The year 2015 is now a memory but for songwriter Jason ‘Shaft’ Bishop, it was the year he became truly popular in the Caribbean. In T&T, he dominated the Soca Monarch competition with songs like Destra Garcia’s ‘Lucy’, Nikki Crosby’s ‘Granny’ and Chucky’s ‘Doh Take It On”. It was an historic carnival season for the songwriter who became one to watch by many in the soca industry.
Jason Shaft Bishop, spotted at Soca In Moka is gearing up for a phenomenal year.
Shaft says 2016 will see even greater strides. His achievements at Barbados’ Cropover, which included providing Peter Ram with the right song to take home the Road March title and delivering a song to Imani and Biggie Irie that would eventually be used by the Barbados government in a campaign, have propelled Bishop to reach for even more. “My plan is to really spread to more places in Barbados so that more people become familiar with me and what I do,” he told ETCETERABUZZ.
Toward the end of 2015, Jason was invited by the Barbados government to host a workshop for songwriters on the island. He gladly accepted and now, that having been a tremendous success, he’s looking forward to expanding the idea to other islands and certainly at home in T&T. St. Lucia’s government has already contacted him and with that, he’s making amendments to his presentation to be able to deliver even more to the people who he will impart his knowledge on.
Shaft was responsible for Lyrikal’s ‘Loner’ in 2015 and now ‘Dip and Roll’ – a favorite in 2016.
This carnival, Shaft has a number of popular songs to his credit. Lyrikal’s ‘Dip and Roll’, Destra’s ‘Stranded’, Jaiga’s ‘Anyway’, Lil Bits’ ‘Work’, Rikki Jai’s, ‘Leh We Fete’, Machel Montano’s ‘Carnival Groupie’ and SkinnyFabulous’ ‘Born For This’ are all Shaft Vibes written work. He’s excited that most of his songs are being enjoyed by the people but says he’s got no major expectations this season. “It’s all in God’s hands. He is the boss and He will decide just how things should happen,” said Bishop.
An upliftment achievement award out of Barbados, to his name, Jason Shaft Bishop says his aim is to remain relevant in 2016. “I hope to be a good example to upcoming writers. I’ve gained the respect of many of them and I’m happy about that. I hope to continue giving them what’s essential to keep that respect high,” he said.
Bishop has written another single for Montano which is yet to be released.
Currently preparing for another Machel Montano release, Jason told ETCETERABUZZ the population an expect a monster. This year, there are also plans afoot to see Jason Shaft Bishop enter the international music market. Not wanting to give away too much just yet, he told us he’s making connections to deliver some R&B songs to major artistes overseas.
For more on Jason Shaft Bishop, follow JasonShaftBishop on all major social media platforms.
Kes the Band has officially concluded its highly acclaimed Roots, Rock, Soca Tour, marking another groundbreaking moment in the band’s remarkable journey. The international tour captivated audiences across the United Kingdom, Europe and North America – making history as the first Soca act to sell-out stadium shows in the United States and to sell out the RBC Amphitheater in Toronto, Canada with 16,000 fans.
The tour featured sold-out shows in major music cities such as London, Vancouver, Los Angeles, New York, and its final stop in Toronto – with thousands of fans gathering night after night to experience the signature sound, musicianship, and infectious energy that have made KestheBand one of the Caribbean’s most influential live acts.
The ‘Roots, Rock, Soca’ Tour became a celebration of culture, connection, and community. Each performance in the concert series showcased the band’s ability to transcend borders and generations, bringing together audiences from diverse backgrounds through music rooted in Caribbean identity. With energetic performances spanning storied venues such as Forest Hills Stadium in New York and The Bellwether in California, Kes the Band continues to cement its place in history as an enduring, generational force that bridges rhythms, unites audiences, and elevates the heartbeat of Caribbean culture in communities across global borders.
