He’s hardly ever among the artistes on the Carnival circuit to get the attention of mass audiences, but he is certainly, for a third time, being considered for a Grammy nomination. The 67th Grammy Awards takes place on Sunday, February 2nd, 2025 at Crypto.com Arena in Los Angeles. The nominations for the awards will however be announced this coming Friday, November 8th. Trinidad and Tobago radio personality and artiste, RKG is among the artistes being considered for Grammy nomination for his album, Fully Digital. Once again, for this music lover, consideration by the Grammy nomination committee is a career highlight.
In previous years, RKG has been considered by the GRAMMYs and while his name has not made it to the final nomination list just yet, he says he is happy that his music’s quality has gotten him this far. “Your music must be of a particular standard to pass the submission process. There are certified voters – producers, songwriters and others, who will listen to the music’s standard and quality,” he shared, adding that he is of the firm belief that his third-time consideration is based on his music’s quality. “The first time I was given consideration was with the album, Caribbean Born. The second time around I was considered alongside Kes The Band in the category of Global Music Performance and now, the third time around, I’m being considered in the category of Best Reggae Album.
RKG’s latest album, ‘Fully Digital’ boasts 14 tracks. He told Ebuzztt that he spent two days alongside producer, NyceNation, steadily working to deliver on the project. Now, reflecting on the journey to this point, he stands proud and happy, recalling that those two days of dedication in an area considered a crime hotspot, was a necessary part of the end product. On his style and delivery, RKG tells us that his aim has never been to sound like every other artiste, or to be boxed in to any one genre of music. “Me setting myself apart equates to me sometimes sacrificing my career. That may be a strong statement to make, but what I mean is God has given me a talent that I can be musically versatile with, something that not many people are capable of doing. I try to separate myself musically, because I think being unique is what’s needed,” he said.
Admittedly influenced heavily by the likes of dancehall artistes, Spragga Benz, Bounty Killer, General Degree and T&T’s Bunji Garlin, RKG says now he has found his own style and is comfortable delivering songs that blend genres and offer a difference to global music lovers. “My greatest desire when it comes to my music is to hear my songs in movies, on Netflix and other major platforms. God is the boss and God is in charge of time. Music is something that can live on and I want to create music that lives on through the people, through generations. I want to give the people music that can talk to them, heal them, strengthen them; I want my music to transcend beyond the norm of any festival, any party,” he said, adding that good music connects to the soul of the listener.
The globe at the fingertips of musicians and creators, RKG is unfazed by those who question his music at home in the Caribbean. He however encourages everyone to take a listen to ‘Fully Digital’ with the understanding that his target audience is a global one and his sound, is as unique as the people of varied nationalities, races and ethnicities worldwide. “This album’s music is timeless; the songs are not dated and these songs can be played for years to come,” he shared, telling us that during the voting process he received a very encouraging email from one of the panel’s voters who credited him with what they said was a a very good body of work in ‘Fully Digital.’
As Carnival 2025 in Trinidad and Tobago looms, one of the Caribbean’s most unique and intriguing male artistes, Skinny Banton, is gearing up to make his mark in a big way. With his latest release, Liquor, already causing waves, the Grenadian-born artist is proving he’s here to stay, bringing his personal style, and down- home Caribbean spirit to a global audience.
It’s been five years since his unforgettable hit, Wrong Again, took the world by storm and the track remains a fan favorite to this day. Its infectious energy and authentic vibe solidified Skinny as an artiste to watch, and since then, his music has resonated with listeners across the region and internationally. His ability to blend catchy rhythms with meaningful lyrics has made him a staple in Caribbean music, while his sound remains a perfect blend of traditional influences and contemporary flair.
The Jab culture of Grenada has always been a source of inspiration for the Carriacou native. But it’s not just one island or one genre that defines him. Skinny draws from the wider Caribbean experience, creating music that speaks to all the islands, enticing the international crowd along the way. As he explains, his music isn’t confined to one place or one story; It’s about sharing the universal joy of the Caribbean with the world.
“Music is for everyone,” says Skinny. “It’s not about where you’re from. It’s about connecting people from different walks of life through rhythm, melody, and energy. When people come to Carnival, they’re looking for an experience that will stay with them forever, and I want to be a part of that.”
Ahead of Trinidad and Tobago’s 2025 Carnival, Liquor is quickly becoming one of those intrinsic songs. With its irresistible beat and carefree lyrics, the song is a celebration of the Caribbean spirit — the good times, the laughter, and yes, the drinks that fuel the party. “This is a song for the drinkers, the ones who bring the vibes to the Carnival with every sip they take,” Skinny laughs. “But remember — everything in moderation! You don’t want to be the one ruining the vibes for everyone else.”
Last year, Carriacou, the artiste’s home island, was devastated by Hurricane Beryl. Amid that unfortunate circumstance, he stood up with a sense of determination to draw awareness to the plight of those left to clean up and get their lives back to normal. His popularity as an entertainer, aided somewhat in that effort as he was able to assist with food and necessities for those affected. Through his artistry, Skinny continues to shine a spotlight on his roots, celebrating the vibrant culture and resilience of his community.
In Trinidad recently, he reconnected with fans of his music, sharing the new songs ahead of the 2025 Carnival season. “Music is the universal language,” he said. “It doesn’t matter where you’re from or what language you speak. What matters is that it makes you feel something — and that’s what I try to give. The people know good music. They need music to lift their spirits, make them move, and sing along,” he explained, adding, “That’s what I strive to provide — music that resonates, that connects, music that brings people together.”
To stay connected with Skinny Banton and get the latest on his upcoming music and Carnival appearances, follow him on Instagram and Facebook @skinnybanton.
Soca music lovers from all around the world tuned in to Trinidad and Tobago radio station Scorch 101 FM on Friday as the station delivered what can only be described as a deep dive into the music genre. With 101 days to go to Carnival 2025 the team at Scorch Radio pushed out a plan to ensure listeners from around the world tuned in, and that they did.
The Internet could not get enough of the music that is so often attached only to the carnival culture. A list of what the Scorch team considers 101 of the top Soca tracks based on criteria such as danceability, cultural impact, lyrical content, music production, and versatility brought out Soca enthusiasts from every nook and cranny across the Internet. In one day, Scorch radio penetrated the Diaspora and brought people together, though via the Internet, to banter heartily over whether the choices were or were not valid.
Judges on the panel included DJ Adam, Travis World, and DJ Private Ryan among others. Scorch Radio CEO Kwesi ‘Hoppy’Hopkinson steered the event, giving his views throughout the day on the music that would be shared with listeners worldwide. In the end, the most impactful Soca single would be Machel Montano and Destra Garcia’s ‘It’s Carnival.’ Delivered in 2003, the collaboration between these two accomplished Soca artistes maintain a powerful presence at carnival fetes held around the world, annually. The song however, did not capture that year’s Road March in Trinidad and Tobago. That year, Fay Ann Lyons stole the show with ‘Display,’ a song that did not make it to the Scorch Radio 101 Soca Hit List. The multiple title holder’s ‘Meet SuperBlue’ was positioned at #90 on the Scorch 101 Soca Hit List.
The single-day Soca showcase perplexed some who questioned the rationale behind the choices and the placement on the list. Kevin Little’s globally known, ‘Turn Me On,’ made it to #2 while Rupee’s “Jump” was given the third spot on the list. The 2010 Road March “Palance,”made the list at #4.
Whether agreed upon in its entirety or not, the Scorch Radio team created an effective campaign that ignited the energy of Soca music lovers globally.
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