It was a night for sheer enjoyment and at least one event in Carnival that lived up to its name, calling out women of all ages and backgrounds to the Queen’s Park Savannah. Highly advertised, Randy Glasgow Productions’ Soca For Her, held on Friday night, did tremendous service to the artform, bringing into focus a number of incredible artistes from around the region.
Dressed to wow and drop jaws, many of the country’s women adorned themselves from head to toe in chic fashion, some accompanied by good friends and others in the company of their spouses. It was a simply an evening to come out, relax and enjoy the sweet and sometimes high-energy sounds of Soca music. Held at the Grand Stand of the Queen’s Park Savannah, the event ushered patrons into seated areas, based on their ticket purchases of general or VIP access. Some chose to stand toward the left side of the stage, comfortable just to simply dance the night away while being in close proximity to the bar area. Those who’d chosen to sit got ample opportunity to stand and enjoy the revelry from time to time as artistes like Erphaan Alves, Farmer Nappy and Christopher Martin, Lyrikal, Nailah Blackman, Skinny Fabulous, Patrice Roberts and of course, Nadia Batson, thrilled in full length concert style showcases.
Glasgow, one of Trinidad and Tobago’s well known promoters, has always provided an event that caters to a broad demographic of particularly women. His ‘Ladies Night Out’ concept previously staged at the Jean Pierre Complex, was a phenomenal success for many years. With a new promotional baby to his credit, it is likely that Glasgow will continue to nurture Soca For Her, giving artistes a platform to truly present their music, in a setting that caters to lengthy productions.
Farmer Nappy Introduces Christopher Martin.
Fans of soca music have been hearing one of the season’s most played collaborations, ‘Gyal Like Rain,’ sung by Farmer Nappy and Jamaica’s Christopher Martin. The song came to life on Friday night when both artistes appeared on stage, to the true enjoyment of the women looking on. Known for his reggae hits, Christopher Martin came through with high energy, calling out to the women, “sexy ladies!!!” before continuing with the track alongside his Caribbean brother.
The entire showcase was incredible. Erphaan Alves, hitting the stage early on in the evening, penetrated with his past hits and of course, brought on the revelry when he unleashed his 2023 single, ‘Spirit,’ which has been picking up effortlessly in recent weeks.
One of the season’s surprises so far has been the inclusion of US Virgin Islands’ artist, Adam O, who’s been causing a scene pretty much at every event he hits. On Friday night, the artist did not disappoint. Called to the stage by Nadia Batson, Adam pounced into action and held his own on stage, making the ladies scream, jump and move as though he’d been a familiar face on the scene for years.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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