Toronto was awaken and shaken up with Caribbean energy on Saturday, as the annual Caribana festival climaxed with revelers hitting the streets all day long, and later, the OVO Festival at Eco Beach presenting a slate of Caribbean music makers that certainly held their own.
Machel Montano in thrill mode.
Chart topping international rapper, Drake delivered the caribbean flavor at the event that his record label has had running for seven years and counting, presenting caribbean soca lovers with their king, Machel Montano. The soca heavyweight who’s been making headlines in recent days with the launch of Bazodee- a film he stars in, in addition to a recent prime time interview on NYC’s Hot97FM, plus a VIBE magazine interview, is said to have revved up the vibe, something that’s pretty much the norm, later introducing Jamaican artiste, Mavado to the massive crowd who’d come out to experience the festival.
Angela Hunte performs at Ovo Fest
Also on the cast at OVO were Angela Hunte who’s “Party Done” refrain was a hit as expected, and the 2016 Soca Monarch King of Trinidad and Tobago, Voice. Former Groovy Soca King, Olatunji Yearwood was also there as was Jamaica’s Sean Paul. Sunrise saw and felt the sensational energy of Kees Dieffenthaller, who, in an Instagram post surprised fans with his appearance at the mammoth event. He even hashtagged the word #surprise, making it known that he’d practically kept this one a secret all along.
Beenie Man is down with Zika
Dancehall hit maker of 26 years, Beenie Man was carded to appear as one of the show’s featured acts, however he was not granted a Canadian Visa and subsequently disclosed that he was down and out with the Zika virus. In other parts of Toronto, Trinidad and Tobago soca stars made their presence felt. Shurwayne Winchester, KI, Ronnie McIntosh, Jahmoun, Bass, Fay Ann Lyons and Bunji Garlin were all in the city, living up to all expectations, delivering fun and caribbean joy to carnival lovers in TDot.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
On the heels of the release of new material, Buju Banton recently rode through Brooklyn with comedian, Queensflip on a dollar cab. The candid discourse has however landed the veteran reggae and dancehall artiste in a viral war of words it would appear, as someone speaking on behalf of fellow entertainer, Wayne Wonder is now challenging Buju’s utterances.
In a post shared on social media on Monday, Buju Banton is lambasted on behalf of Wayne Wonder, with the spokesperson alleging that Buju was responsible for the removal of Wayne Wonder’s name on credits for his 1992 hit single, ‘Murderer.’
Buju’s utterances was owed to questions asked by QueensFlip on the matter of his relationship with Wayne Wonder.
In response, a representative, now understood to be the wife of Wayne Wonder, countered Buju’s sentiments, harshly criticizing Buju’s character and alluding to dishonesty and unfair treatment meted out to her husband.
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