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Archived: WAP Backlash Drowns Out Blue Ivy’s Win Somewhat, As Social Media Weighs in On Sunday’s Grammys.

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While there’s much to celebrate in the aftermath of the 2021 Grammy Awards held in LA on Sunday night, there’s also a hum of disappointment by conservatives who feel that rappers, Megan Thee Stallion and Cardi B’s WAP performance, was over-sexualised for television.

Let’s start off by congratulating the youngest winner though. Nine- year- old Blue Ivy, the eldest child of JayZ and Beyonce, won her first award for “Brown Skin Girl,” which copped the award for Best Music Video.  The single was originally released for the 2019 Disney film, The Lion King: The Gift, before being adapted for Beyoncé’s 2020 film, Black Is King. 

Blue Ivy Carter

The 9-year-old was not present at the event but her parents sure were, Beyonce dressed in a short, black leather textured, off-shoulder dress that clinched her curvaceous physique to a tee, while her hubby’s growing dreadlock hairstyle seemed to steal the spotlight with every turn of the camera in the couple’s direction.

Beyonce, in an Instagram caption alongside the film’s debut, wrote : “The events of 2020 have made the film’s vision and message even more relevant, as people across the world embark on a[n] historic journey. We are all in search of safety and light. Many of us want change. I believe that when Black people tell our own stories, we can shift the axis of the world and tell our REAL history of generational wealth and richness of soul that are not told in our history books. I pray that everyone sees the beauty and resilience of our people.”

The talk of the day however is the performance by Cardi B and Megan Thee Stallion, many arguing that their performance was not family friendly, in an award show that was aired on CBS, and is usually marketed to audiences that may include younger children. On Twitter, irate spectators, virtually cringed as the pair gyrated across television screens around the world. “I truly hope no children were watching the WAP performance..” wrote @courtneywyn18, while @Saccole said, “WAP!! At the #GRAMMYs, really… where is the reserved decency and honor for our children! There’s a time and place for everything ppl! This was neither for this song. No class #GRAMMYs.”

“The left is fine with the disgusting performance Cardi B just gave at the Grammys but Dr. Seuss is too dangerous for our children?” asked conservative commentator Charlie Kirk.

Earlier this month, Dr. Seuss Enterprises announced that six of the children’s book author’s titles will no longer be sold because of racist and insensitive imagery.

There were others however, who thoroughly enjoyed the performance, arguing that it was just what the Grammy’s needed.

HERE ARE SOME OF THE 2021 GRAMMY WINNERS

Song of the Year
“I Can’t Breathe,” Dernst Emile II, H.E.R. and Tiara Thomas, songwriters (H.E.R.)

Best New Artist
Megan Thee Stallion

Best Pop Solo Performance
“Watermelon Sugar,” Harry Styles

Best Pop Duo/Group Performance
“Rain on Me,” Lady Gaga with Ariana Grande

Best Pop Vocal Album
“Future Nostalgia,” Dua Lipa

Best Traditional Pop Vocal Album
“American Standard,” James Taylor

Best Dance Recording
“10%,” Kaytranada featuring Kali Uchis

Best Dance/Electronic Album
“Bubba,” Kaytranada

Best Contemporary Instrumental Album
“Live at the Royal Albert Hall,” Snarky Puppy

Best Rock Performance
“Shameika,” Fiona Apple

Best Global Music Album
“Twice as Tall,” Burna Boy

Best Reggae Album
“Got to Be Tough,” Toots and the Maytals

Best Contemporary Christian Music Album
“Jesus Is King,” Kanye West

Best Rap Album
“King’s Disease,” Nas

Best Rap Song
“Savage,” Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe and Anthony White, songwriters (Megan Thee Stallion featuring Beyoncé)

Best R&B Album
“Bigger Love,” John Legend

Best Rap Performance
“Savage,” Megan Thee Stallion featuring Beyoncé

Ebuzz News

Denise Belfon’s OVO Package from Drake, Included a Dominos Game.

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She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.

Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.

Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.

The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.

CLICK HERE TO SEE HER REACTION.

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Belmont, Trinidad Delivers On ‘Hill and Gully’ Riddim. Anisha Pleas for Peace.

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A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.

Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.

Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.

For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”

Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”

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