Fay-Ann Lyons says the organisers of the Tobago Jazz Experience 2014 treated her team disrespectfully.
While news of John Legend being the headline act at the annual Tobago Jazz experience this year should have been the talk of the town across the Caribbean this past weekend, soca power couple, Fay-Ann Lyons and Bunji Garlin undoubtedly stole the spotlight. The chatter about the Bunji and Fay-Ann ‘walk out’ has been incessant with everybody who is somebody having an opinion.
In case you missed it though, we’ll summarise so here goes… Bunji, Fay-Ann and Asylum were booked to perform on Friday night, closing for Legend and fellow international songbird, Brandy. Unfortunately though, due to one thing or the other, accommodation at the Grafton Beach Hotel was not forthcoming for all 17 persons on the Asylum team. According to event organisers, the original booking was made for 10 persons. According to Fay-Ann’s comments via social media, airline bookings were made for 17 Asylum members. Communications personnel for the THA who hosted the event said the issue stemmed from a level of miscommunication and an apology was issued however, Fay-Ann, Bunji and Asylum chose to remove themselves from the lineup and fly back to Trinidad. They indicated that they were carded to fly to St. Maarten subsequent to that Tobago performance.
The debate then began. For an entire weekend, talk of this issue blared through the speakers as popular radio stations attempted to address the matter, calling on listeners to put in their two cents. The drama was undoubtedly being fuelled as many took to social media to either bash or support the Asylum Vikings team. Today, a media release issued by the Asylum Vikings, followed one that was submitted by the organisers of the Tobago Jazz Experience. We’ve taken the liberty of delivering both to you. Feel free to share your comments via our comments section below. Despite it all, Bunji Garlin, Fay-Ann Lyons and the Asylum Vikings controlled the headlines this weekend, without a doubt!
MEDIA RELEASE FROM THE ASYLUM VIKINGS
27/04/2014- Bunji Garlin, Fay Ann Lyons and the Asylum Band take this opportunity to provide for fans locally and around the world a clear explanation of what transpired over the last forty eight to seventy two hours, which forced us to withdraw from the Tobago Jazz Experience. We have communicated with the media before, however we now detect an attempt to put a spin on the story that amazingly attempts to put our band in a bad light. The information provided herein should end all speculation and put all such thoughts to rest.The relationships between an event promoters and performers are governed by contracts and riders. Those relationships however are managed by good communications. From the inception of this relationship, communication from the Tobago Jazz Experience has been uniformly poor.The event manager has indicated that there may have been a communication problem, and he is half right, they did not communicate.
No performance contract ever requires the performer(s) to make their own travel or accommodation arrangements, at least none that we have ever been involved with.
One of our sound engineers, Mr Brewster, arrived in Trinidad to go to Tobago to help with preparing our sound on Thursday, as the Tobago Jazz Experience directed. We were therefore surprised to be informed that no accommodation was booked for him and the official who was assigned to room all guests was asking our management “why is he here today?” He was told that they did not know that he was coming. This was at least strange, given the fact that they booked his flight.
At this stage, we attempted to contact the organizers with no success.
Fay finally got Mr John Arnold who then said unfortunately the hotel we originally requested was not available and after a little discussion they said the whole band would be roomed at the Grafton hotel. Nonetheless, on Friday we journeyed to Tobago, we encountered no problems with the flight, although we had to end up arranging different ground transportation since the one that was sent for us had to leave as he has a government contract to pick up school kids. When we got to the hotel, we discovered that only five rooms were booked. At this point our four hour ordeal started.
Our management and the hotel attempted to contact the organizers. Being familiar with the myriad task associated with hosting an event of this magnitude, we expect such hiccups and a trouble-shooter type response, instead we were met with hostility. We had much difficulty contacting anyone as had the Grafton Hotel staff. One of the desk clerks said they have been calling the event’s rooming officials for hours to clear issues for other guests under their purview other than ours. The following is a sample of the responses that we did receive. “so I must call the hotel and say what”; “so what I supposed to do for that” and “all yuh hutting up mi head and raising my blood pressure”. We wish to restate that we were in the lobby of the hotel for going on four hours before we decided to leave.
It should also be noted, that with Grafton Beach being an all-inclusive Resort hotel, we were unable to check all in since the rooms were THA reserved and the rest of the band had to be THA approved in order to even enter the room.
We have also noted that there is an attempt to suggest that we somehow inflated the numbers in our bad with “joy riders”. The band which publicly performed for all of Carnival 2014 is the same one that travelled to Tobago, using tickets that were purchased and booked by the Tobago Jazz Experience. For further clarity, the following is a list of the individuals who travelled, and their roles.
1 machine/ percussionist 1 drummer 1 bassist 1 guitarist 1 keyboardist 3 horn players 1 back up singer 2 engineers ( 1 on stage one on front house) 2 roadies (equipment handlers) 1 manager 2 front line singers (Bunji & Faye Ann) 1 media liaison (cameras)
The Asylum Family is firmly committed “to run and take the microphone and just sing and make people proud” We however have little control over the vagaries of promoters. While they admitted that they did indeed mess up on the issue of party/ rooming arrangements, we hope to see the false statement given to media by one of their officials that “the row was because they expected 10 people but we showed up with 17 and that we wanted to stay where another artiste was staying” be rescinded and corrected. We honestly and sincerely apologize to our true fans but an issue like this must never ever happen to anyone whether local or foreign.
MEDIA RELEASE FROM THE TOBAGO JAZZ ORGANISERS
The organiser of this year’s Tobago Jazz Experience (TJE) 2014 apologises to patrons and soca star Bunji Garlin and his band, the Asylum Vikings, after the band withdrew from World Music Night just hours before the show on Friday 25 April.
The Division of Tourism and Transportation (DOTT), which has been organising and hosting the popular jazz event, regretted that the band was not part of the TJE as it pulled out of the event, hours before show time.
The packed audience of 10,000 people was entertained by nine-time Grammy award-winner John Legend, who delivered a flawless performance of his international hits. Local crossover band Dil-e-Nadan, American singer and actress Brandy, and Iwer George also performed at the Pigeon Point Heritage Park event.Bunji Garlin and the Asylum Vikings had requested to stay at the Magdalena Grand, but they had no space available. The Grafton Beach Resort was agreed upon by the band and event organisers. Unfortunately, due to miscommunication, insufficient rooms were booked at the Grafton. The event organisers rectified the situation, meeting the demands of the band, but the band decided to leave the island before the concert. The initial arrangement was for the band to depart for Trinidad immediately after the performance.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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