Trinidad and Tobago vocalist, Jadel says she’s battled with social criticism for a very long time with many who say she simply cannot sing.
Recently, the mother of one proved naysayers wrong when she posted a video clip of herself, singing “Anytime You Need A Friend” – a song originally sung by international recording artiste, Mariah Carey. She demonstrated that she is in fact a strong vocalist – this despite never being professionally trained.
“A lot of people are in shock and disbelief,” she told Ebuzztt. The soca artiste says this has since alerted many to the fact that female soca artistes like her, are in fact truly vocally inclined. “The truth is, the type of songs we deliver for carnival, songs like ‘Shake Up Yuh Batty”- we just focus on crowd support and reaction. We are busy running, jumping, wining and waving,” she explained.
Jadel went on to highlight that unlike RnB artistes, Soca artistes are tasked with doing several shows, sometimes in one night, something that has the potential to damage an artiste’s vocals. She said over the years she has been met with harsh criticism by some who have said she cannot sing. “Producers who recorded me had to defend me to people,” said the artiste, lamenting that when she first started in the industry in a band, she was told to leave RnB alone. “I had to learn to un-sing,” she said, explaining that those who instructed her then wanted her to talk- sing, instead of truly delivering with her innate vocal ability.
Now, years later, Jadel says she would like to see more spaces and outlets made available for true vocalists in Trinidad and Tobago. “I don’t think Soca music is truly able to showcase the true vocal ability of most artistes. To me it hides it, and diminishes it because of the hype that’s required,” she explained. “We just look for hype, energy and screams and that kind of dumbs down the singing process – an artiste’s vocal ability,” she said. She says outside of Carnival, she would like to see more outlets that would allow vocalists to showcase their talent and ability.
The vibrant sounds of classic dancehall and contemporary reggaeton collide on “De Shot Call (Remix),” a dynamic new collaboration from Trinidad and Tobago recording artist General Grant and versatile entertainer Mr. Renzo.
.Designed to ignite dancefloors while honoring the rich musical heritage of the Caribbean, the track blends the raw, energetic spirit of early 1990s dancehall with the infectious grooves and global appeal of modern reggaeton. The result is a high-energy anthem that bridges generations, cultures, and musical styles.
Inspired by the golden era of dancehall that helped shape Caribbean music culture, “De Shot Call (Remix)” reimagines that signature sound through a contemporary lens. The production delivers nostalgic undertones while embracing the polished rhythms and vibrant energy that resonate with today’s audiences.
For General Grant, the project continues his commitment to preserving and evolving authentic Caribbean music. Widely respected for his contributions to the dancehall and reggae landscape, he brings his signature delivery and commanding presence to the remix, reinforcing the song’s connection to the genre’s roots.
Joining him is Mr. Renzo, a singer, songwriter, and entertainer whose career spans more than two decades. Recognized for his ability to blend Caribbean, Latin, pop, and urban influences, Mr Renzo adds a fresh and modern dimension to the track, helping to create a sound that transcends borders and appeals to a broad international audience.
Together, the two artists showcase how Caribbean music continues to evolve while remaining grounded in its traditions. “De Shot Call (Remix)” serves as a celebration of that journey, highlighting the seamless transition from dancehall’s formative years to Reggaeton’s current global prominence.
The single was executive produced by Lawrence Adams – Mr. Renzo, who also co-wrote the track alongside Curtis Grant – General Grant. Recording and editing duties were handled by Stephon Gabriel, while engineer Ovy Thouni delivered the song’s polished mix and master.
With its infectious rhythm, energetic performances, and cross-generational appeal, “De Shot Call (Remix)” is positioned to become a favourite among fans of Caribbean music and lovers of dancefloor-ready hits alike.
Whether you’re a longtime dancehall enthusiast or a fan of today’s reggaeton movement, this collaboration offers the perfect soundtrack to turn up the volume and celebrate the enduring influence of Caribbean music.
“De Shot Call (Remix)” is now available for audiences ready to experience the fusion of old-school dancehall energy and modern reggaeton flavor.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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