US rapper, Fredo Bang has collaborated with creatives out of Trinidad and Tobago and the US Virgin Islands on a track that in one week, has amassed over 130,000 views on YouTube. The collaboration signals the potential for a merging of creative ideas and energies between artistes from North America and the Caribbean territories, as the world ultimately gets smaller.
The single, ‘Blowing Up’, was produced by Trinidad and Tobago producer, Shane Howell out of Bing Bang Studios. He has been responsible for dancehall productions featuring the likes of Jamaica’s Aidonia, Charly Black and Trinidad and Tobago’s Medz Boss and Prince Swanny, to name a few. “This was my first international rap production. I got the opportunity to provide the beat for these artistes after an initial collaboration between West Bank Records and Prince Swanny. They called me up to work on this project,” said Howell. He said a previous single done for T&T artist, Medz Boss, had caught their attention, and they wanted to get a sound that was similar. “This opportunity feels really good- the chance to work on a track that Fredo Bang is on and to be a part of creating a song I believe will push De Wapp even further; that’s a good feeling.” he said.
Shane Howell of Bing Bang Studioz
A youth from the country area of the US Virgin Islands, De Wapp, as he’s popularly known on the island, has seen a massive amount of interest being paid to him, in recent time. At 22, he has big dreams of making it to the big leagues in the entertainment industry and credits Caribbean record label, West Bank Records for its involvement in taking his career to new levels. The collaboration with Fredo Bang- a 25-year-old US artist signed to Def Jam Records and known for singles like Oouuh” and “Top”, came as a welcomed surprise for him. “I had already recorded the song and I knew it was hitting. I didn’t know he would’ve been on the song. When he came on the song, I said, ‘wow it really hittin’ now,” he said. He explained that the entire collab was arranged by West Bank Records and T&T’s Bing Bang Studios.
With a thick USVI accent, De Wapp, whose real name is Tevin Chesterfield, jokingly said it was a bit difficult for the international rapper to understand his accent. “When I talked to him, he didn’t really understand what I was saying because of the accent, until I started to ‘yang’ to him and I told him I am from the US Virgin Islands where Money Bag just filmed a video, and that was when he got a better understanding of who he was dealing with.”
The new release is just one of many songs already unleashed by the artist who is fast becoming one to watch in the USVI. With a distinctive rap flow that’s described as Trap rap, De Wapp maintains strong work ethic, putting in the hours in studio to make his dreams reality. “We’re gonna be pushing really hard. This is just the beginning,” he said, confident that his ability and ambitions will prove effective in securing him his own space in the global music industry.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.