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Archived: Is Angie Comin’ Back To Us? Sought After Hit Creator’s On Her Grind, Releases New Video for ‘Gettin Ova You’.

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Bet you didn’t realize that Angela Hunte’s debut as an artiste, came in 2015 when she collaborated with Machel Montano on the soca track, “Party Done”. Yes. That’s when she actually started singing. Before that, the Brooklyn songwriter and mom, was just that. She was and still is considered one of contemporary music’s most sought after songwriters, creating lyrics for artistes across genres. Yep. That’s that Caribbean blood she’s got in her veins. Angela wasn’t born in Trinidad and Tobago but she did grow up with her family in Trinidad.

Angie is celebrating the rewards of her hard work as an artist these days. Her album R.A.W. debuted on the Reggae Album Charts at #9 in September and a few days ago she unleashed the official video for the opening track on the album, ‘Gettin Ova You.’ The track speaks of a woman who can’t move past a previous relationship, something Angela says most people, especially women, can relate to. The song’s visuals were shot at various spots in Miami. Coining herself a genre-less artiste, Angela Hunte, while having started her singing career on stage in Trinidad and Tobago’s Greatest Show on Earth, told Billboard, “people have tried to pigeonhole me as a soca artist but I don’t want to be put in a box. I am just an artist, and I am going to do what I feel like.”

R.A.W includes collabs with Jamaica’s Tarrus Riley on the single, “King and Queen,” and Taranchyla and Brooklyn Rose on the single, “Rub Dub.”

Whether the songbird will be a part of T&T’s 2018 Carnival season is yet to be confirmed. On Monday, the singer shared another single called, “The Unknown’ – a track by dEvolve and features Hunte. She wrote:

We are “THE UNKNOWN” in a time where everyone is searching for something to validate their existence we remain in the shadows true to our music, refusing to follow but choosing to rebel against the music masses and do what we feel instead of beings laves to camps, teams, squads, crews.”

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‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Caribbean Buzz

Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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