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Archived: Wow! All That Jazz … Fay Ann, Bunji Steal The Headlines Again!

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Fay-Ann Lyons says the organisers of the Tobago Jazz Experience 2014 treated her team disrespectfully.

Fay-Ann Lyons says the organisers of the Tobago Jazz Experience 2014 treated her team disrespectfully.

While news of John Legend being the headline act at the annual Tobago Jazz experience this year should have been the talk of the town across the Caribbean this past weekend, soca power couple, Fay-Ann Lyons and Bunji Garlin undoubtedly stole the spotlight. The chatter about the Bunji and Fay-Ann ‘walk out’ has been incessant with everybody who is somebody having an opinion.

In case you missed it though, we’ll summarise so here goes… Bunji, Fay-Ann and Asylum were booked to perform on Friday night, closing for Legend and fellow international songbird, Brandy. Unfortunately though, due to one thing or the other, accommodation at the Grafton Beach Hotel was not forthcoming for all 17 persons on the Asylum team. According to event organisers, the original booking was made for 10 persons. According to Fay-Ann’s comments via social media, airline bookings were made for 17 Asylum members. Communications personnel for the THA who hosted the event said the issue stemmed from a level of miscommunication and an apology was issued however, Fay-Ann, Bunji and Asylum chose to remove themselves from the lineup and fly back to Trinidad. They indicated that they were carded to fly to St. Maarten subsequent to that Tobago performance.

The debate then began. For an entire weekend, talk of this issue blared through the speakers as popular radio stations attempted to address the matter, calling on listeners to put in their two cents. The drama was undoubtedly being fuelled as many took to social media to either bash or support the Asylum Vikings team. Today, a media release issued by the Asylum Vikings, followed one that was submitted by the organisers of the Tobago Jazz Experience. We’ve taken the liberty of delivering both to you. Feel free to share your comments via our comments section below. Despite it all, Bunji Garlin, Fay-Ann Lyons and the Asylum Vikings controlled the headlines this weekend, without a doubt!


MEDIA RELEASE FROM THE ASYLUM VIKINGS 

27/04/2014- Bunji Garlin, Fay Ann Lyons and the Asylum Band take this opportunity to provide for fans locally and around the world a clear explanation of what transpired over the last forty eight to seventy two hours, which forced us to withdraw from the Tobago Jazz Experience. We have communicated with the media before, however we now detect an attempt to put a spin on the story that amazingly attempts to put our band in a bad light. The information provided herein should end all speculation and put all such thoughts to rest.The relationships between an event promoters and performers are governed by contracts and riders. Those relationships however are managed by good communications. From the inception of this relationship, communication from the Tobago Jazz Experience has been uniformly poor.The event manager has indicated that there may have been a communication problem, and he is half right, they did not communicate.

No performance contract ever requires the performer(s) to make their own travel or accommodation arrangements, at least none that we have ever been involved with.

One of our sound engineers, Mr Brewster, arrived in Trinidad to go to Tobago to help with preparing our sound on Thursday, as the Tobago Jazz Experience directed. We were therefore surprised to be informed that no accommodation was booked for him and the official who was assigned to room all guests was asking our management “why is he here today?” He was told that they did not know that he was coming. This was at least strange, given the fact that they booked his flight.

At this stage, we attempted to contact the organizers with no success.

Fay finally got Mr John Arnold who then said unfortunately the hotel we originally requested was not available and after a little discussion they said the whole band would be roomed at the Grafton hotel. Nonetheless, on Friday we journeyed to Tobago, we encountered no problems with the flight, although we had to end up arranging different ground transportation since the one that was sent for us had to leave as he has a government contract to pick up school kids. When we got to the hotel, we discovered that only five rooms were booked. At this point our four hour ordeal started.

Our management and the hotel attempted to contact the organizers. Being familiar with the myriad task associated with hosting an event of this magnitude, we expect such hiccups and a trouble-shooter type response, instead we were met with hostility. We had much difficulty contacting anyone as had the Grafton Hotel staff. One of the desk clerks said they have been calling the event’s rooming officials for hours to clear issues for other guests under their purview other than ours. The following is a sample of the responses that we did receive. “so I must call the hotel and say what”; “so what I supposed to do for that” and “all yuh hutting up mi head and raising my blood pressure”. We wish to restate that we were in the lobby of the hotel for going on four hours before we decided to leave.

It should also be noted, that with Grafton Beach being an all-inclusive Resort hotel, we were unable to check all in since the rooms were THA reserved and the rest of the band had to be THA approved in order to even enter the room.

We have also noted that there is an attempt to suggest that we somehow inflated the numbers in our bad with “joy riders”. The band which publicly performed for all of Carnival 2014 is the same one that travelled to Tobago, using tickets that were purchased and booked by the Tobago Jazz Experience. For further clarity, the following is a list of the individuals who travelled, and their roles.

1 machine/ percussionist
1 drummer
1 bassist
1 guitarist
1 keyboardist
3 horn players
1 back up singer
2 engineers ( 1 on stage one on front house)
2 roadies (equipment handlers)
1 manager
2 front line singers (Bunji & Faye Ann)
1 media liaison (cameras)

The Asylum Family is firmly committed “to run and take the microphone and just sing and make people proud” We however have little control over the vagaries of promoters. While they admitted that they did indeed mess up on the issue of party/ rooming arrangements, we hope to see the false statement given to media by one of their officials that “the row was because they expected 10 people but we showed up with 17 and that we wanted to stay where another artiste was staying” be rescinded and corrected. We honestly and sincerely apologize to our true fans but an issue like this must never ever happen to anyone whether local or foreign.


MEDIA RELEASE FROM THE TOBAGO JAZZ ORGANISERS 

The organiser of this year’s Tobago Jazz Experience (TJE) 2014 apologises to patrons and soca star Bunji Garlin and his band, the Asylum Vikings, after the band withdrew from World Music Night just hours before the show on Friday 25 April.
The Division of Tourism and Transportation (DOTT), which has been organising and hosting the popular jazz event, regretted that the band was not part of the TJE as it pulled out of the event, hours before show time.

The packed audience of 10,000 people was entertained by nine-time Grammy award-winner John Legend, who delivered a flawless performance of his international hits. Local crossover band Dil-e-Nadan, American singer and actress Brandy, and Iwer George also performed at the Pigeon Point Heritage Park event.
Bunji Garlin and the Asylum Vikings had requested to stay at the Magdalena Grand, but they had no space available. The Grafton Beach Resort was agreed upon by the band and event organisers. Unfortunately, due to miscommunication, insufficient rooms were booked at the Grafton. The event organisers rectified the situation, meeting the demands of the band, but the band decided to leave the island before the concert. The initial arrangement was for the band to depart for Trinidad immediately after the performance.
 

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Dominica, Martinique Connect in the Name of Bouyon, Just in Time For World Creole Festival This Weekend.

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Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer.  In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.

Building Connections In the Name of Music.

For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.

Maurane Voyer x Reo

Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.

The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song. 

Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.

Taking A Look at What Unifies.

“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.

The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.

Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could.  Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.

“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.

The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.

The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.

With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.

The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.

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Tobago’s Trendsetter Goofy, A Different Kind of Cultural Ambassador. Show Some Respect.

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As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.

Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.

In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.

Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.

Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”

Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.

Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.

This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?

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