While there’s much to celebrate in the aftermath of the 2021 Grammy Awards held in LA on Sunday night, there’s also a hum of disappointment by conservatives who feel that rappers, Megan Thee Stallion and Cardi B’s WAP performance, was over-sexualised for television.
Let’s start off by congratulating the youngest winner though. Nine- year- old Blue Ivy, the eldest child of JayZ and Beyonce, won her first award for “Brown Skin Girl,” which copped the award for Best Music Video. The single was originally released for the 2019 Disney film, The Lion King: The Gift, before being adapted for Beyoncé’s 2020 film, Black Is King.
Blue Ivy Carter
The 9-year-old was not present at the event but her parents sure were, Beyonce dressed in a short, black leather textured, off-shoulder dress that clinched her curvaceous physique to a tee, while her hubby’s growing dreadlock hairstyle seemed to steal the spotlight with every turn of the camera in the couple’s direction.
Beyonce, in an Instagram caption alongside the film’s debut, wrote : “The events of 2020 have made the film’s vision and message even more relevant, as people across the world embark on a[n] historic journey. We are all in search of safety and light. Many of us want change. I believe that when Black people tell our own stories, we can shift the axis of the world and tell our REAL history of generational wealth and richness of soul that are not told in our history books. I pray that everyone sees the beauty and resilience of our people.”
The talk of the day however is the performance by Cardi B and Megan Thee Stallion, many arguing that their performance was not family friendly, in an award show that was aired on CBS, and is usually marketed to audiences that may include younger children. On Twitter, irate spectators, virtually cringed as the pair gyrated across television screens around the world. “I truly hope no children were watching the WAP performance..” wrote @courtneywyn18, while @Saccole said, “WAP!! At the #GRAMMYs, really… where is the reserved decency and honor for our children! There’s a time and place for everything ppl! This was neither for this song. No class #GRAMMYs.”
“The left is fine with the disgusting performance Cardi B just gave at the Grammys but Dr. Seuss is too dangerous for our children?” asked conservative commentator Charlie Kirk.
Earlier this month, Dr. Seuss Enterprises announced that six of the children’s book author’s titles will no longer be sold because of racist and insensitive imagery.
There were others however, who thoroughly enjoyed the performance, arguing that it was just what the Grammy’s needed.
HERE ARE SOME OF THE 2021 GRAMMY WINNERS
Song of the Year “I Can’t Breathe,” Dernst Emile II, H.E.R. and Tiara Thomas, songwriters (H.E.R.)
Best New Artist Megan Thee Stallion
Best Pop Solo Performance “Watermelon Sugar,” Harry Styles
Best Pop Duo/Group Performance “Rain on Me,” Lady Gaga with Ariana Grande
Best Pop Vocal Album “Future Nostalgia,” Dua Lipa
Best Traditional Pop Vocal Album “American Standard,” James Taylor
Best Dance Recording “10%,” Kaytranada featuring Kali Uchis
Best Dance/Electronic Album “Bubba,” Kaytranada
Best Contemporary Instrumental Album “Live at the Royal Albert Hall,” Snarky Puppy
Best Rock Performance “Shameika,” Fiona Apple
Best Global Music Album “Twice as Tall,” Burna Boy
Best Reggae Album “Got to Be Tough,” Toots and the Maytals
Best Contemporary Christian Music Album “Jesus Is King,” Kanye West
Best Rap Album “King’s Disease,” Nas
Best Rap Song “Savage,” Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe and Anthony White, songwriters (Megan Thee Stallion featuring Beyoncé)
Best R&B Album “Bigger Love,” John Legend
Best Rap Performance “Savage,” Megan Thee Stallion featuring Beyoncé
Spice Mas, like every other carnival, is seasonal, but for Carriacou, Grenada artiste, Skinny Banton, music isn’t. He has unleashed seven songs in 2026, and like clockwork he’s locked in and ready to deliver his energy, good vibes and storytelling strengths to audiences celebrating another memorable Spice Mas experience this year.
