Ebuzz News
Archived: Bunji Garlin's Differentology Keeps Soaring
It was the anthem of Carnival 2013 and as the year rolls on, the single that caused many to escape into a daze, all the while jumping and singing its refrain.. ‘we ready, we ready, we ready…” , continues to make a strong impact across the globe. News yesterday that after having been remixed by internationally acclaimed DJ unit, Major Lazer in April, Bunji Garlin’s ‘Differentology’ has now garnered the support of even the men and women of music who tell the masses what to watch at UK media house, Guardian.co.uk.
In his review, Alex Macpherson says, “Summer songs come in all shapes, forms and genres. On Differentology, every one of those comes together to create the Platonic ideal of a summer jam.”
Differentology’s Bunji Garlin and Nigel Rojas. The song is becoming more than even they may have imagined it would become.
The review which was posted on the news website yesterday came amid consistent queries surrounding the release of Bunji Garlin’s highly anticipated ‘Differentology’ video. On April 4th, Bunji and the team posted a launch date, approximated at 3 weeks from that date.
Many have been mumbling in the public domain. Some are saying there may be a strategised approach to the release of the video in a bid to push the song to its full potential. In a chat with fellow Stag beer endorsee and artiste, Super Jigga TC, he said he personally feels that the next big thing, relative to the soca genre on the global market, will be Bunji’s ‘Differentology’ but like the speculators on the street, Super Jigga said he wasn’t sure whether there was a bigger plan for the song and as such, the video was purposely being delayed to build the hype.
Check out the full review of ‘Differentology,’ by Bunji Garlin with instrumental accompaniment by Orange Sky’s Nigel Rojas, as written in the Guardian.co.uk’s Essential Summer Tracks of 2013 feature:
[box color=”gray” icon=”world”]Summer songs come in all shapes, forms and genres. On Differentology, every one of those comes together to create the Platonic ideal of a summer jam. A Trinidadian soca beat sets the scene; warm piano chords and a four-to-the-floor rhythm add a blissed-out Balearic tinge. The rousing chorus brings in stabbing, ascending trance synths – then the Spanish guitar that has been quietly strumming away in the background gets an entire solo to itself in the song’s closing stages. “We ready, we ready, we ready,” chants Bunji Garlin, eyes and hands raised to heaven, before zeroing in on what really matters: “Everywhere you look is just food / And everyone in the way likes food,” as if the scene couldn’t get any more idyllic. Differentology is a carnival, a street party, a beach rave: it’s every one of your perfect summers distilled into four minutes and 20 seconds.[/box]
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Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.