While there’s much to celebrate in the aftermath of the 2021 Grammy Awards held in LA on Sunday night, there’s also a hum of disappointment by conservatives who feel that rappers, Megan Thee Stallion and Cardi B’s WAP performance, was over-sexualised for television.
Let’s start off by congratulating the youngest winner though. Nine- year- old Blue Ivy, the eldest child of JayZ and Beyonce, won her first award for “Brown Skin Girl,” which copped the award for Best Music Video. The single was originally released for the 2019 Disney film, The Lion King: The Gift, before being adapted for Beyoncé’s 2020 film, Black Is King.
The 9-year-old was not present at the event but her parents sure were, Beyonce dressed in a short, black leather textured, off-shoulder dress that clinched her curvaceous physique to a tee, while her hubby’s growing dreadlock hairstyle seemed to steal the spotlight with every turn of the camera in the couple’s direction.
Beyonce, in an Instagram caption alongside the film’s debut, wrote : “The events of 2020 have made the film’s vision and message even more relevant, as people across the world embark on a[n] historic journey. We are all in search of safety and light. Many of us want change. I believe that when Black people tell our own stories, we can shift the axis of the world and tell our REAL history of generational wealth and richness of soul that are not told in our history books. I pray that everyone sees the beauty and resilience of our people.”
The talk of the day however is the performance by Cardi B and Megan Thee Stallion, many arguing that their performance was not family friendly, in an award show that was aired on CBS, and is usually marketed to audiences that may include younger children. On Twitter, irate spectators, virtually cringed as the pair gyrated across television screens around the world. “I truly hope no children were watching the WAP performance..” wrote @courtneywyn18, while @Saccole said, “WAP!! At the #GRAMMYs, really… where is the reserved decency and honor for our children! There’s a time and place for everything ppl! This was neither for this song. No class #GRAMMYs.”
“The left is fine with the disgusting performance Cardi B just gave at the Grammys but Dr. Seuss is too dangerous for our children?” asked conservative commentator Charlie Kirk.
Earlier this month, Dr. Seuss Enterprises announced that six of the children’s book author’s titles will no longer be sold because of racist and insensitive imagery.
There were others however, who thoroughly enjoyed the performance, arguing that it was just what the Grammy’s needed.
HERE ARE SOME OF THE 2021 GRAMMY WINNERS
Song of the Year “I Can’t Breathe,” Dernst Emile II, H.E.R. and Tiara Thomas, songwriters (H.E.R.)
Best New Artist Megan Thee Stallion
Best Pop Solo Performance “Watermelon Sugar,” Harry Styles
Best Pop Duo/Group Performance “Rain on Me,” Lady Gaga with Ariana Grande
Best Pop Vocal Album “Future Nostalgia,” Dua Lipa
Best Traditional Pop Vocal Album “American Standard,” James Taylor
Best Dance Recording “10%,” Kaytranada featuring Kali Uchis
Best Dance/Electronic Album “Bubba,” Kaytranada
Best Contemporary Instrumental Album “Live at the Royal Albert Hall,” Snarky Puppy
Best Rock Performance “Shameika,” Fiona Apple
Best Global Music Album “Twice as Tall,” Burna Boy
Best Reggae Album “Got to Be Tough,” Toots and the Maytals
Best Contemporary Christian Music Album “Jesus Is King,” Kanye West
Best Rap Album “King’s Disease,” Nas
Best Rap Song “Savage,” Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe and Anthony White, songwriters (Megan Thee Stallion featuring Beyoncé)
Best R&B Album “Bigger Love,” John Legend
Best Rap Performance “Savage,” Megan Thee Stallion featuring Beyoncé
Trinidad and Tobago is set to stage a revamped International Soca Monarch competition in what is now dubbed The Ultimate Soca Champion competition. The event’s final will be staged on Thursday, February 20th, with the semi final round set for Sunday, February 9th. The announcement was made earlier today by organisers, at a media conference held at Queen’s Hall, Port of Spain.
The organisers said the competition will not be split into Groovy/Power categories, however they said there will be special prizes for Best Groovy Soca, Best Power Soca and People’s Champion, based on public votes.
The event will feature the Ultimate Soca Champion reality TV show which organizers say is aimed at giving viewers an intimate look into the competition. “We believe this will help our culture to reach international audiences when packaged properly,” the team said.
In-Person Auditions will take place on Saturday, January 25th, 2025 at 9:00 AM at the Fernando Academy of the Performing Arts (SAPA). Regional/ International Artistes who are not in Trinidad and Tobago, are required to submit video auditions from January 20th at 8:00am to January 26th at 11:59pm.
“We aim to make this a production that captivates audiences worldwide,” said Rome. “The Ultimate Soca Champion Competition will not only elevate soca to international standards but also inspire the next generation of artistes.”
For registration, submission guidelines, and updates, visit ultimatesocachampion.com from Monday January 20th, or email ultimatesocachampion@gmail.com.
There’s another big project coming out of Dwayne Bravo’s 47 Productions in Port-of-Spain, and just like the Pineapple Riddim last month, it features some big names in Soca music.
The Viking of Soca, Bunji Garlin, Grenada’s Skinny Banton, Skinny Fabulous and Problem Child- both St. Vincent and the Grenadines entertainers, grace the ‘Powerful Riddim’- described as a heart-pounding, adrenaline-packed Power Soca riddim that’s guaranteed to light up every fete the season, even with potential for the Road March.
Bunji Garlin deliver’s ‘On De Go’ – a high-octane single that celebrates vibes and undiluted energy, while on Skinny Fabulous’ ‘Like We Rich,’ elements of a grandeur lifestyle, inclusive of living large, partying hard and embracing the high life, are showcased in song. The Vincy BadBoy, Problem Child is also a part of this project with a track called, “Not Behaving,’ undeniably living up to his name. Other artistes on the riddim are Grenadian duo, Lil Natty and Thunda who share their energy with, ‘Wah Dis,” and skinny Banton with ‘Property.” Tommy Sanchez wraps it up, adding a fresh, new vibe with his single, ‘Bend.’
The riddim is being touted as the ultimate soundtrack for the road on Carnival Monday and Tuesday and comes just as Soca megastar, Machel Montano has released, ‘Pardy,’ already getting the nod of approval from die-hard Machel fans.
While the race to the annual Road March anthem of choice in still quite a distance away, several people have already begun the conversation about what’s best for the road. Mical Teja’s ‘Energy’ and ‘Higher Power’ offer masqueraders an infectious, positive energy for the road, while Bunji’s ‘Thousand’ hits hard, delivering high impact and bassy undercurrent that’s hard to ignore.
47 Productions has been strongly contending on the music scene in Trinidad and Tobago in recent years. This year’s Pineapple Riddim, which features, Machel Montano, Lyrikal, Patrice Roberts, Rupee and 47Ronzy, has been well received, with Machel Montano applauding Bravo’s consistency, even as someone invested behind the music scene. “I’m grateful for the opportunity to contribute to this Carnival season while 47 Productions continues to create space for others to rise,” Bravo had said, at the launch of the riddim in December.
The “Powerful Riddim” is now available on all major streaming platforms.
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