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Ding Dong Revealed. The Rise of A Humble Youth to Caribbean Success.

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“I started from Iwer’s station, which was the all soca station, which was the community station in Point Fortin so the passion grew from there seeing the experience with the artist but at the end of the day I know I had to wait for the right moment to jump in.” – DING DONG

His smile is enough to make anyone melt. When he takes the microphone, whether in a spirit of humour or to undertake his contractual obligation as a Soca artist, Viking Ding Dong brings a spirit that is fuelled by happiness and contentment in self. Ahead of Carnival 2023, Andre Houlder, best known as Ding Dong, is already leading the pack. Who would’ve thought? A simple refrain, ‘We come to drink and party all day,” has captured vibe lovers with very little persuasion. In a recent interview exclusively with Ebuzztt.com, Dingers as he’s affectionately called by his friends and fans, said he’s been preparing for times like these, for quite a long time.

The young entertainer’s rise to prominence in Trinidad and Tobago has not been overnight. His humble beginnings in Point Fortin, surrounded by grassroots people who all had a dream for the future, propelled him. “I placed myself in a position to learn,” he quietly attested as we started our chat. He was speaking about that period of his life where soca heavyweight, Neil Iwer George proved to be a helping hand on his way to future stardom. He eventually ended up in Port-of-Spain, where he became a top tier, mainstay DJ at 96.1WEFM. Ding Dong explained that being a DJ afforded him the opportunity to listen to music in a different way- a separate, distinctive ear that artistes typically would not understand. “Playing the music and witnessing the response offers a different angle of understanding,” he explained.

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Ebuzz News

Culture Minister Says There Is A Broader Vision for T&T Carnival. Assures Feting Will Continue.

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A move in line with government’s commitment to creating balance and encouraging expansion in T&T’s overall cultural experience; This is how the country’s Culture and Community Development Minister responded this afternoon to criticism meted out to government as word spread that the Brian Lara Cricket Academy would no longer be used as a fete venue.

Minister Michelle Benjamin, declaring her support for the Prime Minister said residents living in close proximity to the cricket academy, have voiced their concerns regarding the excessive sound levels generated by large scale events. Major carnival fetes have seen patron attendance exceeding 10,000 in recent years, according to promoters.

Soca artiste Lyrikal on stage at a fete during T&T’s Carnival 2025.

Opened in 2017, the Tarouba sporting facility is managed by the Urban Development Company of Trinidad and Tobago. UDECOTT Chairman, Shankar Bidaisee, speaking on the issue with the Trinidad Express said events hosted outside of the stadium have led to wear and tear of the facility. He explained that annual costs for the overall maintenance of the Brian Lara Cricket Academy, exceed $10million.

The Promoter’s Association of Trinidad and Tobago meanwhile, has condemned the move, saying, the government’s sudden ban on the use of UDeCOTT facilities for soca and other Carnival related events is destructive and short-sighted. Questioning the “real intent behind the move,” the association argues that the move is viewed as a top-down decision, made without consultation with the sector. Arguing that several promoters have already secured the venue ahead of Carnival 2026, the TTPA said, “For all those affected, tickets have been sold, venues advertised, and patrons have made travel and accommodation plans to align with confirmed events.” The organization is questioning how this move benefits the entire country.

Culture Minister Gives Reassurance

The Minister says T&T’s Carnival as a product will be expanded and enhanced.

In her statement, Minister Benjamin explained that citizens should view the decision as part of the government’s broader vision to not only expand carnival beyond its traditional footprint, but to ensure the wellbeing of all communities. “As part of the expansion of Carnival, we are not saying that we are stopping fetes. What we are doing is working to identify and promote more appropriate spaces that can enhance the experience, while reducing any negative impact that could possibly arise.”

The Minister said the ultimate aim is to ensure that carnival continues to thrive as a celebration of creativity, unity and national identity. She said Carnival must reflect the rhythm of T&T’s people while striking the right balance between culture, community and progress.

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The Brian Lara Cricket Academy is No Longer A Fete Venue. UDECOTT Claims Wear and Tear.

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The Brian Lara Cricket Academy in Tarouba, Trinidad will no longer be a venue option for events other than cricket. This announcement comes as preparations are well underway, by promoters for Carnival 2026.

The decision made by the Urban Development Corporation of Trinidad and Tobago (UDECOTT) now leaves some promoters scrambling, as the decision takes place with immediate effect. 

UDECOTT claims that the facility was not meant to facilitate fete events, noting that maintenance costs amount to approximately $15 million annually. 

Carnival events like Xperience, Stink N Dutty, and last year’s inaugural MEGA concert headlined by Machel Montano, attract in excess of 10,000 patrons according to promoters, leaving questions as to where such massive audience numbers can be contained, along with parking facilitation. 

The carnival events, while staged in the stadium’s car park, has led to significant wear and tear and damage to the facility, according to UDECOTT Chairman, Shankar Bidaisee. In an interview with the Trinidad Express newspaper, he is quoted as saying, “The Brian Lara Cricket Academy is for cricket. That is the purpose of it. It was not built for fetes.” He went on to affirm, “It’s for cricket and we will use it for cricket only. So there are to be no fetes at the stadium.” 

For quite some time, there have been concerns raised by carnival stakeholders, regarding the need for viable venues across the country, for the delivery of large scale events.

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