Kes The Band kicked off its West Coast leg of the Liki Tiki Tour this week with a stirring showing on Wednesday September 28 at the House of Blues restaurant and bar in Anaheim, California.
Lead singer, Kees Dieffenthaller received a rousing cheer of approval as he invited the audience to rename the iconic “House of Blues” to the “House of Soca” during the performance.”Great to experience!” said Mixing Engineer, Dexter Simmons. He commented on the band’s IG page following the first show, adding, “Had an awesome time last night!”
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Additional shows on the West Coast are scheduled for September 30th at The Music Box in San Diego, October 1st at Ace of Spades in Sacramento and October 2nd at Cornerstone in Berkeley.
These shows are carded to happen after thousands of Soca music-lovers came out recently to The Fillmore auditorium in Silver Springs, Maryland to experience the last East Coast stop of the ongoing Liki Tiki US Tour. Following successful stops and sets at the Theatre of Living Arts in Philadelphia and The Underground at Ink Block in Boston, opening act, L’shun “Jimmy October” Emmanuel and Haitian collaborator, Jonathan “JPerry” Perry joined Kes for a sold out show at The Fillmore.
“We played Maryland last night, which was insane!” Stated Emmanuel afterward. “Like for real, like.. Last night was really special. It was a sold out show and I was able to meet up with people and fans after, who were so enthusiastic and happy to see me for the first time and to experience us.
“Just seeing the energy of the people filling up a room and they’re all loving the music, our culture and loving the new things that we’re doing and it’s also me seeing Kes doing his thing at the same time too. That man is a legend 100%,” he said.
Emmanuel collaborated with Kes in 2020 on the hit single, “Magic” and revealed that he was thrilled to be included on the band’s current US Tour dates.
“Mind blown! For me, this is my first real tour – like series of shows back to back to back,” explained October, “which is a crazy experience for me – esp seeing people that are familiar with my music, being able to connect with people who are now being introduced to me and kinda being able to play my stuff for them, yeah, it’s really been overwhelming but in a good way. Definitely one of my favorite experiences thus far in my career, yeah.
“I’m really grateful for this opportunity to tour with Kes.” He added. “There’s so much to learn from him and his skill set and the band and how they do what they do, so to be able to open up the show with my own 20-minute set as well as perform Magic with them is definitely a blessing. Like in my head I’m still this guy from Grande, who’s all the way over here just sharing the gift that God gave me with as many people as possible…”
Aside from the actual artistes involved, Kes’ new management team has also expressed great satisfaction with the completion of the first leg of the tour and is excited about taking Soca to new spaces and places.
Manager, Damon DeGraff said, “The goal is to continuously expand how our music touches various regions and cultures and by doing this successfully and selling out these venues, we’re showing that our sound and culture can be engaging in venues where traditionally, soca music had never been heard.”
Kes the Band has officially concluded its highly acclaimed Roots, Rock, Soca Tour, marking another groundbreaking moment in the band’s remarkable journey. The international tour captivated audiences across the United Kingdom, Europe and North America – making history as the first Soca act to sell-out stadium shows in the United States and to sell out the RBC Amphitheater in Toronto, Canada with 16,000 fans.
The tour featured sold-out shows in major music cities such as London, Vancouver, Los Angeles, New York, and its final stop in Toronto – with thousands of fans gathering night after night to experience the signature sound, musicianship, and infectious energy that have made KestheBand one of the Caribbean’s most influential live acts.
The ‘Roots, Rock, Soca’ Tour became a celebration of culture, connection, and community. Each performance in the concert series showcased the band’s ability to transcend borders and generations, bringing together audiences from diverse backgrounds through music rooted in Caribbean identity. With energetic performances spanning storied venues such as Forest Hills Stadium in New York and The Bellwether in California, Kes the Band continues to cement its place in history as an enduring, generational force that bridges rhythms, unites audiences, and elevates the heartbeat of Caribbean culture in communities across global borders.
