Trinidad and Tobago’s annual carnival celebrations, today faces critical attention on the heels of an immediate ban imposed on the use of the Hasley Crawford Stadium as a fete venue.
This announcement, made by the country’s Prime Minister, Kamla Persad Bissessar, comes on the heels of last week’s announcement that the Brian Lara Cricket Academy would no longer be available to fete promoters.
Mrs. Persad Bissessar, in a social media post, explained that exceptions would be granted only for events being staged between Carnival Thursday and, through the Saturday following Carnival Monday and Tuesday. She noted that all fetes and parties booked at Ministry of Sport facilities must begin no earlier than 12 noon, and must end promptly at 10pm. Further to these stipulations, the government has directed the National Carnival Commission to engage suitably qualified acoustic engineers to properly design sound systems at their venues to ensure that noise and vibrations from events hosted, are minimal to neighboring communities.
The Prime Minister says her government’s aim, moving forward, is to balance culture and community well-being , protecting traditions while safeguarding the peace of all citizens. “Together we will build a more respectful, responsible, and harmonious Trinidad and Tobago,” Persad-Bissessar wrote.
Alternate Venues?
Over the years, Trinidad and Tobago’s fete landscape has developed significantly, with numerous fetes being hosted throughout the season. Shorter seasons like the upcoming 2026 Carnival season, are likely to see several events hosted on one day, offering patrons variety. As a direct result however, venue options have become a hot topic. The Queen’s Park Savannah, one of the most feasible locations in the Capital for large scale events, has hosted most major fetes and concerts in Trinidad and Tobago, over the years. Some however argue that decentralizing carnival to allow for the inclusion of patrons further South, is necessary.
[FILE PHOTO] SuperBlue at Machel Monday. PHOTO: Jermaine Cruickshank.
In the past, the Hasley Crawford Stadium had been the venue of choice for events like Machel Montano’s signature Machel Monday event. The Queen’s Park Oval in Port of Spain has also been an option for mega events. Further West, Chaguaramas, though viewed as a traffic nightmare for motorists, carnival fetes have been hosted at O2 Park and The Anchorage, Pier II, and most recently, events have been held at Five Islands Water Park.
Bunji Garlin at Vale Vibe, hosted at Drew Manor, Santa Cruz.
In North Trinidad, event promoters have, in recent years, hosted major events at privately owned spaces at Undercover Grounds, Drew Manor and Gasparillo, Santa Cruz. Queen’s Hall in Port-of-Spain has also offered its outdoor space for Carnival fetes and major events like Private Ryan’s Soca Brainwash, have utilized School sporting fields like CIC Grounds, QRC Grounds and even Fatima Grounds, over the years.
Lamenting the lack of suitable facilities, the Trinidad and Tobago Promoters Association, in response to the initial ban on the Brian Lara Cricket academy, said, “The removal of venues from the already limited pool has left more than twenty of the largest carnival events without a home and with far too few options to accommodate large-scale productions.” The group noted that while concerns about noise pollution are valid, decisions made must be balanced against economic activity and and stimulation.
There’s never a dull moment in Caribbean entertainment and we’ve got proof. Trinidad Killa has shared prophecy for the future and he’s calling on his fellow artistes on the music circuit to understand their worth.
The restauranteur and entertainer took a brief moment away from his TK Smokehouse duties to hop on an Instagram Livestream. In his prophesy, the TK, whose real name is Kern Joseph, said he predicts that by 2030 there will no more Carnival in Trinidad and Tobago. “You know why? Artistes underselling (day-self). Artistes calling promoters and telling dem, put meh on yh show, put meh on yuh show, put meh on yuh show,” he expressed. The often controversial entertainer alleged that because of this, promoters are not paying artistes to appear on their shows.
He went on, “Carnival become a competition. Once a man have a Road March tune, he poppin’ up in fetes and poppin’ up on shows and performing for free,” he alleged, adding that annually, promoters in Carnival pay the same major artistes for live performances.
Trinidad Killa migrated to the United States some three years ago. He has however remained consistently vocal on the events taking place in his homeland. “Allyuh see what go on with Soca Monarch. There is no more Soca Monarch,” he said, going on to positively highlight this year’s Flava Village addition. “There is so much going on in the carnival. All I would like to say is, artistes, stop under-selling allyuh self and when allyuh learn the value of allyuh artistry, and allyuh stop sell allyuh self short, that is when the industry will start to move.”
Trinidad Killa ended his livestream with the words, “music is a mission, not a competition.”
A phenomenal Carnival 2026 season in Trinidad and Tobago has paved the way for South Oropuche Trinidad’s very own, Christo, increasing his talent value and making him one of the season’s sought after acts. The young entertainer’s ‘Doux Doux Darlin’ refrain has Caribbean people everywhere, singing along, and it’s likely to remain that way, well into the Summer of 2026.
Christo appeared in Toronto, Canada this past weekend, for Return Fete, Toronto. He was not alone. Fellow entertainers, Coutain, Skinny Fabulous, Full Blown and the vibes man himself, Voice, also shook the event, which was hosted at REBELToronto.
Christo (right) with Dr. Jay (centre) and Coutain (left). 📸: @jcrzy
Produced annually by well known Soca DJ, Dr. Jay, the event is touted as the best fete post T&T carnival each year.
In the aftermath of this year’s Carnival in Trinidad and Tobago, Christo – a relatively new artiste to the soca spotlight, said the love he received this season was unmatched. He took to social media, writing, “To everyone who streamed the music, requested the songs on radio, shared the content, learned the lyrics, and sang every word back at the shows, I see you, and I appreciate you. The growth this Carnival was undeniable, and it happened because of YOU.”
The young artiste referred to Carnival 2026 as a defining chapter in his journey.
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