It’s been few days since the annual Jam Naked event held at the O2 Park in Chaguaramas. EBUZZTT.COM checked out the action and it’s safe to say that the event remains a strong and effective choice for true fete lovers, on the Carnival calendar. As usual, the crowds came and the ladies took the chance to heat up the atmosphere with their eye-catching, head turning, jaw-dropping fashion pieces. From see-through cover ups to barely there bikinis, the sexily and scantily clad carnival babies were in abundance at the hottest West side event to hit Carnival.
Here are some things we caught at Jam Nation/ Jam Naked / Jam Junction- whichever you choose to call it:
Parking was a logistical dream. Organizing committee, Dignitariez, did a great job in teaming up with the Defense Force of Trinidad and Tobago for patrons of the event to utilize the extremely spacious, Chaguaramas Heliport. The military officers were very professional and ensured that all patrons returned to find their vehicles in tact after the Breakfast event.
Now, while there were some delays to enter the event at the General Admission area, this was in part due to the security measures put in place. Everyone was searched. Shoes were removed at the entrance and everyone got the special pat down treatment that nobody really loves, but at the end of it all, there was no chance for upsets at Jam Naked and that deserves kudos.
Vibes was non stop from beginning to end. Fetters had come out to party. Flag crews had made it their business to be there and when Destra Garcia hit the stage at sunrise, there was no stopping the excitement stage side. Even before Destra though, Ezel and Jon Boi had thrilled the massive crowd with the music of the season and much more.
Destra brought her heat to O2 Park.
Destra who hosts her Festival of Bakanal event tonight, at the O2 Park, brought her heat to Jam Nation. Her vocals always on point, the Queen of Bacchanal dished ’em out, engaging fans and showing off her gyrating skills to say the least. She was a good addition to the fete as this season, many had been hoping to catch her live performance, but haven’t been able to.
Current Soca Monarch champ and the youth who shut down Jam Nation last year, Voice, delivered yet another solid performance. Shal Marshal also caused a scene when he mandated that every ‘gyal dip and spread out’, which they did and even jumped on stage to showcase their ability.
At Jam Nation, MX Prime and The Ultimate Rejects were kings. Their ‘Full Extreme’ was on steroids at Jam Nation, it would seem and the crowd was as high as could be, on the song. Flags waving, people jumping, hands flaring, the performance everyone had been waiting for, ultimately amped up the general mood at the fete. Nobody wanted to go home and many would certainly stay to the very end.
In what can only be described as ‘Iwer Fashion’, the Boss of water, Neil Iwer George ultimately flattened O2 Park. The crowd, many drenched in water and foam, chanted not only Iwer’s current hit ‘Take ah Bade” but also his age old refrain, “De people want water”. Iwer created nostalgia, taking the crowd back with some of his old school tunes. Suffice to say – Iwer ain’t lie… ‘Mashing Up Fete’ is his name
Notwithstanding some criticisms for the intermittent non-soca tracks played during the fete, for yet another year, Jam Nation proved to be a fete not for the faint hearted. Safety was definitely paramount, there was no anti-social behavior- in other words, no stushness, no worries – only good vibes. Even Denise Saucy Wow Belfon was spotted in the crowd from early o clock jammin like every other fetter. The Jam continues at JamJunction on Carnival Saturday Feb 25th.
Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer. In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.
Building Connections In the Name of Music.
For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.
Maurane Voyer x Reo
Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.
The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song.
Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.
Taking A Look at What Unifies.
“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.
The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.
Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could. Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.
“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.
The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.
The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.
With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.
The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.
As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.
Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.
In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.
Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.
Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”
Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.
Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.
This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?
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