From Bunji Garlin and Fay Ann Lyons’ trip to Austin, Texas where they’ve performed at the SXSW Music Festival to news on TMZ on the experience of a couple NFL football players’ carnival first time, Trinidad and Tobago is making headway into mainstream news overseas. This past week, Rollingstone magazine online captured the essence of Bunji and Fay Ann’s delivery of soca music at the South By South West Music Festival.
ROLLING STONE
[box color=”gray” icon=”star”]”Carnival — the pre-Lenten blowout held around the world — came to an end nearly two weeks ago, but crossover star Bunji Garlin used his two SXSW appearances to bring the music and energy of Trinidad up to Austin, twice leading fans old and new through a shout-alongs of his triumphant 2013 hit “Differentology.” “I’m honored to be one of the first two Soca artists to perform at this festival,” he told the crowd at Rice and Peas’ Wednesday day party. The other? His wife, Fay-Ann Lyons, who followed Bunji’s performance with a few songs of her own, whipping the small crowd into such a frenzy that the speakers began to wobble and the stability of the Empire Auto back patio seemed in question.”[/box]
For years, the efforts of artistes like Machel Montano and countless others who’ve been flying the T&T flag in destinations across the globe, seemed futile, in some instances with only a little headway being made but now, the hard work of every artiste out of T&T, music producers and even DJ’s, particularly those who push the music hard in these territories, is paying off. People are becoming curious and the world is zooming in. Bunji Garlin, expressing his feelings some time ago via Instagram, begged his fans to avoid saying that this was all because of his efforts and his music, instead reminding them that many who had gone before him, had paved the way for what was happening. Indeed, he was right. Calypsonians like the Mighty Sparrow, Calypso Rose, David Rudder and countless others fought the hard fight for Trinidad and Tobago’s culture to be exposed to the world and while it didn’t happen immediately, they too are now living to see the offspring of Calypso make its mark on the universe.
Host, promoter, Band leader and more… Giselle The Wassi One is calling for the influencers to be mindful of carnival’s evolution.
On the issue of carnival- the main stage for Soca music, ETCETERABUZZ.COM in a recent chat with Gisselle The Wassi One Blanche, noted the passion felt by this true carnival ambassador for the little things that make T&T’s carnival the “Greatest Show On Earth.” She lamented that the influencers of the festival need to be careful of the direction in which they are taking the festival, for fear of losing the authenticity of T&T’s carnival. She said she feared that very soon public fetes or grassroots fetes like Fire Fete, WASA and even Army Fete, would be no more- this as replicas of foreign styled parties continue to pop up on the festival calendar.
One may say this is all a part of the evolution of the festival but according to Wassi, segregation is felt when this is done and this she says, is a dangerous and unfair trend that does not depict the true essence of carnival. The Miami native who is the daughter of Trinidadian parents also called on the artistes to be mindful of the local industry, saying that pricing or overpricing is hurting the grassroots events. She said artistes need to remember that this is the said audience who essentially made most of them who they are today.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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