from the jungle and we heard her roar loud and clear in 2017. Often referred to as Fay-Ann’s little sister or Superblue’s daughter, Terri Lyons made a name for herself this year. With a tune many heralded as a powerhouse for Soca Monarch and Road March, “De Lion” proved to many, that Terri Lyons is capable of standing on her own and holding her own, on stage. She appeared at numerous fetes including– Army Fete, certainly one of the biggest Carnival events. Her second release with Skinny Fabulous, a track called, ‘Recruit’ showed the young entertainer’s versatility and was heavily praised by Soca music pundits. Solidifying her stellar season, Terri placed 4th place in both the Calypso Monarch Finals and Calypso Young Queens this year with her contribution – “The Destructive Phrase.”
Voice Proved he was Far From Finished
Voice earned the Soca Monarch title for a second year in 2017. PHOTO CREDIT: LizBliz.
While the Hasely Crawford Stadium saw a much smaller crowd assemble within this year, the International Soca Monarch contestants all brought their ‘A’ game as they vied for the coveted crown. Notwithstanding a questionable technical glitch, and strong competitors, Voice, the reigning champ, again won the hearts of the judges and the people when he performed his early release, ‘Far From Finished’, in the end, retaining his title. Showing great humility throughout the season and even after the wi this year, it’s safe to say, Aaron ‘Voice’ St. Louis has a bright future ahead.
Ultimate Rejects No More
MX Prime and the Ultimate Rejects killed it this past carnival. PHOTO CREDIT: UK Soca Scene.
From the moment “Full Extreme” was released back in December 2016, it was an instant hit. It didn’t need to grow on many of us, it had instantaneously stamped its name as a force to be reckoned with. The lyrics “We Jammin’ Still” “We Doh Business” and “Hold Dem and Wuk dem” became Carnival 2017 taglines. Written, produced and performed by Ultimate Rejects – a humble team of talented artists, the undisputed Carnival 2017 anthem perfectly described the culture of Trinidad and Tobago’s people. The Ultimate Rejects was a staple in almost every fete and was the people’s choice for the Road March title, from the onset. Opting to stay out of the International Soca Monarch Competition, where many thought they would have been a sure win, UR, eventually went not to take the Rad March title, with ‘Full Extreme’ being played at judging points, 556 times on Carnival Monday and Tuesday. The song had also made history, being played the most times EVER, in carnival’s Road March history. Now they’re off to SXSW Music Festival in Austin Texas this month where they will be performing a 40-minute Caribbean Dance Music set.
Ky-Mani Marley returns with “A Little Bit (I’m Okay),” the fourth and final single ahead of his highly anticipated new album, Love and Energy, which is slated for an August 28th release, and available to pre-save now on all digital platforms via his Konfrontation Muziklabel in partnership with New York-based DubShot Records.
Written by Ky-Mani, his daughter Imani Marley, and longtime collaborator Shaquel Leon, “A Little Bit (I’m Okay)” turns a deeply personal chapter in Marley’s life into an honest reflection on mistakes, uncertainty, resilience and ultimately, acceptance. Rather than pretending everything is perfect, Ky-Mani lands somewhere more real: life can take you down roads you never expected, force you to question yourself and leave you carrying lessons you never asked for — and you can still come through it able to say, I’m okay.
Kymani Marley sings “I’m Okay.”
“A Little Bit (I’m Okay)” became a crowd favorite during the European leg of Ky-Mani’s recent Love and Energy summer tour. A live video for the song, which premiered on his YouTube channel, captures an intimate performance filmed at the Toulouse Rio Loco Festival in France this past June, alongside behind-the-scenes footage from the road.
Built around a classic one-drop reggae rhythm and the distinctive cry of pedal steel guitar from musician Tal Morris, the track was produced by Ky-Mani Marley, Anthony Smith, and Llamar “Riff Raff” Brown. Ky-Mani opens the song with a vulnerable look at the roads that shaped him. “I’ve been walking roads with no clear signs, trying to read between the wrong and the right lines. I took some turns I didn’t plan, just trying to figure out who I am– made some mistakes I can’t erase, but that’s alright.”
