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Mature Soka In Moka Fetters Revel As Iwer George Penetrates with Power.

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It was not a real Carnival fete until Neil Iwer George came to the stage. Like a savior, the water lord swooped in to save Soka In Moka’s vibe on Sunday, reminding all and sundry that Trinidad and Tobago Carnival’s major requirement is, and will always be, Power Soca music.


The event, which kicked off at 4pm and welcomed fetters to another venue just across the savannah from the school’s court venue where it had been held for many years, attracted a sizable crowd on January 1st.

Soka In Moka, after two years off, returned with a slate of in-demand artistes, among them, Nadia Batson, Viking Ding Dong, Patrice Roberts and the Boss, Neil Iwer George. Well known band, Dil E Nadan kicked off the performances and ended their set just after 6pm. That was followed by DJ Linx and hosts Whitney Husbands and Jason Williams’ attempt to warm up the crowd of patrons. The all inclusive event attracted a mature crowd with a sprinkling of youth in the mix, and as such, the cooler fete vibe could not be expected at Soka in Moka. Groovy soca trending across the airwaves and on social media, several artistes who performed would receive half-hearted crowd response, whether owed to the slow tempo of the music, or patrons’ unfamiliarity with the new songs.

The All Starz Band- a staple at Soka In Moka, took the stage with young entertainer, College Boy Jesse, at the helm. He began his set by paying tribute to his predecessor Blaxx, who passed away in March 2022. The reaction to Jesse’s tribute was warm, many singing along to the refrains of the patriotic artist who has certainly left an indelible mark on the soca music industry. As the event got into a rhythm, new music from College Boy Jesse failed to move the mature fetters, most simply looking on, hardly swaying to the rhythm of the beat. This is not to say that the young artist did not deliver, because he certainly did. Whether his music had been heard by the crowd enough prior to their attendance, was the big question.

The subsequent introduction of artistes, Viking Ding Dong and Jaiga increased momentum at Moka. By that time, those who’d been sipping on drinks, began swaying a bit more, turning the event into less of a concert and little by little, more of a fete.

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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