As strange as it may sound, Soca was not the genre of music that brought Ding Dong into the spotlight. As he explained it, a random opportunity while creating an advertisement for an event with the artist, Voice, at Zen nightclub, saw him create a dancehall song called, “Stay in Yuh Lane.” From there, the only direction was forward.
Since that time, Viking Ding Dong has unleashed 20 singles. He says he has a lot of people who write for him, however he has written about three songs on his own. ‘Drink and Party’ or DAP, was written by Kit Israel, Jelani Shaw, Ding Dong and Kevin Williams, and according to the artist, it was the fastest he’s ever been able to deliver a song. “It all came together by Kit Isreal. He sent the idea and we sat in the studio and we started writing. It was one of the fastest songs I’ve ever done in my life. It took like a week and everything happened.”
RADIO AIRPLAY
An incredibly sensitive topic of discussion, Ding Dong did not hold back on the topic of being a radio personality and artist. He made it clear that while he acknowledges the perks associated with being a part of the radio fraternity, as an artist, he does not believe it matters altogether.
“I don’t think radio play can enhance your ability as an artist because the soca industry is a more ‘live’ feel. If you can’t bring it live, the radio only gives you play. There are plenty people who are on radio and airplay does nothing for them,” he said, adding, “It depends on the quality of your music.”
Ding Dong with the Viking Family.
Ding Dong told us that he’s always wanted to be a singer. He said he was grateful for the opportunity to see first hand, the success of Fay Ann Lyons and Bunji Garlin, having become a part of their Vikings camp. “Being a part of the Vikings, it helped to be around them. Noticing their achievements is what enhanced my passion to do better as an artist,” he affirmed.
With less than a month to go before Kanvas Koncert: Unplugged returns to Sound Forge, Trinidad and Tobago rising sensation, Coutain is giving audiences their first taste of what’s to come with the release of his latest single, Suga Dumplin.
Created alongside producer and longtime collaborator Michael “Tano” Montano, the track explores vulnerability, love and surrender, while offering a glimpse into the evolving sound behind Coutain’s most intimate live experience to date.
Denzil Coutain, professionally known as Coutain.
Coming out of the 2026 Carnival season, Coutain found himself wrestling with writer’s block. After stepping away to reset and recharge, he eventually reconnected with Montano. It was during those early sessions that the foundations of Suga Dumplin began to take shape — a record that explores vulnerability, love and what it takes to make a “badman” fall in love.
Over the years, the two artists have developed a collaborative process rooted in trust, honesty and respect. “We have a natural chemistry,” said Coutain. “When we are creating, we know when a song just isn’t there yet. We leave ego at the door, accept constructive criticism and keep refining until it feels right. We know that if we don’t like it, the people won’t like it either.”
Taking Calypso Forward
Producer Michael “Tano” Montano sees Suga Dumplin as part of a broader effort to carry the spirit of Calypso into a new era, drawing on the music they grew up listening to while making it resonate with younger audiences. “I feel like I’ve been hearing those songs my whole life,” said Montano. “We know what those songs can do and what they’ve done. The task now is making them relatable to younger people in a tasteful way.”
Coutain agrees. “The sound that is being produced now is only an evolution of what has already been heard,” he explained. “This sound is modern yet holds the soul of the old. This sound is new. This sound is what will make people not only fall in love, but dance again.”
That same artistic philosophy will shape Kanvas Koncert: Unplugged, which returns to Sound Forge on Sunday June 28 from 4:00 p.m. Now in its fourth staging following three consecutive sold-out editions, Kanvas has built a reputation for bringing people closer to the music through live performance, storytelling and connection. This year’s show will also feature a lineup of local and regional artists, with additional acts set to be revealed in the lead-up to the event.
Stripped -Back.
Speaking on the inspiration behind the Unplugged theme, Coutain said he has become increasingly drawn to stripped-back performances and reconnecting with the music in a deeper way.“I feel like we don’t always take the time to appreciate the finer details that really make up life. Sometimes less is more and sometimes subtlety speaks volumes,” he said. “This show is about growth, not just within me and my team, but hopefully within the Kommunity as well. After leaving Sound Forge, you should feel like you’ve just attended a family function, connected through music, energy and love.”
Tickets for Kanvas are available via Island E-Tickets.com and at select outlets nationwide, including King Strip Restaurant and New Image Barber Shop (East); 5AM Coffee Shop and The Lost Tribe (West); DFlare Fashions and Lazy Lizard Lounge (Central); Lash’d by Lys and Immersive Tech (South); and Oogy Wawa (Tobago).
The time has come for good vibes to counteract all negative energy and together with his manager/producer, US based, Trinidadian artiste, Mr. Lee it doing what he feels he can, to inject that positivity.“I know the streets. I can tell you about the streets. Badness and the roughness is what they know. If they got the chance to get to know something else, they would do something else,” said the entertainer.
His music is refreshing. Afrobeats, coupled with Soul and RnB bring to life, a song on The Only 1 Riddim, that he calls, “Take Care.” For Mr. Lee, an artiste with many years of experience on the entertainment circuit overseas, and in the Caribbean, he is mindful of what he sings. “This type of music is necessary at all times to spread love and joy. I wish there could have been more beautiful messages all the time because it’s really important to spread love,” he said with hope.
Joining artistes like Preedy and Christo on the riddim, Mr. Lee is proud of the project. “This project means a whole lot to me. I have two girls and my wife and I have to express my love to them every single day of my life. I have my mom, my sisters, and I have to show them all the love I have within me. All the artistes on this riddim have done the same – we all expressed what we want to express to our loved ones. Most are real stories that can be relatable to others in society,” he explained.
On the topic of love and the importance of understanding what love is, Mr. Lee said for human beings to share love, they must first feel love. “If your father is not showing you love, how will you know love. Most of our youths have no parents around them. They are being influenced by a harsh representation of love, which really, is not love.” At the same time, he called on the elders within societies around the world, to try to strike a balance with the youth, especially in present time. “When I was growing up, the older heads never wanted to release a lot to the youths; they never wanted to give the youths a chance. People in positions of power must give the youths a chance to prove themselves. They have great ideas, but they need mentorship and guidance,” he said.
“Take Care,” written by Joseph ‘Pronto’ Figueroa, is a quality single with a passionate plea for more honest, kind, loving relational experiences. Unlike much of today’s lyrics, Mr. Lee keeps it classy, maintaining a thoughtful approach to music, with lyrics that penetrate. “The raw thoughts – we never heard that as youths. Some things should be kept personal,” he opined. An advocate for goodness, Mr. Lee is calling on men around the world to show their companions more love, in the right way. “Everybody wants to fight and kill. They don’t want to talk about things properly. We need to talk to our spouses more. We need to learn how to communicate better and spend more time with our loved ones.”
Happy to have enjoyed a successful run in Carnival 2026, in Trinidad and Tobago, Mr. Lee is working on new music even as he promotes this brand-new track. “I’m working on new Soca to release for the Summer. I’m working, and I’m happy with the progress I’ve been able to make so far. It’s a process,” he said of being in the music business.
The state-to-state carnival wave set to begin in the US soon, Mr. Lee says this year he is looking forward to heading to Miami for Carnival there and will be back home in T&T, come Carnival 2027. In the meantime, the T&T native and dedicated family man is spreading love through good music that he knows is absolutely necessary at this time.
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