Ebuzz News
Culture Minister Says There Is A Broader Vision for T&T Carnival. Assures Feting Will Continue.
A move in line with government’s commitment to creating balance and encouraging expansion in T&T’s overall cultural experience; This is how the country’s Culture and Community Development Minister responded this afternoon to criticism meted out to government as word spread that the Brian Lara Cricket Academy would no longer be used as a fete venue.
Minister Michelle Benjamin, declaring her support for the Prime Minister said residents living in close proximity to the cricket academy, have voiced their concerns regarding the excessive sound levels generated by large scale events. Major carnival fetes have seen patron attendance exceeding 10,000 in recent years, according to promoters.
Opened in 2017, the Tarouba sporting facility is managed by the Urban Development Company of Trinidad and Tobago. UDECOTT Chairman, Shankar Bidaisee, speaking on the issue with the Trinidad Express said events hosted outside of the stadium have led to wear and tear of the facility. He explained that annual costs for the overall maintenance of the Brian Lara Cricket Academy, exceed $10million.
The Promoter’s Association of Trinidad and Tobago meanwhile, has condemned the move, saying, the government’s sudden ban on the use of UDeCOTT facilities for soca and other Carnival related events is destructive and short-sighted. Questioning the “real intent behind the move,” the association argues that the move is viewed as a top-down decision, made without consultation with the sector. Arguing that several promoters have already secured the venue ahead of Carnival 2026, the TTPA said, “For all those affected, tickets have been sold, venues advertised, and patrons have made travel and accommodation plans to align with confirmed events.” The organization is questioning how this move benefits the entire country.
Culture Minister Gives Reassurance
In her statement, Minister Benjamin explained that citizens should view the decision as part of the government’s broader vision to not only expand carnival beyond its traditional footprint, but to ensure the wellbeing of all communities. “As part of the expansion of Carnival, we are not saying that we are stopping fetes. What we are doing is working to identify and promote more appropriate spaces that can enhance the experience, while reducing any negative impact that could possibly arise.”
The Minister said the ultimate aim is to ensure that carnival continues to thrive as a celebration of creativity, unity and national identity. She said Carnival must reflect the rhythm of T&T’s people while striking the right balance between culture, community and progress.
Ebuzz News
‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.
Caribbean Buzz
Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.