KestheBand’s Frontman, Kees Dieffenthaller, serenades the sold-out audience at the RBC Amphitheater in Toronto, Canada to conclude the ‘Roots, Rock, Soca’ Tour.Photo; Jono Hirst
Led by charismatic frontman Kees Dieffenthaller, the band’s world-class lineup includes Dean Jameson drums, Jon Dieffenthaller on guitar, Riad Boochoon on bass, Mario Callender and Geiron Mangon keyboards, and Robert ‘Robbie Styles’ Persaud on DJ and Ableton. Together, they delivered dynamic performances that combined exceptional musicianship with the unmistakable spirit that has become synonymous with KestheBand.
Adding to the excitement throughout the tour were a number of memorable surprise guest appearances from some of soca’s most celebrated artists, including Coutain, Lady Lava, Barbados Soca legend Edwin Yearwood, Iwer George, London’s Haile of WSTRN, Haitian singer J Perry, and Ravi B. Their appearances created unforgettable moments for fans while highlighting the camaraderie and creative excellence that continue to define Caribbean music.
The overwhelming response to the tour underscores Kes the Band’s continued evolution from a beloved Caribbean band to a truly global cultural ambassador. Across every city, audiences embraced the music, creating an atmosphere that reflected the growing international appreciation for soca and Caribbean artistry.
Soca is joy: these fans could barely contain their excitement at the closing show of KestheBand’s ‘Roots, Rock, Soca’ Tour stop in Toronto, Canada. Photo: Jono Hirst.
As the curtain closes on the Roots, Rock, Soca Tour, Kes the Band is already focused on the next chapter. The band will soon return to the studio to begin work on new music for an upcoming album, continuing its tradition of pushing creative boundaries while staying true to the sound that has resonated with fans around the world.
The momentum also continues for Kes the Band on stage over Labor Day Weekend as the iconic group takes the stage at the DC Jazz Festival (DCJF), one of the United States’ premier music festivals, taking place September 2–6, 2026. Following the band’s debut on NPR Tiny Desk in the capital of the United States earlier this year, the band continues to expand its reach and introduce Caribbean music to new audiences on some of the world’s most respected stages.
With decades of groundbreaking music, unforgettable live performances, and an unwavering commitment to cultural excellence, Kes the Band continues to redefine what’s possible for Caribbean artists on the global stage. The success of the Roots, Rock, Soca Tour is both a celebration of an extraordinary series of performances and a defining chapter in the band’s enduring legacy, setting the stage for an exciting new era of music and global performances.
Two of the Caribbean’s most legendary hitmakers have joined forces for what is shaping up to be one of the Caribbean’s biggest records of the year.
Dancehall superstar Charly Black, whose global smash “Gyal You A Party Animal” has amassed more than one billion streams worldwide, joins forces with St. Vincent Soca hit maker, Kevin Lyttle, whose timeless international hit “Turn Me On” has generated hundreds of millions of streams. That single remains one of the most recognizable Caribbean songs ever recorded.
The single, “Island Ting,” unites the music of Jamaica and St. Vincent & The Grenadines, celebrating the beauty, confidence, and irresistible energy of island women. More than just a song, “Island Ting” is a celebration of the Caribbean, its vibrant diaspora, and everyone around the world who embraces the region’s unmatched culture, music, and love of celebration.
Blending irresistible Dancehall and Soca influences with an unmistakable tropical vibe, the record is poised to become the soundtrack of the summer, says a media release issued.
Produced by well known international producer, Walshy Fire, with the instrumental crafted by acclaimed producer Jason Julian, “Island Ting” is already making waves across the streaming landscape. The single has secured significant editorial playlist support from Apple Music and Spotify, with Spotify further backing the release through premium placement on its coveted Mobile Home Banner – one of the platform’s most prominent promotional spaces for new music.
Industry insiders are already tipping “Island Ting” as one of the Caribbean’s defining songs of the summer, with momentum expected to carry through Notting Hill Carnival, into Trinidad Carnival 2027, and beyond. From beach parties and festivals to clubs, radio, and playlists around the world, the record has all the ingredients of a timeless Caribbean anthem.
“Island Ting” is available now on all major streaming and digital platforms.
error: This content is protected. if you wish to use this content in anyway please contact us.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.