Beyond tonight, all sights will be set on the Road March title. News today that one of the songs many would have been rooting for, Bunji Garlin’s “Touch De Stage”, is not registered for the coveted Road March title. Bunji told EBUZZTT that he never released the song with the intention of competing in the Road March race. “I just did the song. I just did it and left it to its own devices. I never did it with the intention to have it as a Road March contender. I haven’t even registered the song,” said the artiste.
Bunji says he did “Touch De Stage” on the request for a Power single, by the people.
On EBUZZTT’s online Road March poll, Bunji’s “Touch De Stage”, which we posted without the understanding that he had not registered to compete in the race, has stood firmly to the top of the pack, throughout. His song was followed by Machel Montano’s “Waiting on De Stage” and Kees’ “People” in third position. “The reason I did “Touch De Stage” is because the people said they wanted an authentic Power Soca song. If I was competing in Soca Monarch I could’ve gone with the song as well, but I didn’t do the song to compete or anything,” said Garlin.
Bunji and his wife, Fay-Ann Lyons meanwhile, will host their annual Children’s Show at the Arima Velodrome tomorrow from 2pm -6pm. Entry, for the first time ever, will be FREE. Bunji told EBUZZTT it was only fitting to accommodate the people that have supported the event annually, having assessed the situation unfolding in T&T with the cancellation of many popular events. “We understand that the recession mashing up everybody. We’ve been observing the events- the cancellations and one of the most important factors in culture on the whole, is the younger generation, and it is important for them to always have that. I mean, we hardly have the school tours anymore and we hardly have the facilities for the kids to partake in the culture and we are faced with the challenge of some songs that can be deemed inappropriate for kids of a certain age. With all that happening, we couldn’t take away the children’s show from them too, especially on the basis that people may not be able to afford it,” explained the artiste.
Bunji said he’s been speaking with his comrades in the entertainment industry and some have even reached out to him, without being approached, to be a part of the event. “I’ve put the notification out there that any of the artistes can come through and be a part of it for the kids. It’s like an open mic almost,” he said, adding, “the most important thing is to ensure that the kids enjoy themselves.”
There was a time when Jamaican dancehall was largely viewed as a male-dominated space. Then came Patra, a bold, distinctive voice who helped change the conversation about what a female dancehall artist could achieve.
The Jamaican entertainer rose to prominence in the late 1980s and exploded onto the international scene in the 1990s, bringing her commanding delivery and unmistakable style to audiences far beyond Jamaica.
Songs such as “Worker Man,” “Romantic Call” and “Pull Up to the Bumper” introduced Patra to a global audience and helped establish her as one of the most recognizable female faces of the dancehall movement during its international expansion.
Queen of the Pack, Patra.
Her success was significant not simply because of the records she sold or the charts she reached. Patra was part of a generation of Caribbean artists proving that music born in Jamaica could compete for attention on the world’s biggest stages.
She also helped create a path for the many female dancehall artists who followed, demonstrating that women could command the same attention, confidence and cultural influence in a genre traditionally dominated by men.
Now, decades after her breakthrough, Patra is receiving her flowers.
The Caribbean Music Awards will honor the dancehall veteran with a special recognition at this year’s ceremony in Trinidad, alongside fellow Caribbean music legends Shyne, Calypso Rose and Alan Cavé.
For Patra, the honor represents more than a career milestone. It is recognition of a woman who helped carry the sound and spirit of Jamaican dancehall to the world—and in doing so, became part of Caribbean music history.
It might be a complete surprise to see James Saunders on your television screen delivering the sports news and then hear his voice in song, on the radio. For the average fan who grew to love his bubbly personality as one of Trinidad and Tobago’s most popular sport anchors, the transition may feel sudden. The truth is, the Moruga-born media personality has been balancing both worlds for nearly two decades – it’s just that, finally, more people are catching on.
“Fake Energy,” a track released in June that recognised Men’s Mental Health, received a lot of love on social media and introduced him to a whole new audience. Speaking with Ebuzztt, the singer pointed out that very rarely are men asked, “How are you… really?” He hopes his new single helps create space for genuine vulnerability, and aids in changing the narrative about what being “strong” really means.
“If we can make those conversations normal, we’ll save lives. We smile publicly while privately carrying disappointment, rejection, loneliness, or self-doubt. If this song gives someone permission to check on a friend, or realize they aren’t alone, then it’s already a success in my eyes,” he shared.
The lyrics hit home on a personal level; he has endured stretches of having to show up for work and family while masking private pain. “It reminds me that music is about more than just entertainment; it sparks the kind of dialogue people have been dodging for years, including me.”
Known by followers for his fire freestyling talent, the entertainer who goes by the sobriquet Jr. Dynamite traces his musical gift back to his late father who was a DJ. Growing up around his record collection exposed him to everything from reggae and dancehall to soul, gospel and calypso. He soon realised music was a tool to tell stories, create memories and bring people together. Today he lists Bunji Garlin, Tiko Angelos, and Vybz Kartel as his “lyrical heroes,” while crediting Papa San, Prodigal Son and Damian Marley for influencing him inspirationally. Over the years James has performed at The Pilgrimage (Trinidad’s biggest gospel festival), The Lime Tobago, and across the Caribbean including Barbados, Anguilla, Grenada, St. Vincent and Saint Martin. He’s also sung on stages as far as Canada and Brazil.
Juggling all of thathas meant sleep often takes a backseat. The sacrifice, he says, feels worth it. “When you’re passionate about something, you make time for it. I never wanted to look back one day and wonder, ‘What if I had given my music a real chance?”
Guided by his Christian faith, he’s careful not to make his music feel like a lecture. He keeps it real; highlighting anxiety, disappointment, and relationships. Nothing is off limits. On the hardest day of their lives, he wants his listeners to press play and feel inspired, believing that “tomorrow can be better.”
Never one to sit still, James, who has penned more songs than he could recall during this interview, is already putting the finishing touches on his new project, an EP due to drop later this year. He calls it his most personal body of work: a collection of melodic stories tackling purpose, perseverance, faith, and identity meant to make you reflect and even shed some tears. “There are songs that will remind you that no matter what life throws at you, there is always hope on the other side.”
When he looks back at his journey, he is proud to have had the courage to pursue his passions despite the setbacks and the naysayers. He even teased that a few international collabs are coming soon. “I don’t want to say too much on that right now,” he said. “I knew this was bigger than a hobby when I found myself writing songs to process life’s experiences and encourage people. Music isn’t just something I do, it is part of who I am.”
Want more? Check out his brand new love release titled “You & Me.”
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