Caribbean Buzz
Archived: Capleton, Isasha, Turbulence and More Bring Goodness Back, with New NYC Production .
The timing couldn’t be more appropriate. The action, perfectly synced. It’s almost as though the Universe called on Caribbean singers like Isasha, Turbulence, Capleton and others of the reggae music movement, to speak up.
Messengers often abound from the least likely places, they say. Over the years reggae music has told of a need to unite, positively impact others and steer clear of evil. New York City’s Synthdicate Music label is now the channel by which this vibration is suddenly being re-awakened. New reggae music with real power is about to penetrate, and for the team at Synthdicate Music, known for Soca riddms like the Ghostbusters riddim and the Bash Gyal riddim, this, their second reggae riddim, presents an opportunity to give what’s needed amid global unease. “Isasha was the first artist to lay vocals on this riddim,” explained Victor Wells, best known as DJ Future. He heads the team at Synthdicate Music and explained that a casual meeting with Isasha in New York a few months ago, led to a commitment by them both, to work on an EP for the artist. “His single, ‘Cyah Draw Mi Out,’ laid the foundation for what is now the Rankin Skankin riddim,” explained Wells. Eleven artistes – each of them humbly rooted in the Rastafarian faith bring positive energy to a world that is reeling from the effects of the COVID-19 pandemic.
“We are so humbled by the outcome of this project. Jamaican reggae artist, Capleton starts off the riddim with ‘Rastafari Guide’- talking about unity and the importance of positive thought,” said Wells. He acknowledged the impact that music’s lyrics have on those who listen. “The current energy around the world right now was ammunition enough for us to ensure that this riddim was purposeful,” he said.
The riddim goes retro with a one drop bounce that’s amped up by the vocals executed by the cast of artistes, which includes Fantan Mojah, Jah Thunder, Lutan Fyah, Nello Player, Mobyle Malachi, Qshan Deya and Dejazmatch Kwasi among others. “This goes against the typical grain. We’ve included a number of less commercially known artistes but they’re all deserving of the acknowledgement because the work speaks volumes” said Wells. Highlighting the excitement among members of the camp, for the release of the new riddim, the Syndthicate team affirmed that Capleton is in very high spirits about this one. “He’s very happy with what this has turned out to be. He’s really excited,” said another member of the team.
Synthdicate Music – a label with a team of music visionaries that collectively boast over 40 years of music experience, is eager to give people around the world, music they can hold firm to, strengthen their souls with and sing along to, in these uncertain times. “We’re just doing our part to show love to everyone and encourage peace and unity at a time when the world needs it most.”
Caribbean Buzz
Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
Caribbean Buzz
Belize’s Shyne, Talks Culture and Governance at Island Music Conference. Challenges Caribbean Leaders.
Belizean political leader and notable Hip Hop figure , The Honourable, Dr. Moses “Shyne” Barrow has identified Jamaica as a regional blueprint for how culture and governance can work together to build sustainable industry.
Delivering a keynote address entitled, ‘From Stage to State’ at the Island Music Conference (IMC) in Kingston, Jamaica last week, Barrow urged Caribbean governments to move beyond symbolic support of the arts and toward structured public–private partnerships.
“These conferences are so very important,” he told delegates, describing information exchange as critical in an evolving global music economy. Responding to a question from Overtime Media about cultural influence as an economic engine, Barrow pointed to Jamaica’s global footprint. “The work of great musicians such as Bob Marley and Shabba Ranks, as well as the development of Reggae and Dancehall music, has done more for the Jamaican tourism product than anything else,” he said.
PHOTO: Overtime Media.
According to Barrow, Jamaica exemplifies how successive political administrations, despite partisan rivalry, maintained consistent implementation policies that enabled private-sector investment in the music industry. “They were fighting each other, but giving the same implementation,” he noted, crediting that alignment for helping Jamaican music achieve unmatched global recognition.“There is no one in the world who does not know about Jamaica — its music, its food and its culture,” he noted.
Barrow framed his own political evolution as rooted in Hip Hop’s entrepreneurial DNA. Calling his transition from performer to legislator “quintessential Hip-Hop,” he cited moguls who expanded beyond music into business and influence, arguing that creative thinkers belong in positions of power. “We belong in parliament. We belong in the cabinet. We belong in the Prime Minister’s office and in the President’s office,” he said. He also addressed emerging challenges facing the creative sector, particularly artificial intelligence and intellectual property protection.“We need to protect our rights. We need to protect our work and that can only be legislated,” Barrow warned. “If we don’t get involved in the legislative process, we’re going to wake up one day and find that our rights are gone.”
Calling the human mind “the greatest thing on planet Earth,” he cautioned against over-reliance on technology, stressing that creatives must remain central to innovation. Reflecting candidly on his past, including a decade of incarceration following a 1999 nightclub shooting, Barrow described his return to Belize as a shift toward service. “By then, my dreams had already come true,” he said. “But when I looked around my country, I saw people still struggling. So I chose a life of service.”
Barrow also revealed plans to return to the stage with a world tour marking the 25th anniversary of his debut album, while reaffirming his commitment to public service. Closing his address, he challenged Caribbean leaders to diversify the profiles of those shaping legislation.“The Caribbean’s creative class has already shaped global culture,” he said. “Now we must shape policy.”
– NIGEL TELESFORD / Overtime Media.
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