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Major Lazor Hosts ‘GYALGEBRA’ Block Party to Help Jamaica, this Thursday and They’re Heading Back to Coachella in 2026.

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Multi-platinum music icons and dancehall ambassadors, MAJOR LAZER are celebrating the release of their new GYALGEBRA mixtape with a Miami Art Week block party benefiting Hurricane Melissa relief efforts in Jamaica on Thursday, Dec. 4

The GYALGEBRA release party happens from 6pm to 2am in the parking lot at Coyo Taco, 2320 NW 2nd Avenue in Wynwood, with all proceeds from ticket and merch sales going towards the American Friends of Jamaica and global crisis response organization CORE’s Hurricane Melissa relief efforts in Jamaica.

The evening will feature live sets from Major Lazer Soundsystem along with special guests and friends of Major Lazer, including a rare appearance from Miami legend DJ Chipman (w ho features on GYALGEBRA standout “Jump & Twist”).

GYALGEBRA, Major Lazer’s first self-contained music project in five years and its first release with new, UK-based vocalist America Foster, was released Friday, Nov. 21 via Mad Decent/BECAUSE. The project’s nine tracks were recorded between Jamaica, where Diplo and co-founder Switch originally formed Major Lazer in 2008, and Miami, homebase of Major Lazer’s Walshy Fire and Ape Drums.

While plans had been in place for months to celebrate the release of GYALGEBRA with a Miami Art Week block party, Hurricane Melissa and its devastating impact on Jamaica inspired the group to take action. Diplo visited Treasure Beach in the hard-hit western parish of St Elizabeth in November with volunteers from CORE and the St Elizabeth-based BREDS Foundation, delivering food and water to families affected by the storm, and witnessing the devastation first-hand. 

RETURN TO COACHELLA AFTER 10 YEARS

Fans can expect to see more Major Lazer soon as the group embarks on tour dates in the new year including a return to Coachella — ten years after the group’s last appearance in the desert — on April 12 and 19, 2026. The group also returns to Miami for a headlining set at Ultra Music Festival in March. 

GYALGEBRA kicks off Major Lazer’s highly-anticipated new chapter with the official debut of Major Lazer “First Lady” America Foster featuring on five tracks including lead single “BRUK DOWN” (alongside Parris Goebel and SadBoi) and the ‘90s dancehall-inspired solo showcase “Peppa Pot.”

Recorded largely in Jamaica at Diplo’s new studio sanctuary, Pompey, GYALGEBRA is a return to the outsider dancehall energy and unpredictable genre mash-ups of the group’s upstart early days, when anthems like “Pon De Floor” and “Watch Out For This (Bumaye)” literally ran the world. Across its nine tracks, GYALGEBRA lays the blueprint for a new era of Major Lazer — one in which the group centers America Foster’s considerable vocal talents, while remaining as collaborative, musically unpredictable, and stylistically ravenous as ever. 

Guest features on GYALGEBRA include Dominican iconoclast, Tokischa, elusive Miami icon, DJ Chipman, Toronto it-girl, SadBoi, New Zealand-born choreographer-turned-artist, Parris Goebel, Jamaican dancehall stalwart Busy Signal, Trinidad & Tobago soca legend Bunji Garlin, zess queen Lady Lava and Amsterdam-based DJ/producer Kybba. Dancehall, drill, shatta, zess, dembow, soca, bouyon, Miami jook and Funk carioca are a few of the genres and inspirations covered on the project.

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Dominica, Martinique Connect in the Name of Bouyon, Just in Time For World Creole Festival This Weekend.

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Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer.  In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.

Building Connections In the Name of Music.

For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.

Maurane Voyer x Reo

Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.

The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song. 

Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.

Taking A Look at What Unifies.

“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.

The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.

Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could.  Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.

“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.

The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.

The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.

With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.

The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.

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Tobago’s Trendsetter Goofy, A Different Kind of Cultural Ambassador. Show Some Respect.

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As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.

Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.

In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.

Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.

Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”

Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.

Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.

This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?

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