The carnival excitement is here. A short season means a rapid succession of fetes. Last weekend, on the heels of Scorch’s 1st Jam on New Year’s Day, EBUZZTT took on Tribe Ice at the Queen’s Park Savannah in Port-of-Spain and as was expected, the masses made good of the invitation to fete till dawn.
In typical Tribe fashion, the venue was well laid out. Performances from Skinny Fabulous, Shal Marshall, Marzville, Lyrikal, Erphaan Alves, Voice and Marge Blackman and Patrice Roberts thrilled most and those who weren’t impressed probably didn’t have enough of those Patron shots that were being passed around, to wet their palate. Just saying.
Patrice Roberts’ body is banging.
Now, Patrice Roberts, rocking a lilac colored pixie cut and showing off her sexy physique, which made us all stop and wonder for a minute, was definitely the show stopper. Her confidence has taken off and with what some are calling the Road March anthem in her back pocket, the young Soca mom killed it when she stepped on stage to belt out “Criminal Wine” with Lyrikal. He too had a pretty good set, and with Voice following a short time later, the crowd was given a great sense of what’s to come at fetes this season.
Erphaan Alves is having a phenomenal season. His song, “OverDue” is a crowd favorite.
Tribe’s events have always attracted the young and impressionable. The DJs have however, continuously proven that they have a pretty limited appreciation for the amazing cadre of soca artistes who, year after year, give the people so many powerful anthems to enjoy at fetes. This year, once again, the DJs couldn’t seem to cure themselves of the “Machelitis” they’ve been infected with for years. With a number of blockbuster 2018 anthems already being blazed on the urban airwaves, the DJs at Tribe Ice failed to effectively show the partying public that there are a smorgasbord of big tunes this season, including Road March champions, Ultimate Rejects’ “Vex”, “Whole Day” and “Inside De Festival,” and not forgetting new music from Destra Garcia who has give us a wicked Carnival hit in, “Gimme,” Ricardo Drue and Fay Ann Lyons’ collaboration on Drue’s Antigua Soca Monarch winning hit, “Another Level,” and even Shurwayne Winchester has a monster Road March contender in a track called, “Wi Carnival.”
The season is here. Shal Marshall, Patrice Roberts, Kees and Erphaan Alves are out the gates with tunes that have the public eating out of their hands, but once again, without the versatility of the DJ, a number of incredible soca anthems just won’t see the light of day. What say you? Share your thoughts on this in our comments section here at www.ebuzztt.com.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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