Trinidad and Tobago is the home of Carnival- the Mecca as they say, but to date, there is no major carnival mas production facility locally, to cater to the needs of thousands of revelers who take to the streets of the city, annually.
Beyond local shores, Trinidad and Tobago’s designers and other creatives participate in the carnival industries of many other carnival escapes around the region and internationally. With that in mind, a ground-breaking training and development programme called ‘Carnival Campus’ has been created.
Launched on July 22nd, the programme is the brainchild of The Lost Tribe creative director, Valmiki Maharaj. He says the aim is to bolster local capacity in Carnival costume production, addressing the critical need for skilled artisans in Trinidad and Tobago’s thriving Carnival industry.
Welcoming a cohort of trainees, keen to hone their skills in mas-making and the business of Carnival, ‘Carnival Campus’ is offering an intensive and immersive 10-day incubator programme which will ultimately facilitate the transference of knowledge from seasoned mas-making veterans to a new generation of producers. It will focus on specialized skills like feather-work and wire bending and offer support to local producers in finding employment within Trinidad and Tobago and possibly in other regional Carnivals.
THE ROLL OUT
“By investing in our local talent, we are not only empowering individuals with valuable skills, but also strengthening our cultural heritage and reducing our reliance on external resources,” said Maharaj. “This programme will ensure that the artistry and craftsmanship of Trinidad and Tobago Carnival is nurtured, developed and retained for decades and centuries to come,” he added.
The unique Trinidad and Tobago style of Carnival has gained international recognition, influencing celebrations from Miami to Tokyo. The TRIBE Group alone caters to over 15,000 masqueraders across its four Carnival bands annually, requiring the intricate production of thousands of multi-component costumes. Despite a significant portion of production remaining local, the sheer scale presents challenges, often necessitating outsourcing to foreign producers.
Carnival Campus has been made possible in part through funding from UNESCO under the Creative Caribbean project and with the Financial Contribution of the European Union and the Support of the Organisation of African, Caribbean and Pacific (ACP) States.
A Trinidad and Tobago self-made entrepreneur is making major inroads, constructing a service he knows is absolutely needed in the creative industry. Known simply as Elmo on the Caribbean music and entertainment scene, the Director/ photographer/ videographer/marketer and talent manager who has recently earned certification in Digital Marketing and Business, is now heading a complete Media Marketing Company.
Jaba Akeil Claverie AKA, Elmo, is now the owner of Elmo Studio International
After years of developing his skills across multiple media disciplines, Elmo, whose real name is Jaba Akeil Claverie is now the owner of Elmo Studio International – a one stop shop for artistes, entertainment managers and others in the industry, seeking the complete digital media toolkit to brand and market themselves. “My objective is to change the standard, and the way things look in the business here in the Caribbean,” he says.
The company is registered in the United States and is developing steadily to ensure clients receive a packaged experience when they come knocking. Elmo’s years of behind- the- scenes experience at Synergy TV and 96.1WEFM, as well as creatively developing and executing ad campaigns for Machel Montano’s Machel Monday product for six years, have equipped him with an immense amount of knowledge in professional branding, and media in general. “I have 15-years experience in this field of work, having done photography, graphic design and directing. I started off in promotions and when I realized the cost of graphics and videography was increasing exponentially, I began doing it for myself,” he explained. That bit of initiative would essentially lead to bigger opportunities. “One day a friend asked me if I’d be interested in doing some camera work and I agreed. That’s when I ended up working with Peter C Lewis at WI Sports before moving to Synergy TV,” he said, explaining that that both opportunities led to him getting hands- on experience in Camera Operations, Program Directing, Graphic Design and more.
Synergy was just the beginning of the journey for Elmo. Greater opportunities would present itself, thanks to fellow creatives, Dori Pro and Lord Edit. “These are my brothers. It wasn’t an easy road but I am grateful for the connections and the people who saw what I could offer in the industry.” Videographer, Lord Edit was the person who offered Elmo the opportunity to get his foot in the door at 96.1WEFM. He would go on to spend 9 years at the company, eventually working on some of the most memorable advertising and media campaigns for Machel Montano’s Machel Monday concert. “The problem that I encountered along the way was the fact that even though I had been doing a lot of the creative work behind the scenes, there was really no recognition for me throughout that time. You can have a lot going on for you but still have nothing,” said Elmo.
Observant of the industry’s climate during and post pandemic, Elmo knew he had to make necessary decisions for the preservation of self, and growth of career. “I went to school and became certified in Business Management and Digital Marketing,” he said, explaining that his travels overseas to New York and his interactions with people in the industry, would lead to bigger ideas for the development of the Caribbean entertainment industry.
Elmo worked alongside Guyana’s Omaiah Hall, assisting in positioning her for better visibility in 2026.
