He came in like a boss and by the end of what turned out to be a six hour long showcase of global music, Machel Montano came in for praise among fans who came out in their numbers on Machel Monday in Trinidad. The Hasely Crawford Stadium in Port-of-Spain was filled to capacity, by all accounts and even with the General Admission patrons being forced to view things from quite a distance, the vibe at the much touted and anticipated annual event, was on point.
Machel Montano sings, “Pop A Bottle” at Machel Monday. PHOTO CREDIT: MachelMontano via INSTAGRAM
Montano made his grand entrance into the venue at around 9:45pm, leading a drum line from the car park of the stadium, through the tunnel and onto the stage, his fans looking on in awe. Stage side, Montano’s accompanying dancers and drummers towered over him from several decks that were erected over the main stage area. Screens provided patrons with an up close view of his every move and when the sound of his larger that life hit single blared, the stadium erupted. “I does do it like a boss,”- it was a refrain that could be heard miles away at that very moment and there was no doubt that Machel had arrived.
Machel referred to Farmer Nappy as his family on stage at Machel Monday. Both Farmer and Patrice Roberts are no longer linked to Montano’s band, however. PHOTO CREDIT: MachelMontano via INSTAGRAM
The night was filled with numerous acts, local, regional and international. Creativity seemed to have been explored and infused in every possible way on stage- this as the Monk changed several times, delivering to his fans an image for every feeling he projected . His recently released track, “On My Way,” introduced a level of introspection on show night, Montano’s words seemingly calling on every Trinbagonian to assess their appreciation for country and make changes for the betterment of Trinidad and Tobago. On several occasions he called for love and when former HD bandmates, Farmer Nappy and Patrice Roberts were introduced, Machel referred to them as his family. He said he began Xtatic with Farmer Nappy, crediting him and thanking him for his years of dedication. With Roberts, he sang two duets, the new single, “Great Parade” and the single that won them the road march title, “Band Of The Year,” but before that, Montano had brought on Bajan beauty, Alison Hinds and the artiste he referred to as one of the best songwriters around, Nadia Batson. Batson took the opportunity to thank Machel, telling him, ” If no one has ever thanked you, I thank you for your love and your music.”
From Major Lazer’s, Jillionaire and Walshy Fire, dancehall artistes, Shaggy, Sean Paul, Chris Martin and Beenie Man, to the legendary Fat Man Scoop and 6-year-old Papa J, the entertainment seemed never-ending. Each regional act performed their hits, Beenie Man getting the crowd’s attention like no other. Some felt Sean Paul’s performance lacked in many areas, but despite that, the show was touted by Montano as the first without hiccup. A vocally melodic performance with female soca artiste, Destra Garcia would lead to some speculation that there was more to their relationship than just music, but that is certainly just speculation. Love certainly took centre stage as the duo showed fans that they had buried any differences, Destra singing Adelle’s “Someone Like You” and to that Machel responded with Bob Marley’s, “No Woman, No Cry.” In the end, their relationship seemed stronger than ever.
Machel Montano performs on stage with Angela Hunte. PHOTO CREDIT: Jo Wheeler.
Machel Monday definitely started the Carnival countdown right. Montano’s performance with international singer and songwriter, Angela Hunte, may have been the best for the night, Hunte becoming emotional as she held on to Montano at the end of their performance of “Party Done,” the entertainer who was raised in T&T, telling Monk Monte that being on stage in Trinidad was a dream come true.
Machel next performs at Destra’s House of Bakanal at O2 Park this Wednesday. Even amid the aftermath of what may have been one of his best events to date however, there remain dark clouds over his parade as newspaper reports this morning indicated that organizers of Fatima Fete are now calling for the soca megastar to apologize for his “deplorable” behavior at their fete, held just two days before Machel Monday.
Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer. In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.
Building Connections In the Name of Music.
For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.
Maurane Voyer x Reo
Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.
The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song.
Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.
Taking A Look at What Unifies.
“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.
The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.
Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could. Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.
“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.
The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.
The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.
With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.
The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.
As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.
Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.
In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.
Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.
Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”
Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.
Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.
This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?
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