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At Just 11, Yung Kymani Understands the Importance of Culture. Calls for More Calypso and Soca in T&T.

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Out of the mouths of babes and sucklings”… and so it is that at just 11-years-old, one of Trinidad and Tobago’s rising superstars is calling on the nation to sing less dancehall and Trinibad music, and instead focus on the traditions of T&T. Yung Kymani placed second in the 2024 Junior Soca Monarch competition. This season, the youngster whose family ties are linked to both Morvant and Carenage, is using his voice in multiple ways, delivering a remake to Machel Montano’s age- old hit, ‘Too Young to Soca,” while standing in support of the development of, and investment in T&T’s Soca and Calypso music. Yung Kymani’s single is called, “Soca In Meh.”

Sustained and strengthened by the support of his parents, Kymani continues on his road to musical success. His appreciation for the cultural traditions of his homeland, is strong. “Calypso and soca are basically one in the same as uncle Machel said in his 2024 Calypso Monarch song, Soca is the soul of Calypso,” he noted, adding that the main differences he sees are the speed and the information that’s shared using both genres. “With Calypso, there’s a lot of information on things that are happening around the world and at home. I learn a lot of things from listening to Calypso music – things I didn’t even know were happening,” he rationalized, adding, “Soca on the other hand, is really upbeat and is there to make us dance and be happy.” 

The entertainer who attends St. Peter’s RC School, is excited to once again partake in the Junior Soca Monarch competition in 2025. His remake of Machel’s ‘Too Young to Soca’ hits home, he says, having faced the same kind of remarks from those outside of his close circle. “I’ve been told that I am too young to be doing this, and that I should stop singing Calypso and Soca, but I am so happy to have gotten this opportunity to remake this song, and to add my flavour to it.”

The song was written collaboratively by Nigel Lopez, Yung Kymani and Kymani’s mom, Kezia Hector. It was produced by Miguel Charles of the A Team Band and Robert SN Baptiste. The track was later mixed by Lunatix Productions and mastered by Precision Productions, making it a true expression of collaborative energy. “As a youth in Trinidad and Tobago, I really think we should try to preserve our culture,” said Kymani, this as he prepares to go head-to- head with other brilliant, young singers this carnival. “This music not only makes me happy, it’s a part of our culture. I think it should be taught in schools as a subject, we should have more jump ups and instead of singing Trinibad music, we can sing more Calypso and Soca. There should also be community classes that can teach our youths and even the adults, about the music and the culture,” said the youngster. 

In 1985, at the age of 9, Machel Montano released ‘Too Young to Soca,’ a track that became an immediate hit and remains a distinctive part of the King of Soca’s lifetime music catalogue. “I did not want the song to sound too much like the original. I’ve added my vibe to it and I am very happy that I have been given the opportunity to remake it,” said the budding star.  

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Ebuzz News

Denise Belfon’s OVO Package from Drake, Included a Dominos Game.

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She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.

Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.

Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.

The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.

CLICK HERE TO SEE HER REACTION.

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Belmont, Trinidad Delivers On ‘Hill and Gully’ Riddim. Anisha Pleas for Peace.

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A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.

Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.

Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.

For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”

Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”

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