He came in like a boss and by the end of what turned out to be a six hour long showcase of global music, Machel Montano came in for praise among fans who came out in their numbers on Machel Monday in Trinidad. The Hasely Crawford Stadium in Port-of-Spain was filled to capacity, by all accounts and even with the General Admission patrons being forced to view things from quite a distance, the vibe at the much touted and anticipated annual event, was on point.
Machel Montano sings, “Pop A Bottle” at Machel Monday. PHOTO CREDIT: MachelMontano via INSTAGRAM
Montano made his grand entrance into the venue at around 9:45pm, leading a drum line from the car park of the stadium, through the tunnel and onto the stage, his fans looking on in awe. Stage side, Montano’s accompanying dancers and drummers towered over him from several decks that were erected over the main stage area. Screens provided patrons with an up close view of his every move and when the sound of his larger that life hit single blared, the stadium erupted. “I does do it like a boss,”- it was a refrain that could be heard miles away at that very moment and there was no doubt that Machel had arrived.
Machel referred to Farmer Nappy as his family on stage at Machel Monday. Both Farmer and Patrice Roberts are no longer linked to Montano’s band, however. PHOTO CREDIT: MachelMontano via INSTAGRAM
The night was filled with numerous acts, local, regional and international. Creativity seemed to have been explored and infused in every possible way on stage- this as the Monk changed several times, delivering to his fans an image for every feeling he projected . His recently released track, “On My Way,” introduced a level of introspection on show night, Montano’s words seemingly calling on every Trinbagonian to assess their appreciation for country and make changes for the betterment of Trinidad and Tobago. On several occasions he called for love and when former HD bandmates, Farmer Nappy and Patrice Roberts were introduced, Machel referred to them as his family. He said he began Xtatic with Farmer Nappy, crediting him and thanking him for his years of dedication. With Roberts, he sang two duets, the new single, “Great Parade” and the single that won them the road march title, “Band Of The Year,” but before that, Montano had brought on Bajan beauty, Alison Hinds and the artiste he referred to as one of the best songwriters around, Nadia Batson. Batson took the opportunity to thank Machel, telling him, ” If no one has ever thanked you, I thank you for your love and your music.”
From Major Lazer’s, Jillionaire and Walshy Fire, dancehall artistes, Shaggy, Sean Paul, Chris Martin and Beenie Man, to the legendary Fat Man Scoop and 6-year-old Papa J, the entertainment seemed never-ending. Each regional act performed their hits, Beenie Man getting the crowd’s attention like no other. Some felt Sean Paul’s performance lacked in many areas, but despite that, the show was touted by Montano as the first without hiccup. A vocally melodic performance with female soca artiste, Destra Garcia would lead to some speculation that there was more to their relationship than just music, but that is certainly just speculation. Love certainly took centre stage as the duo showed fans that they had buried any differences, Destra singing Adelle’s “Someone Like You” and to that Machel responded with Bob Marley’s, “No Woman, No Cry.” In the end, their relationship seemed stronger than ever.
Machel Montano performs on stage with Angela Hunte. PHOTO CREDIT: Jo Wheeler.
Machel Monday definitely started the Carnival countdown right. Montano’s performance with international singer and songwriter, Angela Hunte, may have been the best for the night, Hunte becoming emotional as she held on to Montano at the end of their performance of “Party Done,” the entertainer who was raised in T&T, telling Monk Monte that being on stage in Trinidad was a dream come true.
Machel next performs at Destra’s House of Bakanal at O2 Park this Wednesday. Even amid the aftermath of what may have been one of his best events to date however, there remain dark clouds over his parade as newspaper reports this morning indicated that organizers of Fatima Fete are now calling for the soca megastar to apologize for his “deplorable” behavior at their fete, held just two days before Machel Monday.
The stage is being prepared for what is ultimately the most anticipated staging of the Caribbean Music Awards on September 19th, 2026. For the very first time since its inception three years ago, the event moves from New York, to Trinidad and Tobago where superstars from across the Caribbean region and internationally, will gather. It’s a meaningful moment for many people, but one person in particular, feels immensely excited and proud to be at the centre of it all.
Aisha Manrique is the voice of the Caribbean Music Awards. Her tone, expression, sound and articulation, which has narrated the entire show for the past three years, aligns seamlessly with brand Caribbean along with the overall delivery of this powerful celebration of Caribbean creativity and beauty. “I am extremely excited that the Caribbean Music Awards is being held at home in Trinidad and Tobago this year,” said the South, Trinidad native.
Aisha Manrique
Three years ago, Aisha landed the opportunity of a lifetime to become the Voice of God for the Caribbean Music Awards. The former Marketing Officer was essentially screened after a series of meetings and panel interviews, The Caribbean Music Awards would eventually agree to welcoming Trinidad born, Aisha Manrique into the organization. Added to that, the team, after doing their research on Manrique, offered her the opportunity to be the Head Writer for the production. Now in its fourth year, Aisha is the person who writes and narrates the entire production for show night, inclusive of nomination packages, host and presenter scripts and all else. “It’s a lot of work but I am tremendously grateful to be doing what I love,” she expressed.
The 2026 staging of the CMA’S in T&T is a welcomed experience for Aisha. “Having my team with me to be able to prepare in terms of making this moment at home, memorable, is something I’m looking forward to. Every year despite efforts to glam up and be a part of the show with makeup and everything else, I would announce behind the scenes in sneakers and jeans because of the rush as a result of the rigorous production schedule in addition to the intense traffic amid the excitement of Labour Day weekend.”
