Internationally acclaimed trumpeter, percussionist, composer, bandleader, recording artist and educator Etienne Charlesis set to embark on an ambitious 20-city world tour across Asia, Africa, Europe, North and South America, marking a series of highly anticipated debut performances in several new territories.
Ettienne Charles Photo credit: Luigi Creese
Over the past two decades, Charles has established himself as one of the most innovative voices in contemporary jazz. Since releasing his debut album in 2007, he has produced eleven critically acclaimed recordings and collaborated with legendary artists including Roberta Flack, Marcus Miller, Monty Alexander and Chucho Valdés, while also touring internationally with the SFJAZZ Collective. A proud musical ambassador for Trinidad and Tobago, Charles is known for weaving Caribbean musical traditions, folklore and history into his compositions, creating a sound that bridges cultures and generations.
Fresh off the release of his latest album Gullah Roots and following the success of the chart-topping Creole Orchestra, Charles will bring his distinctive brand of Caribbean-infused jazz to audiences around the globe, introducing several new markets to his genre-blending sound.
Among the highlights of the tour are first-time performances in India, Argentina, Denmark, Colombia, Tunisia and Lake Tahoe, as well as a special appearance in Boone, North Carolina.
India Debut
Charles will make his long-awaited debut in India with performances at Windmills Craftworks in Hyderabad (April 2–3) and Bangalore (April 4–5). Performing with his Creole Soul band, Charles will present a cross-section of music from across his catalogue, blending jazz improvisation with Caribbean rhythms and even offering a special arrangement of a classic Indian song.
“We are delighted to welcome Etienne Charles to India for the first time at Windmills Craftworks, Bangalore and Hyderabad,” said Arhona Chakraborty. “Etienne’s artistry embodies a spirit that bridges cultures, expanding musical dialogue and creating an experience that is both deeply immersive and profoundly moving.”
Ettienne Charles represents the pinnacle of contemporary jazz, says Christian Salgado of El Club de Jazz. Photo: Luigi Creese
Colombia Debut
Later in April, Charles will perform in Medellín, Colombia, marking his debut in the country with a performance at El Club de Jazz on April 30 in celebration of International Jazz Day.
“Hosting Etienne Charles in Medellín for International Jazz Day 2026 is a definitive statement for our local scene,” said Christian Salgado of El Club de Jazz. “He represents the pinnacle of contemporary jazz, where technical mastery meets profound musical storytelling.”
Argentina Debut
Charles will also make his debut in Argentina, performing on May 26 at Teatro San Martín in Buenos Aires with a special tribute to jazz legend Miles Davis in celebration of the centennial of his birth. For Charles, Miles has been a musical and style inspiration.
“Etienne Charles is one of my favourite musicians. His musical world is infinitely rich and varied and I couldn’t think of a better artist to celebrate the centennial of our hero Miles Davis and reinterpret his music with an original and exciting voice,” said Eugenio Elias, Artistic Director of DeQuinta Producciones and JALC Global Citizen Jazz Award recipient.
Lake Tahoe Debut
In July, Charles will perform in Lake Tahoe for the first time while also serving as trumpet instructor at the Brubeck Jazz Summit. An avid advocate for music education and youth development, Charles also serves as Artistic Director of the Jazz Aspen Snowmass – Frost School of Music Afro-Caribbean Big Band Sessions, a full-scholarship program training emerging musicians in the rich musical traditions of the Caribbean.
Tunisia Debut
Charles will also make his debut in Tunisia at the Tabarka Jazz Festival, where he will perform with his intimate Creole Quartet, bringing Caribbean musical traditions into conversation with North African audiences.
Denmark Debut
The tour concludes with Charles’ first visit to Denmark, where he will appear as featured soloist, conductor, composer and arranger with the Danish Radio Big Band for a three-concert series titled Caribbean Connection.
Producer Rasmus Holm said Danish audiences are eager to experience Charles’ music. “Étienne brings warmth, depth and an infectious rhythmic energy that truly embodies The Caribbean Connection. We can’t wait to share this powerful meeting between his Caribbean traditions and the sound of Danish Radio Big Band with audiences in Denmark.”
Boone Special Performance
Another key stop on the tour will be a performance at the Schaefer Center for the Performing Arts in Boone, North Carolina, where Charles will present his multimedia climate change project Earth Tones, combining music, film and storytelling to examine the urgent global conversation around climate change. The performance carries particular resonance for the Boone community, which was severely impacted by flooding during Hurricane Helene.
Return to Lincoln Center
In June, Charles will present Folklore Vol. 2 at the world-renowned Jazz at Lincoln Center’s Appel room, featuring the world premiere of his new suite inspired by Haitian and Mexican folklore as well as new arrangements from his breakthrough 2009 album, as a part of their Mother Africa season.