For Marley, the message is not about having life completely figured out. It is about making peace with the journey. “‘A Little Bit (I’m Okay)’ came from a real place in my life,” he said, adding, “I was going through some things, questioning things, looking at choices I made and roads I had taken. Sometimes life doesn’t go the way you planned, and you don’t always have all the answers. But you learn, you grow and you keep moving. For me, being able to say ‘I’m okay’ doesn’t mean everything is perfect – it means I’ve made peace with where I’ve been and I’m grateful for where I am. That feeling runs through Love and Energy. This album is probably one of the most honest reflections of where I am today,”
That sentiment sits at the heart of Love and Energy, a 14-song collection accompanied by two spoken-word reflections, marking Ky-Mani’s first solo studio album in more than a decade. Throughout the project, Marley explores the experiences, relationships, struggles and growth that have shaped both the artiste and the man he is today, while staying rooted in the reggae foundation that has defined his musical journey.
On August 30th, a major Caribbean event is popping off in the heart of New York. Tropicalfete Inc. is at it again, delivering its 5th annual Caribbean Pop-Up Carnival in Times Square, New York. That’s big deal!
The free, family-friendly event will transform the place that’s often dubbed, the Crossroads of the World, into a vibrant showcase of Caribbean music, dance, and artistic expression. On August 30th, it kicks off at 1pm along Broadway, between W46th and W47th streets. TropicalFete says those coming out are encouraged to wear carnival costumes, wave their national flags, and “celebrate the rich diversity of Caribbean culture.”
The event will be hosted by Vibes Man Redman and Katherine Charles, and will feature an exciting lineup of acclaimed performers, headlined by legendary Billboard chart-topping soca artiste, Rupee.
Rupee made history in late 2004 as the first Barbadian-born artiste, and one of just two soca acts, to reach the Billboard Hot 100 with his global hit, “Tempted to Touch,”which was later Certified Gold by the Recording Industry Association of America. Rupee’s catalogue of soca anthems also includes “Jump,” which has won Road March titles (the song judged to be most popular) at Caribbean carnivals in Boston, Brooklyn, Miami, Toronto, and at Barbados’ Cropover.
Rupee will be honored on August 30th.
The artiste will be honored at the Tropicalfete Pop-Up Carnival by city and state officials for his contributions to Caribbean culture through music and his courageous advocacy for HIV/AIDS awareness. During the event, Rupee will receive a Mayoral Certificate of Recognition from New York City Mayor Zohran Mamdani’s office. He will also be awarded a Proclamation on behalf of the New York City Council. Additionally, New York State Senators Zellnor Myrie and Roxanne Persaud will present him with a State Proclamation, while Assembly Member Brian Cunningham will recognize him with a New York State Assembly Proclamation.
Tropicalfete’s Pop-Up Carnival’s non-stop entertainment schedule will also include a performance by Mapy, “The Violin Queen.” Born on Réunion Island, raised in Paris and now based in Brooklyn, Mapy delivers electrifying performances that blend classical violin with Caribbean rhythms and hip-hop beats. Her impressive resume includes performances at the Grammy Awards, The Ellen DeGeneres Show, and the St. Kitts Music Festival.
Carnival masquerade traditions from all over the Caribbean representing traditional, folkloric, ole (satirical), and pretty mas will also be highlighted.
Tropicalfete Steel Pan Ensemble comes to light up Times Square with an unforgettable set of high-energy. The ensemble will be joining forces with Soca superstar Rupee performing together with one of his songs Give Thanks which is a special treat for the audience. Tropicalfete Stilting Unit and Mas will also be bringing the color, movement, culture, and excitement of Carnival to the heart of New York City.
Attendees can also look forward to a high-energy soca fitness workout with Mandy and a performance by the dynamic rythem Section – Riddim Explosion. DJ Patrick and DJ Eric will provide the recorded musical selections.
The Caribbean Pop-Up Carnival has become one of Tropicalfete’s signature cultural events, attracting thousands of residents, tourists, and cultural enthusiasts each year. Through music, dance, and interactive performances, the event celebrates Caribbean heritage while promoting education and community engagement.
“Tropicalfete’s Caribbean Pop-Up Carnival continues to unite communities by bringing the energy, creativity, and traditions of the Caribbean directly into the heart of New York City,” said Alton Aimable, Executive Director of Tropicalfete. “As we celebrate our fifth year, we invite everyone to experience the sights, sounds, and spirit of Carnival while embracing the diversity that makes our city so unique.
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