Organizers of Vale Vibe Cooler Fete made a pretty good decision in moving the fete from its former, Maracas Bay location, and instead opting for Drew Manor in Santa Cruz. On Tuesday, from 4pm, fete lovers were entering the venue, ready to party with good friends and once again, create memories that would take them through another year.
There’s something about a cooler fete that intensifies the revelry in the carnival atmosphere. It’s something you’ll hardly ever experience in an all-inclusive setting. The Vale Vibe cooler team has continuously prepped their followers for the jammin,’ and annually, the event engages fans of soca music and the carnival vibe from all over the world. This year was no different. Billed to perform were Iwer George, Viking Ding Dong and the dynamic duo of Fay Ann Lyons and Bunji Garlin.
THE BOSS IN ACTION
Iwer mounted the stage first and as usual, his set gave those who’d come out to fete, just what they needed to get the adrenaline going. He explained that the organizers had asked him to do a bit of a retro set to balance the event’s entertainment to which he obliged. There was some grumbling about the feeling that Iwer’s set has never quite changed over the years however, despite that observation by some, many danced and followed instructions given by the boss. When he exited the stage after his performance time was up, the crowd called for him to return, and like clockwork, George brought his bottle of water, throwing it out into the crowd, with that well known blessing.
Viking Ding Dong was next. He too, brought good energy to the fete. His growing catalogue of impressive soca tunes proved enough to get the crowd singing along and dancing. The young entertainer and DJ is enjoying a successful Carnival 2023 season, doing it all the while with a big smile plastered across his face.
THE REVELRY INTENSIFIES
Vale Vibe Cooler fete revelers came out in their numbers on Tuesday. The event was sold out, according to reports and as Bunji Garlin and Fay Ann Lyons made their way to the stage, a capacity-filled Drew Manor seemed to have become even more saturated. Nobody seemed to mind though and so, with that, the Vikings added even more pressure.
Fay Ann, dressed simply in a pair of cut out jeans and t-shirt, which bore the word, Power, supported her husband as he made his way to the stage to kick things off with his Road March contender, ‘Hard Fete.’ The crowd immediately flew into a frenzy. Bunji’s strong, masculine presence dominated as he worked the stage and proved that he is a man of the ground. Fay would present next and together, the pair brought even more life to the event.
The fete lovers would be impressed with current and older hits from both artistes and the continuous exchange between the crowd and their soca superstars, proved satisfying for both. The venue’s layout offered an elevated view toward the back, allowing some who may have found it difficult to see the stage, to maybe find a space up top. From start to finish, Vale Vibe Cooler was in essence, a real vibe. There’s no question that many will be back next year for the energy of true Carnival enjoyment!
The national Carnival Commission says more than 10,000 patrons came out to Flava Village at the Queen’s Park Savannah on Thursday night to see female Soca artiste, Patrice Roberts.
An event dubbed, ‘Always Us,’ held as a free showcase for Carnival lovers, delivered a number of truly entertaining soca stars, among them, Shal Marshall, Shurwayne Winchester, Nadia Batson, Farmer Nappy and Mical Teja. The NCC, in a media statement said, “an estimated 8,000 people filled the popular Carnival venue, with an additional 2,000patrons enjoying the show from viewing screens along The Drag, creating an electric Carnival atmosphere despite heavy rainfall earlier in the day.”
With her usual high energy performances, Patrice held the attention of fans throughout the night.The concert was described by the artiste as a heartfelt “thank you” to her fans and supporters. NCC’s Chief Executive Officer, Keiba Jacob-Mottley, said the organisation welcomed the opportunity to partner with Roberts. “We commend Patrice for her decision to give back in this meaningful way and applaud her commitment to ensuring that high-quality local entertainment remains accessible to everyone during the Carnival season, Mottley said, adding, “Our collaboration reinforces the NCC’s focus on creating memorable Carnival experiences that celebrate our artistes while removing financial barriers for the public,” she added.
The NCC CEO noted that the Flava Food Village, one of two signature Carnival villages at the Savannah, alongside the John Cupid Carnival Village, is offered as a vibrant, inclusive space where patrons can enjoy food, culture, and nightly performances free of charge. She added that other NCC events, such as “Welcome to the Gayelle” represent the continuing work at delivering a successful Carnival 2026.
David Baptiste, President of the Carnival Entrepreneurs Association, described the night as a milestone for vendors at the Savannah. “Last night was truly beautiful and something I have never seen before – an event of this magnitude in terms of crowd size, and people supporting the vendors. Many vendors sold out last night. We need more of this, and I am looking forward to the next event. Events like these boost business for our vendors at the Savannah and make them truly feel like they are a part of the Carnival festival,” Baptiste said.
From dancehall music with rough lyrical content to social commentary that aims at changing mindsets, East Trinidad native, Squeezy Rankin says he has found his true calling in Calypso music. The entertainer is on the road to the preliminary round of the Calypso Monarch Competition later this month, with a single called ‘Rat Race’ – this, one year after ‘Justice’ influenced younger audiences to take a stronger look at the Calypso genre, something that he hopes he can continue to do as his journey in music continues.
Squeezy Rankin has been an artiste on the ground for many years. He has pivoted from dancehall into Calypso music.
In a recent radio interview, the reigning Young King, whose real name is Anthony La Fleur, said prior to 2025, he had not done music professionally in 13 years. Jumping back into the spotlight, he said, was a bit intimidating, but the exposure last year has prepared him for 2026 and the artiste is expected to confidently claim his space in the Calypso Monarch competition this year.
As real as it gets, Squeezy Rankin- a man on the ground, has always fought for his place in the music industry locally. Now, as Calypso music embraces him even more, he says he believes he’s found his place. “I plan on releasing two songs during the year because I want to change the narrative that Calypso music is old people music,” he said, adding that his hope is that urban radio stations see the value in sharing topics of social commentary, such as ‘Justice’ and ‘Rat Race’- songs deep in meaning and valuable beyond measure, in the greater scheme of things.
Determined to change mindsets one song at a time, Squeezy Rankin says his strong suit is certainly social commentary and he will not, at any time, delve into political commentary. “I was advised by someone who is deep in politics to stay out of it and I literally listened. You know sometimes we hear people, but we aren’t listening. I thought about what he said, and it made sense. I literally listened, even though they say I don’t listen,” he said with a laugh.
‘Rat Race’ was written by Squeezy and Angelo Pantin with production by Q-Ban Production.
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.