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Archived: Bunji Garlin's Differentology Keeps Soaring

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It was the anthem of Carnival 2013 and as the year rolls on, the single that caused many to escape into a daze, all the while jumping and singing its refrain.. ‘we ready, we ready, we ready…” , continues to make a strong impact  across the globe. News yesterday that after having been remixed by internationally acclaimed DJ unit, Major Lazer in April, Bunji Garlin’s ‘Differentology’ has now garnered the support of even the men and women of music who tell the masses what to watch at UK media house, Guardian.co.uk.

In his review,  says, “Summer songs come in all shapes, forms and genres. On Differentology, every one of those comes together to create the Platonic ideal of a summer jam.”

Differentology's Bunji Garlin and Nigel Rojas. The song is becoming more than even they may have imagined it would become.

Differentology’s Bunji Garlin and Nigel Rojas. The song is becoming more than even they may have imagined it would become.

The review which was posted on the news website yesterday came amid consistent queries surrounding the release of Bunji Garlin’s highly anticipated ‘Differentology’ video. On April 4th, Bunji and the team posted a launch date, approximated at 3 weeks from that date.

Many have been mumbling in the public domain. Some are saying there may be a strategised approach to the release of the video in a bid to push the song to its full potential. In a chat with fellow Stag beer endorsee and artiste, Super Jigga TC, he said he personally feels that the next big thing, relative to the soca genre on the global market, will be Bunji’s ‘Differentology’ but like the speculators on the street, Super Jigga said he wasn’t sure whether there was a bigger plan for the song and as such, the video was purposely being delayed to build the hype.

Check out the full review of ‘Differentology,’ by Bunji Garlin with instrumental accompaniment by Orange Sky’s Nigel Rojas, as written in the Guardian.co.uk’s Essential Summer Tracks of 2013 feature:

[box color=”gray” icon=”world”]Summer songs come in all shapes, forms and genres. On Differentology, every one of those comes together to create the Platonic ideal of a summer jam. A Trinidadian soca beat sets the scene; warm piano chords and a four-to-the-floor rhythm add a blissed-out Balearic tinge. The rousing chorus brings in stabbing, ascending trance synths – then the Spanish guitar that has been quietly strumming away in the background gets an entire solo to itself in the song’s closing stages. “We ready, we ready, we ready,” chants Bunji Garlin, eyes and hands raised to heaven, before zeroing in on what really matters: “Everywhere you look is just food / And everyone in the way likes food,” as if the scene couldn’t get any more idyllic. Differentology is a carnival, a street party, a beach rave: it’s every one of your perfect summers distilled into four minutes and 20 seconds.[/box]

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Denise Belfon’s OVO Package from Drake, Included a Dominos Game.

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She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.

Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.

Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.

The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.

CLICK HERE TO SEE HER REACTION.

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Belmont, Trinidad Delivers On ‘Hill and Gully’ Riddim. Anisha Pleas for Peace.

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A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.

Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.

Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.

For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”

Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”

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