There are partnerships in music that feel predestined; forged not just by shared talent, but by shared trust and even fate. Tenor, Raguel Gabriel and pianist, Dr. Jeffrey Middleton have cultivated such a bond – one that began humbly over a decade ago at the Central Bank Auditorium in Trinidad and now returns to that very stage with the second edition of Night and Dreams – a recital that is as much about the music, as it is about their shared artistic voice.
In 2011, Gabriel was stepping into his first operatic role. Behind the piano was Middleton, already an accomplished American pianist with decades of experience performing around the world. Though the moment passed quickly, it laid the foundation for a creative relationship that would evolve across years, countries and careers.
In a poetic twist, they also discovered that they share the same birthday, a detail they uncovered later on in their collaboration. It’s a fitting symbol for the natural rhythm and synchronicity that defines their work.
“Jeff and I don’t just rehearse – we discover,” Gabriel shares. “He knows when to hold space for silence, when to breathe with me, when the story needs time. That trust only comes from years of shared music and mutual respect.”
Middleton, a graduate of Juilliard and Yale, has spent decades shaping voices and performances through his work as a vocal coach, chamber musician and recording artist. His collaborations span Carnegie Hall, the School of American Ballet, and concert tours across Europe, Africa and Asia. His long-standing partnership with Gabriel has evolved through mutual respect and an ongoing musical dialogue.
Their upcoming performance on May 31st at the Central Bank Auditorium is more than just a concert. It is the continuation of a musical conversation, refined by time and devotion.
The programme, a mix of German, French and English arias, was curated collaboratively. From Schubert and Mahler to Duparc and Faure, the music explores the stillness of night, the longing in dreams and unspoken emotions that lie in between. Audiences in New York were visibly moved during the debut edition in 2023 and this performance brings the music back to where the journey began.
As Gabriel reflects on what this performance means to him, he shares: “…I kept the dream quietly inside me, listening and expecting the right time… and here it is. It’s time.”
The event takes place this Saturday, May 31st at the Central Bank Auditorium at 5:30pm. Tickets are just $200 and online at www.raguelgabriel.com.
It might be a complete surprise to see James Saunders on your television screen delivering the sports news and then hear his voice in song, on the radio. For the average fan who grew to love his bubbly personality as one of Trinidad and Tobago’s most popular sport anchors, the transition may feel sudden. The truth is, the Moruga-born media personality has been balancing both worlds for nearly two decades – it’s just that, finally, more people are catching on.
“Fake Energy,” a track released in June that recognised Men’s Mental Health, received a lot of love on social media and introduced him to a whole new audience. Speaking with Ebuzztt, the singer pointed out that very rarely are men asked, “How are you… really?” He hopes his new single helps create space for genuine vulnerability, and aids in changing the narrative about what being “strong” really means.
“If we can make those conversations normal, we’ll save lives. We smile publicly while privately carrying disappointment, rejection, loneliness, or self-doubt. If this song gives someone permission to check on a friend, or realize they aren’t alone, then it’s already a success in my eyes,” he shared.
The lyrics hit home on a personal level; he has endured stretches of having to show up for work and family while masking private pain. “It reminds me that music is about more than just entertainment; it sparks the kind of dialogue people have been dodging for years, including me.”
Known by followers for his fire freestyling talent, the entertainer who goes by the sobriquet Jr. Dynamite traces his musical gift back to his late father who was a DJ. Growing up around his record collection exposed him to everything from reggae and dancehall to soul, gospel and calypso. He soon realised music was a tool to tell stories, create memories and bring people together. Today he lists Bunji Garlin, Tiko Angelos, and Vybz Kartel as his “lyrical heroes,” while crediting Papa San, Prodigal Son and Damian Marley for influencing him inspirationally. Over the years James has performed at The Pilgrimage (Trinidad’s biggest gospel festival), The Lime Tobago, and across the Caribbean including Barbados, Anguilla, Grenada, St. Vincent and Saint Martin. He’s also sung on stages as far as Canada and Brazil.
Juggling all of thathas meant sleep often takes a backseat. The sacrifice, he says, feels worth it. “When you’re passionate about something, you make time for it. I never wanted to look back one day and wonder, ‘What if I had given my music a real chance?”