Tour Dates
2026
March 19 Holland Center, Omaha, NE
March 28 Regattabar, Boston, MA
April 2-3 Windmills Craftworks, Hyderabad, India
April 4-5 Windmills Craftworks, Bangalore, India
April 15 Gusman Concert Hall, Coral Gables, FL
April 24 Schaefer Center for the Performing Arts, Boone, NC
April 30 El Club de Jazz, Medellin, Colombia
May 21 Conjunto Santander, Guadalajara, Mexico
May 23 Teatro Esperanza Iris, Mexico City, Mexico
May 26 Teatro San Martín, Buenos Aires, Argentina
June 5-6 Appel Room, Jazz at Lincoln Center, New York, NY
June 20 Healdsburg Jazz Festival, Healdsburg, CA
July 16-17 Brubeck Jazz Summitt, Lake Tahoe, NV
August 15 Balistreri Vineyards, Denver, CO
August 29-30 Tabarka Jazz Festival, Tabarka, Tunisia
September 6 DC Jazz Fest, Washington, DC
November 5 Tobaksgaarden, Assens, Denmark
November 6 Koncerthuset, Studio 2, Copenhagen, Denmark
For 16-year-old rising star,Jalessa Lazarus, this month has been bitter sweet. The teenager is set to release her new single, ‘Freedom,’ but even as she delivers musically, she is reminded of her grandmother who passed away in May this year, after being diagnosed with Breast Cancer. “She would always tell me I can do all things through Christ who strengthens me,” said the youngster as she reminisced on the encouragement, she often received from her family matriarch.
Jalessa Lazarus is a talented, young entertainer in the Soca space, and even as her present focus is on the 2027 CXC examinations, her love for music abounds, and so she is still releasing the Teddy Rhymes penned, ‘Freedom,’ with hope of maintaining her standing in the music space in 2027. “This song is all about expressing yourself – encouraging enjoyment and appreciation for the culture of Trinidad and Tobago. I want people to really get to know what we here in T&T are all about – all that we have and all that we can share with the world,” said the artiste.
The song was produced by Millbeatz Music – a familiar space for the entertainer, as she is also being taught to play the piano and guitar under the Millbeatz Entertainment umbrella – under the tutelage of Kevin Millien. “I’m trying my very best to do both music and school. CXC is serious. I have a time-table that helps me with balancing both my studies and music,” she explained. Jalessa is very aware of the importance of a good education. She has a good head on her shoulders, along with parents who keep her grounded, and guide her every step of the way. “I’m doing Maths, English Language, IT, Social Studies, Principles of Business and Office Administration,” she said, assuring that she will release more music upon the completion of her exams. “I want to be an inspiration to other young entertainers coming behind me. I also want to travel – take my music around the world,” she expressed, adding that she has dreams of stepping into the RnB arena one day – her inspiration being Adele.
A proud student of the artform, under the tutelage of artistes like Preedy, Nailah Blackman, Patrice Roberts and Voice, Jalessa says she loves Soca music and thinks colourful language has no place in the genre. It’s a topic that is fast becoming a cause for concern according to some, this as more artistes experiment with the inclusion of expletives in their music. “I do not support colourful language in Soca. It’s unnecessary and I don’t think it should be used in our music – music that we are sharing with the world,” said the youngster. “I think Soca is a different type of music, from anything else. Music is generally a vibe. It’s therapy for people – our music is all about dancing, freeing up, dressing up in costumes and being happy; it’s happy music,” she added.
Her groovy soca single, ‘Freedom,’ a true expression of her personality and what she wants the world to know about the land of her birth, Jalessa Lazarus continues to reach for the stars, all while drawing awareness to serious issues. “I want to take the time to extend hope and prayers to anyone who’s dealing with any type of cancer this month and everyday onward. God is always with you,” she said.
Rooted in her culture and diligently focused on her future, Lazarus plans on releasing an EP and says even though she will sit out competitions in 2027, she will return after the completion of her CXC exams. Her mother, Phylesha meanwhile expressed immense pride in her daughter’s commitment and took a moment to thank Teddy Rhymes for his support and encouragement. “I don’t think she will be going back into junior competitions but we are looking beyond exams and I want to especially thank Teddy for believing in Jalessa and encouraging her.”
For more on Jalessa Lazarus, follow her on her on Instagram @jalessa_lazarus.
Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer. In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.
Building Connections In the Name of Music.
For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.
Maurane Voyer x Reo
Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.
The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song.
Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.
Taking A Look at What Unifies.
“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.
The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.
Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could. Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.
“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.
The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.
The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.
With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.
The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.
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