Reigning Road March Champions, The Ultimate Rejects will be performing at the annual Army Fete on Friday, February 2 at the Queen’s Park Savannah. A spokesperson for “the safest fete in Carnival” said “the people’s champions” will “always have a place at Army Fete” in response to recent reports in the media of The Rejects having lackluster bookings thus far this season.
Following up on their 2017 smash hit, “Full Extreme”, which earned a record for the most played Road March winner ever in the history of the competition, the Ultimate Rejects released five songs between October and December 2017, with at least two of those releases receiving heavy airplay on radio stations and in the early fetes.
Two of these releases, namely: “Lightning Flash” and “Inside The Festival” have also been chosen by a number of steel bands (including the Reigning Panorama Champions, Massy Trinidad All Stars) as their selection for the upcoming Panorama competition. Last week, social media and radio talk shows made a topic of the matter of decreased bookings, as indicated by the Ultimate Rejects in a television interview with TV6 investigative journalist, Mark Bassant.
Having noticed the situation, Bassant questioned the trio on it, essentially getting lead vocalist, MX Prime to admit that bookings have been less than forthcoming. He said while the five tunes released this season have in fact been receiving tremendous airplay and positive reviews, all round, the Ultimate Rejects have been left out of many shows that they’d been booked for last year.
“You would think that promoters would want to have the group or the act that had such a tremendous impact on the population just ten months ago, but that doesn’t seem to be the case with some promoters. Management is relaying some conversations to us that are quite puzzling because we know that we made sure to produce and release great songs for the season and those songs have been getting airplay and positive reviews all around, but yet, we find ourselves being left out of many shows which we did last year.”
Asked whether their pricing and the country’s economic constraints could be at the heart of the problem, the group agreed that such could be the case, however they said they had spoken internally on this issue, and made adjustments to suit it, prior to the season. “We definitely took the economic state of the country into account when we began planning our season,” said, Joel “Iceman” Aming, “and we advised both our manager and booking agent to be accommodating to promoters. We don’t expect to be in all the fetes – that’s quite literally impossible – and we’re always busy making music, doing our monthly podcasts for our fans abroad and designing new merchandise and stuff like that, but when our fans start asking why, and observing that they have not been seeing us advertised for certain major events and then, we get excuses and reasons relayed to us that have nothing to do with pricing or availability or song quality or popularity, we have to sit up and take notice and really wonder if this is what winning the Road March title is really about…”
As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.
This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation.
Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today.
The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.
For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally.
“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms.
The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET:The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.
Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.
Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.
Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.
Denise Belfon was one of the featured artistes at So Sweet.
One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.
For Berry, being on stage beside Tigress was a full circle experience. The music of the United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.
For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.
SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.
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