Guided by his Christian faith, he’s careful not to make his music feel like a lecture. He keeps it real; highlighting anxiety, disappointment, and relationships. Nothing is off limits. On the hardest day of their lives, he wants his listeners to press play and feel inspired, believing that “tomorrow can be better.”
Never one to sit still, James, who has penned more songs than he could recall during this interview, is already putting the finishing touches on his new project, an EP due to drop later this year. He calls it his most personal body of work: a collection of melodic stories tackling purpose, perseverance, faith, and identity meant to make you reflect and even shed some tears. “There are songs that will remind you that no matter what life throws at you, there is always hope on the other side.”
When he looks back at his journey, he is proud to have had the courage to pursue his passions despite the setbacks and the naysayers. He even teased that a few international collabs are coming soon. “I don’t want to say too much on that right now,” he said. “I knew this was bigger than a hobby when I found myself writing songs to process life’s experiences and encourage people. Music isn’t just something I do, it is part of who I am.”
Want more? Check out his brand new love release titled “You & Me.”
Grammy Award-winning reggae band Morgan Heritage returns with “Come Feel The Love,” an uplifting new single written and produced by nine-time Grammy Award-winning artist, producer, and songwriter Stephen Marley.
Released on July 10th through Ghetto Youths International, the song serves as a vibrant musical invitation to experience Jamaica through its people, culture, landscapes, and unmistakable spirit. According to a media release the song celebrates the essence of Jamaica through authentic storytelling, using the universal language of reggae to capture the island’s warmth, resilience, beauty, and enduring sense of community.
Led by the unmistakable voices of Gramps Morgan and Mojo Morgan, the single paints vivid images of Jamaica’s natural beauty, from the iconic lignum vitae and soursop trees to Negril’s coastline, Lovers’ Leap, and the communities where generations have shaped one of the world’s most influential musical cultures.
Complementing the song is a visually stunning official music video produced by Filmaica and directed by Fernando Hevia. Filmed entirely on location throughout Jamaica, the visual showcases many of the island’s breathtaking landscapes and cultural landmarks. Gramps Morgan’s performance scenes were captured in Negril and at the iconic Lovers’ Leap in St. Elizabeth, both destinations referenced in the lyrics, bringing an added level of authenticity and emotional connection, while celebrating the beauty and diversity of Jamaica.
Built around the infectious refrain, “Come Feel The Love,” the record embodies Jamaica as more than a destination – it is a feeling rooted in family, music, community, and connection.
Celebrating Home.
“Come Feel The Love” marks Morgan Heritage’s first newly recorded release since the ascension of one of its founding members, Peetah Morgan, opening a new chapter for one of reggae’s most celebrated groups while honoring the legacy he helped build. The single reflects the band’s enduring commitment to carrying its message of unity, love, and cultural pride to audiences around the world.
“Jamaica has given us so much, our identity, our music, our culture, and our purpose,” said Gramps Morgan. “This song celebrates everything we love about home and invites the world to experience the same warmth and inspiration that continues to shape who we are.”
Mojo Morgan added, “Reggae has always connected people across cultures and generations. ‘Come Feel The Love’ reminds us that Jamaica’s greatest gift isn’t just its beauty, it’s the love, unity, and positive spirit that people feel the moment they arrive.”
The record seamlessly blends Morgan Heritage’s signature harmonies with Stephen Marley’s timeless production, creating a contemporary roots,reggae anthem that honors Jamaica’s traditions while introducing its story to a new generation of listeners.
As one of reggae’s most celebrated families, Morgan Heritage has spent decades carrying Jamaican music to audiences around the world, earning a Grammy Award and building a legacy of socially conscious, spiritually uplifting recordings. Their collaboration with Stephen Marley, one of reggae’s most accomplished artists and producers, brings together two of Jamaica’s most influential musical legacies in a powerful celebration of the island, its people, and its culture.
More than the release of a new single, “Come Feel The Love” represents the beginning of Morgan Heritage’s next chapter, one rooted in the same values that have defined the band for generations while embracing a renewed purpose. As they honor Peetah Morgan’s enduring legacy, the group continues its mission of celebrating Jamaica through music and spreading love, unity, hope, and positivity to audiences around the world.
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