Even if Bunji Garlin, Lyrikal, Voice, Jaiga, 5 Star Akil and Salty hadn’t touched the mic at Jam Naked this morning, the fete would’ve been the most epic experience for most, for the entire Carnival 2016 season.
We had heard that Jam Naked hosted at the O2 Park in Chaguaramas was “the”fete no one should miss but little did the EBUZZTT team realize that this gathering of young and 90’s branded fetters would be the most exhilarating and for some, nostalgic fete for carnival.
Fetters had the time of their lives at Jam Naked 2016.
Dubbed Jam Nation, the O2 Park was converted into an arena of non stop vibes and a soaking good time! From 3am and possibly before, fetters intent on having the time of their lives arrived in their numbers. Maxi taxi loads of them came, some scantily clad in bikini bottoms but all wearing comfortable footwear, perfect for the jammin’ that would come. Coolers in tow, they entered the venue, filling up every possible space in little time. Tickets being scalped on the outside of the venue were going for as much as $1200TTD- this of course after they had only cost $350 when they’d initially hit the market. It was the hottest ticket on Sunday morning and observation would prove that those who took bait really didn’t care how much they had to spend to get in on the action. They simply wanted to be there!
Model and former T&T beauty pageant representative, Athaliah Samuel.
A host of Trini celebs and socialites were present, among them Sixty Six Entertainment’s Rondell, Barber Boy Dev, Athaliah Samuel, Samantha Callendar and of course the artistes themselves who eventually tore things to pieces when show time came. Bunji Garlin was first to perform and without hesitation the Viking of Soca, wearing three quarter jeans and a black t shirt, accessorized with a white t-shirt wrapped around his head, immediately sent the massive crowd into a frenzy of excitement. Big Fete flags began to move and like a tidal wave, hands were flung into the air. His hits were absorbed, chief among them, Differentology- the 2014 hit that won Garlin his very first Soul Train award. Later, Jaiga, Lyrikal, Voice- a true soca phenomenon in 2016, 5 Star Akil and Salty, would perform for the crowd, each performance going down awesomely and truly enjoyed by the fetters.
Jaiga and his wife, Samantha Callendar grab a bite amid the excitement.
When it came to the DJ sets, the cast of DJ’s executed pretty well, mixing the Soca music between new age hits and those calypso classics every real carnival fetter ought to know. Besides a few DJs who seemed bent on showing off their extensive Machel Montano catalogue, there was a never ending sense of carnival thrill in the air, provided by the music specialists for the most part, and when the water came on just before 6am, there could only be more vibes!
EBUZZTT gives Jam Naked a perfect 10 for delivering a REAL carnival fete amid much talk of the “stushness” that has taken over in recent years. Not a single incident was reported inside the venue and despite quite a bit of traffic to exit the Chaguaramas area, Jam Naked gave carnival and soca lovers, a party they’ll remember and talk about for the entire year, until it rolls over again in 2017.
Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer. In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.
Building Connections In the Name of Music.
For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.
Maurane Voyer x Reo
Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.
The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song.
Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.
Taking A Look at What Unifies.
“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.
The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.
Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could. Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.
“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.
The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.
The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.
With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.
The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.
As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.
Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.
In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.
Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.
Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”
Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.
Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.
This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?
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