Manrique says this year she’s looking forward to wearing a gown and getting some photos taken while doing the work that she has dedicatedly done for the past three years, behind the scenes. “I can at least be a part of the glamorous side of things this year,” she laughed.
From San Fernando to the world, Aisha’s journey has been one filled with lessons and testimonies. An entrepreneur now, having answered her life’s calling a few years ago, Aisha says her mother’s insistence on key things, has shaped her path. “As a young child I would envision myself standing in front of thousands and thousands of people and using my voice. My first audience was made up of my uncles and grandmother. I remember my mother waking me up at 5am every morning to work on pronunciation, breathing and posture. Of course, as a child I wasn’t happy about that but now, I appreciate it so much.”
Her mother has since passed away, however Aisha Manrique is inspiring many these days, having been taught the principles of life, focus and dedication, by the woman who was her tower of strength throughout her life.
A Communications and Confidence Strategist, Public Speaking Coach, Copywriter, International Voiceover Talent and Live Announcer, Vocal Health Instructor, Master Storyteller, Aisha Manrique is moving onward with a distinct level of pride in how she serves. Her company, Voicey Versa Productions Ltd. is a Caribbean-based production and training company transforming how individuals and organizations use their voice, communication and stories to make an impact. She trains and coaches professionals, entrepreneurs, creatives, public figures, and performers to express and create compelling messages that resonate, convert, and inspire, equipping them with the skills to speak with confidence, clarity and authority. Her mother would be proud.
Caribbean artistes and other creatives have been strengthened by the CMAs over the past 3 years.
“My plan for my business is to better position the company as a safe space for persons to use their voices. If there’s someone who just wants to preach a sermon with a message, or if a person wants to post a video on social media and they need more confidence to engage broader audiences, Voicey Versa will be that safe space to learn,” she said, adding, “There are many people walking around with struggles internally and they are being silenced because of self-sabotage, imposter syndrome and negative thinking. I know what that feels like,” she noted.
Crediting several experiences throughout her life for her present success, Aisha says there is immense power in pushing past fear. At 15-years-old she attended the Rotary Leadership Awards Conference, where Secondary schools from across the Caribbean were represented by students. It was during that experience that her fear would be counteracted, having stood up when others did not, having been called upon to respond by one of the event’s sponsors, Percy Parker Williams. “He gave me a challenge to come up with a concept for an ad- a men’s cologne. He said he would give me 15 minutes. I said I just needed 1 minute and the whole auditorium erupted,” she recalls. “I created an ad and delivered in a seductive, female voice right there on the spot. The crowd cheered me on and Mr. Parker said I had something special. He awarded me a scholarship to pursue broadcasting and I’ve never looked back,” said Aisha.
There are many testimonies of her journey’s alignment to her gift and natural calling, but for Aisha Manrique, her life’s work is enshrined in God’s grace, having continued to use her gift to the service of others in her life. On September 19th, as Caribbean artistes and other creatives enjoy the fruit of their hard work and creativity in Port-of-Spain, her voice will tell the world at large, just how special they are.
For yet another year, cricket and entertainment are collaborating with intention. Superstar cricketer, Dwayne Bravo’s love and passion for both cricket and creativity bring live entertainment to matches across the Caribbean at this year’s Caribbean Premiere League (CPL) Tournament and it’s all thanks to Bravo’s Collabr app.
The idea behind Collabr began with a challenge that exists across the Caribbean: extraordinary creative talent is everywhere, but there has never been a formal structure to identify it, connect it or create a clear pathway from talent to opportunity. For the international cricket icon, recording artist and entrepreneur, that challenge became increasingly apparent through his work developing emerging artistes at 47 Productions.
47 Ronzy (front left) was discovered via the COLLABR app.
The talent was there. What was missing was the infrastructure.
Bravo and his team asked key questions: How do you find the right singer, songwriter, producer, dancer, filmmaker or other creative talent particularly when that person may be outside the traditional industry circles? How does a talented young artist in Trinidad, Guyana, St. Lucia, Jamaica or elsewhere in the Caribbean become visible to someone who can provide the next opportunity? And once discovered, how can those creators connect, collaborate, develop their work and ultimately build sustainable careers?
Recognising the need for something bigger than a studio or traditional talent search, Bravo reached out to entrepreneur Joshua Strone to expand the idea. That conversation became the foundation for Collabr – a technology platform designed to make creative talent discoverable and give creators the tools, connections and opportunities they need to move forward.
While its roots are distinctly Caribbean, the problem Collabr addresses is universal. Around the world, millions of talented creators remain disconnected from the people, resources and opportunities that could help them advance. At the same time, the modern creative process has become increasingly fragmented. Creators use one platform to network, another to communicate, another to edit, another to generate content with AI, and still others to distribute and monetize their work. Collabr brings that journey together.
Today, Collabr is evolving into an all-in-one creative ecosystem where artists, musicians, dancers, filmmakers, photographers, designers, producers, content creators and other creative professionals can create, connect, collaborate, get discovered and earn, all within one platform.
It’s a platform born from a Caribbean challenge, but built around a global belief: Talent can exist anywhere. Opportunity should be able to find it.
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