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At Just 11, Yung Kymani Understands the Importance of Culture. Calls for More Calypso and Soca in T&T.

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Out of the mouths of babes and sucklings”… and so it is that at just 11-years-old, one of Trinidad and Tobago’s rising superstars is calling on the nation to sing less dancehall and Trinibad music, and instead focus on the traditions of T&T. Yung Kymani placed second in the 2024 Junior Soca Monarch competition. This season, the youngster whose family ties are linked to both Morvant and Carenage, is using his voice in multiple ways, delivering a remake to Machel Montano’s age- old hit, ‘Too Young to Soca,” while standing in support of the development of, and investment in T&T’s Soca and Calypso music. Yung Kymani’s single is called, “Soca In Meh.”

Sustained and strengthened by the support of his parents, Kymani continues on his road to musical success. His appreciation for the cultural traditions of his homeland, is strong. “Calypso and soca are basically one in the same as uncle Machel said in his 2024 Calypso Monarch song, Soca is the soul of Calypso,” he noted, adding that the main differences he sees are the speed and the information that’s shared using both genres. “With Calypso, there’s a lot of information on things that are happening around the world and at home. I learn a lot of things from listening to Calypso music – things I didn’t even know were happening,” he rationalized, adding, “Soca on the other hand, is really upbeat and is there to make us dance and be happy.” 

The entertainer who attends St. Peter’s RC School, is excited to once again partake in the Junior Soca Monarch competition in 2025. His remake of Machel’s ‘Too Young to Soca’ hits home, he says, having faced the same kind of remarks from those outside of his close circle. “I’ve been told that I am too young to be doing this, and that I should stop singing Calypso and Soca, but I am so happy to have gotten this opportunity to remake this song, and to add my flavour to it.”

The song was written collaboratively by Nigel Lopez, Yung Kymani and Kymani’s mom, Kezia Hector. It was produced by Miguel Charles of the A Team Band and Robert SN Baptiste. The track was later mixed by Lunatix Productions and mastered by Precision Productions, making it a true expression of collaborative energy. “As a youth in Trinidad and Tobago, I really think we should try to preserve our culture,” said Kymani, this as he prepares to go head-to- head with other brilliant, young singers this carnival. “This music not only makes me happy, it’s a part of our culture. I think it should be taught in schools as a subject, we should have more jump ups and instead of singing Trinibad music, we can sing more Calypso and Soca. There should also be community classes that can teach our youths and even the adults, about the music and the culture,” said the youngster. 

In 1985, at the age of 9, Machel Montano released ‘Too Young to Soca,’ a track that became an immediate hit and remains a distinctive part of the King of Soca’s lifetime music catalogue. “I did not want the song to sound too much like the original. I’ve added my vibe to it and I am very happy that I have been given the opportunity to remake it,” said the budding star.  

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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