A trip to Guyana, once again commissioned by Lord Edit, led to yet another opportune meeting. “I had been asked to come to Guyana and without asking too many questions, I went. I ended up working on a music video for Omaiah Hall – a Guyanese artiste who is tremendously talented,” said the creative. That chance encounter would lead to him extending himself in a new capacity – that of Manager, first with the goal of ensuring that Hall’s branding and marketing were catered to, professionally and then of course, strategically positioning her to engage broader Caribbean audiences, as she moved to continue to ascent in the industry. “Through strategic creative development, added to her hard work and talent, we made big leaps in the months that followed,” said Elmo. In 2026, Omaiah Hall was nominated for a Caribbean Music Award, for the very first time. “I put everything I thought about in effect – videography, photography, bookings and management. Within 1 year, Omaiah was nominated for a Caribbean Music Award,” said Elmo proudly. Acknowledging Omaiah’s dedication to her craft and her immense talent, he highlighted that adding his creative development skills to what she had already been doing, proved effective.
As he moves full speed ahead within a space he navigates with a sense of understanding, Elmo is prepared to welcome new clients whose ambition is to position themselves for markets outside of the region. “I have also created a music label inside of the construct of the company, and we have my cousin, Sani – the son of renowned Jamaican artiste, Warrior King on staff, as the in-house producer, so that off season, we convert our services to advertising related services.”
A multi-talented creative with a strong set of skills in digital media and creative direction, Elmo heads this new marketing agency that’s a necessity at present for Caribbean artistes. “I basically do everything that’s often outsourced by ad agencies,” he shared, noting that in addition, he has worked on several music videos for major artistes like Spice, Bunji Garlin, Sean Paul and Fay Ann Lyons. “Artistes need proper marketing and brand awareness strategies. What I am offering is a method to help our artistes gather the required tools to aid in their international positioning. I’m teaching our people how to maneuver in this industry for international purposes,” he said.
Elmo Studio International is a one stop shop for artistes.
Elmo assures that his rates will be tailored to suit the needs of individual artistes with an awareness that not all artistes are in the same financial position. “Every client cannot be treated the same because everybody is not at the same level financially. I do have base rates my services but I was forced to learn price adjustment,” he said.
As he effectively strategizes to engage those who are interested, Elmo says he hopes artistes in the space will come on board to give themselves a better shot in the global creative space.
AniMints, the animation studio and creative support arm of Yaad Labs Ltd – A Jamaican Startup established in 2022, is on a mission to grow original Caribbean intellectual property (IP) through world-class illustration and animated storytelling.
Thanks to the Creative Caribbean Grant, AniMints successfully produced its first animated short series—“The Tipsy Turtles”—and laid the foundation for a new model of digital monetization powered by blockchain technology.
In simple terms, AniMints has taken the familiar model of content meets collectibles—like Pokémon’s relationship to trading cards or Disney’s cartoons to its merchandise—and applied it to the digital age. The studio plans to sell its main characters as digital collectibles (NFTs), giving fans the chance to own a piece of the show they love.
The grant funding was essential in completing the studio’s ambitious production goals: 30 character turnarounds, 101 detailed backgrounds, and over 640 seconds of animated content.
These assets form the creative backbone of AniMints’ business strategy—content that can now be directly monetized and leveraged to attract clients and collaborators across the globe.
With production wrapped and the series “export ready,” AniMints has already begun to see real results. The studio has received multiple client inquiries, secured paying animation contracts, and generated over $34,000 USD in NFT and digital collectible sales.
This early success demonstrates the commercial viability of blending Caribbean-inspired storytelling with cutting-edge blockchain distribution on platforms such as Twitter/X, Discord, and the Cardano Blockchain. Beyond immediate business outcomes, the project also had a meaningful social impact. The grant enabled AniMints to hire and fairly compensate six regional creatives, providing valuable income and experience in a challenging industry. Collaborations with other indie studios, such as Cmills Animation Studio, strengthened local creative networks and ensured production quality remained high.
Importantly, AniMints is already expanding its vision. Building on the success of The TipsyTurtles, the studio is developing Anansi Tales, an animated series designed to preserve and modernize Afro-Caribbean folklore. By recording stories on the blockchain, AniMints hopes to both protect cultural heritage and ensure its longevity for future generations.
Since receiving the grant, Yaad Labs and AniMints have achieved significant milestones— raising capital, securing new funding, placing in the Top 10 of an international accelerator program, and signing a major collaboration with Draper University, one of Silicon Valley’s top venture networks.
The completion of The Tipsy Turtles marks a turning point for AniMints: the successful fusion of Caribbean creativity, digital innovation, and sustainable business strategy. With a proven model and a growing audience, AniMints is poised to make the region’s next great cultural export—one animated frame at a time.
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