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Archived: Trini Songwriter Helps Bajan Soca Star Take Three CropOver Crowns

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All it took was one song! Peter Ram is now the Road March King of Barbados. Prior to winning that crown at the end of the CropOver celebrations in Barbados on Monday, Ram was crowned the Party Monarch King and he even won the STAG Jam tune at Foreday morning.

Jason Shaft Bishop, seen to the right of Trinidad artiste Lil Bitts, has said he will be working with the young singer in the months ahead.

Jason Shaft Bishop, seen to the right of Trinidad artiste Lil Bitts, has said he will be working with the young singer in the months ahead.

Helping Ram to the throne this year was Trinidad and Tobago songwriter, Jason Shaft Bishop who’s been making strides in the industry, outside of T&T’s carnival season. He gave Destra Garcia “Lucy” in 2015 and even made Lyrikal a year-round sensation this year with ‘Loner’- a track that’s been receiving more and more kudos each time it’s played. He made the move to collaborate with Barbados’ soca artistes this year, teaming up with Alison Hinds, Imani, Hypersounds, Biggie Irie, Mikey Mercer and of course, Peter Ram. Ram’s song ‘All Ah We’ proved to be a hit from the start in Barbados though and in the end, the Shaft written track, secured him the top spot in CropOver.

In an immediate social media post, following news that the Road March crown had been secured by Peter Ram, Jason posted, “Thank u Barbados for supporting my music and @shaftvibesentertainment. Because of u I can say I had a wonderful ‪#‎cropover2015‬ . #3 titles- 1#party monarch 1#foreday morning stag jam 1#roadmarch!”

Peter Ram is the new Barbados Road March King.

Peter Ram is the new Barbados Road March King.

Peter Ram meanwhile, took to Instagram earlier today. In his post he acknowledged Shaft, De Red Boyz and Team CWLC among others. He offered thanks to all the people who showered him with love and respect throughout this year’s CropOver journey.

Separately, the world is basking these days in the CropOver pictures that have inundated the web of the very hot Bajan pop princess, Rihanna. We’ll have more on that in a bit as we take a look at how RiRi made Barbados look a hell of a lot sexier this year!

Check out Peter Ram’s “All Ah We” which won him those three titles we spoke about before!

NEW MUSIC  

https://www.youtube.com/watch?v=dfjxNoOZyqk

Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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