KestheBand’s Frontman, Kees Dieffenthaller, serenades the sold-out audience at the RBC Amphitheater in Toronto, Canada to conclude the ‘Roots, Rock, Soca’ Tour.Photo; Jono Hirst
Led by charismatic frontman Kees Dieffenthaller, the band’s world-class lineup includes Dean Jameson drums, Jon Dieffenthaller on guitar, Riad Boochoon on bass, Mario Callender and Geiron Mangon keyboards, and Robert ‘Robbie Styles’ Persaud on DJ and Ableton. Together, they delivered dynamic performances that combined exceptional musicianship with the unmistakable spirit that has become synonymous with KestheBand.
Adding to the excitement throughout the tour were a number of memorable surprise guest appearances from some of soca’s most celebrated artists, including Coutain, Lady Lava, Barbados Soca legend Edwin Yearwood, Iwer George, London’s Haile of WSTRN, Haitian singer J Perry, and Ravi B. Their appearances created unforgettable moments for fans while highlighting the camaraderie and creative excellence that continue to define Caribbean music.
The overwhelming response to the tour underscores Kes the Band’s continued evolution from a beloved Caribbean band to a truly global cultural ambassador. Across every city, audiences embraced the music, creating an atmosphere that reflected the growing international appreciation for soca and Caribbean artistry.
Soca is joy: these fans could barely contain their excitement at the closing show of KestheBand’s ‘Roots, Rock, Soca’ Tour stop in Toronto, Canada. Photo: Jono Hirst.
As the curtain closes on the Roots, Rock, Soca Tour, Kes the Band is already focused on the next chapter. The band will soon return to the studio to begin work on new music for an upcoming album, continuing its tradition of pushing creative boundaries while staying true to the sound that has resonated with fans around the world.
The momentum also continues for Kes the Band on stage over Labor Day Weekend as the iconic group takes the stage at the DC Jazz Festival (DCJF), one of the United States’ premier music festivals, taking place September 2–6, 2026. Following the band’s debut on NPR Tiny Desk in the capital of the United States earlier this year, the band continues to expand its reach and introduce Caribbean music to new audiences on some of the world’s most respected stages.
With decades of groundbreaking music, unforgettable live performances, and an unwavering commitment to cultural excellence, Kes the Band continues to redefine what’s possible for Caribbean artists on the global stage. The success of the Roots, Rock, Soca Tour is both a celebration of an extraordinary series of performances and a defining chapter in the band’s enduring legacy, setting the stage for an exciting new era of music and global performances.
Two of the Caribbean’s most legendary hitmakers have joined forces for what is shaping up to be one of the Caribbean’s biggest records of the year.
Dancehall superstar Charly Black, whose global smash “Gyal You A Party Animal” has amassed more than one billion streams worldwide, joins forces with St. Vincent Soca hit maker, Kevin Lyttle, whose timeless international hit “Turn Me On” has generated hundreds of millions of streams. That single remains one of the most recognizable Caribbean songs ever recorded.
The single, “Island Ting,” unites the music of Jamaica and St. Vincent & The Grenadines, celebrating the beauty, confidence, and irresistible energy of island women. More than just a song, “Island Ting” is a celebration of the Caribbean, its vibrant diaspora, and everyone around the world who embraces the region’s unmatched culture, music, and love of celebration.
Blending irresistible Dancehall and Soca influences with an unmistakable tropical vibe, the record is poised to become the soundtrack of the summer, says a media release issued.
Produced by well known international producer, Walshy Fire, with the instrumental crafted by acclaimed producer Jason Julian, “Island Ting” is already making waves across the streaming landscape. The single has secured significant editorial playlist support from Apple Music and Spotify, with Spotify further backing the release through premium placement on its coveted Mobile Home Banner – one of the platform’s most prominent promotional spaces for new music.
Industry insiders are already tipping “Island Ting” as one of the Caribbean’s defining songs of the summer, with momentum expected to carry through Notting Hill Carnival, into Trinidad Carnival 2027, and beyond. From beach parties and festivals to clubs, radio, and playlists around the world, the record has all the ingredients of a timeless Caribbean anthem.
“Island Ting” is available now on all major streaming and digital platforms.
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