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Archived: Sistaron’s Trailblazing. Artist’s New Hit Single, ‘Fwd’, Is All That!

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Rhonda Knights is the undisputed female HipHop queen of Trinidad and Tobago and this incontestable fact facilitated her rise to acclaim in the 90’s in Trinidad and Tobago, but she’s far from done. As fierce as she’s ever been, Sistaron, as she’s popularly known, now delivers another hit single, this time with melody that’s intrinsically Soca. 
Even amid pandemic restrictions, Sistaron remained focused, bent on delivering her unique sound, and that she has. She’s made a point of blending her country’s sweet, Soca melody with a few lines that bring home the head- bopping fire she’s well known for. ‘Fwd’ is a lyrically sound piece of work that’s uplifted with the production skill of none other than producer, LL Cool Blaze, with mastering by Keron ‘Sherrif’ Thompson. Peter ‘Wildfire’ Noel is credited with vocal co-production, building on their relationship from her previous release, ‘Waiting for You.’

When she re-emerged onto the Caribbean music circuit two years ago, Sistaron received a warm welcome. Her single, ‘Look Ting Now’ was enough to prove that she was prepared to leave a lasting impression. Now, with a thirst to deliver music that fans and people from all walks of life can relate to, dance and sing along to, the former Keskidee Karavan hit maker, elevates with ‘Fwd.’ 

“It’s a track that anyone can relate to – men and women,” she explained, adding that this particular single isn’t being marketed specifically to the carnival season. “A lot of the artistes have changed that mindset of creating music with lyrics specific to carnival. The pandemic showed many of us what needed to change. We’re at a crossroads where we simply want to release music for consistency and we don’t want to be pressed for a certain time period,” she said. The Miami based artist highlighted the chaos often caused when music is released specifically for the Carnival season, with artistes all clamoring for radio airplay. “This situation may prove beneficial to the industry, since now we can all focus on delivering music anytime, irrespective of a festival per say.” 

Sistaron

Still, the carnival lover maintains hope that Trinidad and Tobago will see brighter days ahead. “Many of us out here in the US are concerned because we know the strain the economy back home, is under. We know what our contribution annually, means to the economy,” she said, highlighting that no matter what, Trinidad and Tobago’s carnival is essential. 

Equipped with her individual style and flair, Sistaron says it’s never easy to reinvent oneself and keep going, and for that, she’s immensely satisfied with her determination. “I’m shocking myself all the time,” she said, laughing at the moments she often finds herself pondering the fact that she wrote the music she just happens to be singing. “Someone once told me that I should keep adjusting my crown, because they’re watching, and that fueled me to keep going,” she admitted, adding, “reinventing myself and producing good stuff is giving me my own vibe right now.”

She tells up and coming creatives to avoid placing boundaries on themselves, saying that it’s good to broaden their perspective so they can see a wider spectrum of all that they can be. Her new single is testimony to that mindset- the artist explaining that it all came together as it needed to, after multiple random chats with friends and even a chance encounter with an Afro Beats mixtape she’d heard almost two years before. “This song is made up of a little of everything, meshed perfectly to deliver a huge something that’s not only relatable, but honest and real,” she said. 

For the very latest on Sistaron, follow her on Instagram @sistaron.

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Belmont, Trinidad Delivers On ‘Hill and Gully’ Riddim. Anisha Pleas for Peace.

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A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.

Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.

Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.

For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”

Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”

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Praise Music Hits Hill and Gully Riddim, Out of Trinidad and Tobago.

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Urban Christian artiste JrDynamite is making a bold declaration of faith with the release of his latest single, “Big and Bold”, a powerful anthem encouraging believers to stand confidently for Christ in an increasingly challenging world.

Recorded on the legendary Hill & Gully Riddim, produced by renowned Jamaican producer Stephen “Di Genius” McGregor, the track fuses infectious Caribbean rhythms with a fearless message of conviction, purpose, and unwavering faith.

“Big and Bold” challenges listeners to reject fear, compromise, and silence, while embracing their God-given identity and calling. Through energetic delivery, commanding lyrics, and a memorable hook, JrDynamite reminds believers that faith was never meant to be hidden.

The release arrives at a time when many Christians are navigating cultural pressures and societal expectations. “Big and Bold” serves as both a rallying cry and a source of encouragement, reminding listeners that bold faith can inspire transformation in others.

Known for blending authentic Caribbean sounds with impactful gospel messages, JrDynamite continues to carve out a unique space within the gospel and dancehall landscape. His growing catalogue has consistently showcased his lyrical versatility, energetic performances, and commitment to spreading the Gospel through music.

With the backing of the iconic Hill & Gully Riddim and a message that resonates far beyond the dancefloor, “Big and Bold” is poised to become another standout addition to JrDynamite’s growing catalogue of faith-driven anthems.

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