Even if Bunji Garlin, Lyrikal, Voice, Jaiga, 5 Star Akil and Salty hadn’t touched the mic at Jam Naked this morning, the fete would’ve been the most epic experience for most, for the entire Carnival 2016 season.
We had heard that Jam Naked hosted at the O2 Park in Chaguaramas was “the”fete no one should miss but little did the EBUZZTT team realize that this gathering of young and 90’s branded fetters would be the most exhilarating and for some, nostalgic fete for carnival.
Fetters had the time of their lives at Jam Naked 2016.
Dubbed Jam Nation, the O2 Park was converted into an arena of non stop vibes and a soaking good time! From 3am and possibly before, fetters intent on having the time of their lives arrived in their numbers. Maxi taxi loads of them came, some scantily clad in bikini bottoms but all wearing comfortable footwear, perfect for the jammin’ that would come. Coolers in tow, they entered the venue, filling up every possible space in little time. Tickets being scalped on the outside of the venue were going for as much as $1200TTD- this of course after they had only cost $350 when they’d initially hit the market. It was the hottest ticket on Sunday morning and observation would prove that those who took bait really didn’t care how much they had to spend to get in on the action. They simply wanted to be there!
Model and former T&T beauty pageant representative, Athaliah Samuel.
A host of Trini celebs and socialites were present, among them Sixty Six Entertainment’s Rondell, Barber Boy Dev, Athaliah Samuel, Samantha Callendar and of course the artistes themselves who eventually tore things to pieces when show time came. Bunji Garlin was first to perform and without hesitation the Viking of Soca, wearing three quarter jeans and a black t shirt, accessorized with a white t-shirt wrapped around his head, immediately sent the massive crowd into a frenzy of excitement. Big Fete flags began to move and like a tidal wave, hands were flung into the air. His hits were absorbed, chief among them, Differentology- the 2014 hit that won Garlin his very first Soul Train award. Later, Jaiga, Lyrikal, Voice- a true soca phenomenon in 2016, 5 Star Akil and Salty, would perform for the crowd, each performance going down awesomely and truly enjoyed by the fetters.
Jaiga and his wife, Samantha Callendar grab a bite amid the excitement.
When it came to the DJ sets, the cast of DJ’s executed pretty well, mixing the Soca music between new age hits and those calypso classics every real carnival fetter ought to know. Besides a few DJs who seemed bent on showing off their extensive Machel Montano catalogue, there was a never ending sense of carnival thrill in the air, provided by the music specialists for the most part, and when the water came on just before 6am, there could only be more vibes!
EBUZZTT gives Jam Naked a perfect 10 for delivering a REAL carnival fete amid much talk of the “stushness” that has taken over in recent years. Not a single incident was reported inside the venue and despite quite a bit of traffic to exit the Chaguaramas area, Jam Naked gave carnival and soca lovers, a party they’ll remember and talk about for the entire year, until it rolls over again in 2017.
Spice Mas, like every other carnival, is seasonal, but for Carriacou, Grenada artiste, Skinny Banton, music isn’t. He has unleashed seven songs in 2026, and like clockwork he’s locked in and ready to deliver his energy, good vibes and storytelling strengths to audiences celebrating another memorable Spice Mas experience this year.
For Skinny Banton, whose real name is Shirlan George, Grenada’s Jab culture is fuel to his fire. In the past, songs like ‘Soak It Good’ and ‘Wrong Again,’ brought him tremendous acclaim across the region and internationally. This season, The Jambalasse project is anticipated to be one of the artiste’s most powerful contributions, signaling his intentionality to promote his country’s authentic culture, wherever he goes. “With this project we’re trying to keep the history, while celebrating the present by revamping a song that was done by Moss International 35 years ago,” he said. That song was called ‘Jambalasse Rule,’ released in 1991. “We revamped the riddim because it was one of the first songs considered to be an original Jab Jab song from Grenada, at that time,” he explained.
Proud of his personal efforts to keep the awareness on Grenada’s cultural traditions, Skinny Banton advocates for the continued celebration of these traditions and understands his role as an artiste. “No matter what we face as artistes in this space, we stay true to our mission. I have several songs that the people will enjoy in Spice Mas and beyond. One of my personal favourites is ‘Pain,’ a song I would like to share with my fans in Trinidad and Tobago when Carnival 2027 comes around,” he said.
Strengthening Others
Other tracks released by Skinny include, ‘When Yuh Eating,’ ‘Right Up,’ ‘Black Fuh Juvay,’ ‘Can’t Stop Us,’ ‘Carnival Traffic’ featuring Jamaican artiste, I Octane, ‘My Behaviour,’ featuring Tonic X and ‘Water Line Burst,’ collaboratively done with Nicki Akull. “The collaborations done with Tonic X and Nicki Akull mean a lot to me. They are upcoming artistes who I share good vibes with. When I was younger and had hopes of connecting and collaborating with bigger artistes, it was not easy,” he recalled, adding that it often felt daunting. He says because he understands the feeling, he is happy to be able to help these up-and-coming entertainers. “This was just my way of giving them strength and encouragement. I feel like nobody takes you seriously when you don’t have a foot in the door – they refuse to embrace you because you are not known. I want them to keep pushing after this,” he added.
Dedicated and refocused, Skinny Banton is pushing full speed ahead. “I’m doing music videos for most of the songs. I already have a video for ‘Black Fuh Juvay,’ which has been uploaded to YouTube and all other streaming platforms, and the video for ‘My Behaviour’ with Tonic X is also out,” he said. Grateful to Jamaican artiste, IOctane for the strength given to him on their collaboration on the single, ‘Carnival Traffic,’ Skinny said this particular song is one that he loves, and he hopes the people will, as well.
For the past three years, the artiste had been approached by upcoming entertainer, Nicki Akull for the single they eventually brought forward this year. “Waterline Buss – Nicki Akull’s persistence and determination really brought this song into existence,” he said, happy to have eventually come around to making it happen. Even with such a vast number of singles released, Skinny Banton says he is ready to work with artistes across the Diaspora. “I’m still creating, still working and I’m looking forward to establishing more ground in the Soca community and around the world.”
Social Media, Music and Trends.
Certainly attuned to the necessary promotional adjustments that many artistes have been forced to adopt, Skinny Banton says he hopes that despite the rise in social media content distribution, true talent and good music is not sacrificed. “I feel like content creation online should not take away from artistes creating and delivering great music, because without the content, the music should still stand on its own, and with the content, the people still need the music,” he shared. “I also feel like a lot of trends are created from making yourself an online spectacle and not the music being able to sustain itself, so you may get attention for what you post as content, but the music you’re posting the content for sometimes does not have enough substance to sustain itself for longevity,” he rationalized.
Thoughtful, conscious and truly talented, Skinny Banton is a necessary part of the Caribbean’s creative landscape. His storytelling ability, coupled with his appreciation for the art and vocal capacity, makes him an artiste everyone should tap in to. “I want to encourage the young artistes to stay focused and keep pushing and never be discouraged by the many things that’s said on social media. They must work hard to establish their business to suit them, because every artiste will do things differently, when it comes to the business; Never be discouraged by the naysayers,” he advised. He thanked his fans for their love and support over the years. “People who’ve been supporting from day one and continue to support, as well as the new supporters I’ve gotten along the way – thank you. To the DJs and radio personalities, I appreciate you. One hand doesn’t clap. Thank you for keeping my songs on rotation and I hope you all continue to support me.”
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
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