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Archived: T&T’s Third Bass Makes It To Chutney Soca Monarch Semis

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Adrian “Thirdbass” Hackshaw can now add “Chutney Soca Artiste” to his resume. The veteran disc jockey, Soca artist and song-writer has made it to the semi-final round of the 2016 Chutney Soca Monarch Competition with the chutney remix of his 2016 hit “Bum Bum”- also popularly known as “If Yuh Stush”.

Third Bass is making waves ahead of Carnival 2016.

Third Bass is making waves ahead of Carnival 2016.

The line-up was announced yesterday, and in speaking exclusively with ETCETERABUZZ.COM, Bass said, “It felt great!” He went on to say that nothing happens before its time.

So, how did the Soca music veteran decide on a chutney remix? Well…why not? The often controversial and outspoken radio personality and entertainer said it was actually something he’s had in the cards for some time. He went on to explain that the opportunity came into fruition following a radio interview, which resulted in him meeting one of the most popular chutney producers in the business, Big Rich of the Pungalunks Factory. The result was an infectious chutney melody to an already catchy tune.

The Chutney remix which hears Bass blending vocals with Suri Ram, has already been making some headway on airwaves, especially on the East Indian formats. Changing the dynamic of the soca game a bit so far, for the season, with the hook ‘If yuh stush, Go in de bush”, it is Bass’ hope that he can also bring something new to the Chutney Soca Monarch competition and make it through to the finals. Supporting this sentiment and proving that he’s not taking the opportunity lightly, Bass  says he will be taking the time to learn a bit of Hindi and some choreography for the perfect execution of the song. It certainly won’t be an easy task if he makes it to the finals of the competition as he’ll likely be taking on some of the industry’s revered artistes, among them, Ravi B, Rikki Jai, Destra, Crazy, KI Persad and the ever entertaining, Soca Elvis.

The competition will be held on January 9th at the FunSplash Water Park in Debe. Some changes to the competition’s format have been announced ahead of 2016 , key among them, the introduction of two categories – Traditional Chutney and Chutney Soca.

Take in Third Bass’ Bum Bum (Chutney Remix) here, and tell us if you think he has a chance in the competition!

EBUZZ CONTRIBUTOR: CF

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‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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