For Skinny Banton, whose real name is Shirlan George, Grenada’s Jab culture is fuel to his fire. In the past, songs like ‘Soak It Good’ and ‘Wrong Again,’ brought him tremendous acclaim across the region and internationally. This season, The Jambalasse project is anticipated to be one of the artiste’s most powerful contributions, signaling his intentionality to promote his country’s authentic culture, wherever he goes. “With this project we’re trying to keep the history, while celebrating the present by revamping a song that was done by Moss International 35 years ago,” he said. That song was called ‘Jambalasse Rule,’ released in 1991. “We revamped the riddim because it was one of the first songs considered to be an original Jab Jab song from Grenada, at that time,” he explained.
Proud of his personal efforts to keep the awareness on Grenada’s cultural traditions, Skinny Banton advocates for the continued celebration of these traditions and understands his role as an artiste. “No matter what we face as artistes in this space, we stay true to our mission. I have several songs that the people will enjoy in Spice Mas and beyond. One of my personal favourites is ‘Pain,’ a song I would like to share with my fans in Trinidad and Tobago when Carnival 2027 comes around,” he said.
Strengthening Others
Other tracks released by Skinny include, ‘When Yuh Eating,’ ‘Right Up,’ ‘Black Fuh Juvay,’ ‘Can’t Stop Us,’ ‘Carnival Traffic’ featuring Jamaican artiste, I Octane, ‘My Behaviour,’ featuring Tonic X and ‘Water Line Burst,’ collaboratively done with Nicki Akull. “The collaborations done with Tonic X and Nicki Akull mean a lot to me. They are upcoming artistes who I share good vibes with. When I was younger and had hopes of connecting and collaborating with bigger artistes, it was not easy,” he recalled, adding that it often felt daunting. He says because he understands the feeling, he is happy to be able to help these up-and-coming entertainers. “This was just my way of giving them strength and encouragement. I feel like nobody takes you seriously when you don’t have a foot in the door – they refuse to embrace you because you are not known. I want them to keep pushing after this,” he added.
Dedicated and refocused, Skinny Banton is pushing full speed ahead. “I’m doing music videos for most of the songs. I already have a video for ‘Black Fuh Juvay,’ which has been uploaded to YouTube and all other streaming platforms, and the video for ‘My Behaviour’ with Tonic X is also out,” he said. Grateful to Jamaican artiste, IOctane for the strength given to him on their collaboration on the single, ‘Carnival Traffic,’ Skinny said this particular song is one that he loves, and he hopes the people will, as well.
For the past three years, the artiste had been approached by upcoming entertainer, Nicki Akull for the single they eventually brought forward this year. “Waterline Buss – Nicki Akull’s persistence and determination really brought this song into existence,” he said, happy to have eventually come around to making it happen. Even with such a vast number of singles released, Skinny Banton says he is ready to work with artistes across the Diaspora. “I’m still creating, still working and I’m looking forward to establishing more ground in the Soca community and around the world.”
Social Media, Music and Trends.
Certainly attuned to the necessary promotional adjustments that many artistes have been forced to adopt, Skinny Banton says he hopes that despite the rise in social media content distribution, true talent and good music is not sacrificed. “I feel like content creation online should not take away from artistes creating and delivering great music, because without the content, the music should still stand on its own, and with the content, the people still need the music,” he shared. “I also feel like a lot of trends are created from making yourself an online spectacle and not the music being able to sustain itself, so you may get attention for what you post as content, but the music you’re posting the content for sometimes does not have enough substance to sustain itself for longevity,” he rationalized.
Thoughtful, conscious and truly talented, Skinny Banton is a necessary part of the Caribbean’s creative landscape. His storytelling ability, coupled with his appreciation for the art and vocal capacity, makes him an artiste everyone should tap in to. “I want to encourage the young artistes to stay focused and keep pushing and never be discouraged by the many things that’s said on social media. They must work hard to establish their business to suit them, because every artiste will do things differently, when it comes to the business; Never be discouraged by the naysayers,” he advised. He thanked his fans for their love and support over the years. “People who’ve been supporting from day one and continue to support, as well as the new supporters I’ve gotten along the way – thank you. To the DJs and radio personalities, I appreciate you. One hand doesn’t clap. Thank you for keeping my songs on rotation and I hope you all continue to support me.”
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
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