National Geographic Travel features T&T’s Carnival on its Instagram feed.
No Bikinis and beads mas for National Geographic Travel- the globally known portal that continues to highlight awesome destinations across the world. Nope. They wanted the underlying truth of T&T’s much touted “Greatest Show On Earth” and in an Instagram feature, the recognised travel voice chose to shine its light on the infamous Blue Devil carnival character- a carnival staple no doubt.
Over eight million people may now get a chance to see, and through Nat Geo’s explanation of what a Blue Devil is, gain clarity on the fictitious Carnival character that has been a part of traditional carnivals in the Caribbean, for decades. Already, the photo posted by the international media house, has amassed over 20 thousand likes, and over 190 comments on the subject had been posted up to the time of this feature by EBUZZTT.
In its explanation, National Geographic Travel writes,“Carnival is not just the bikini and feather displays that most Travel magazines showcase every year. Its origins are much more interesting and raw and often dark. In the #TraditionalMas of #PortofSpain, #Trinidad you will see Bats, Dragons, “Fancy Indians,” #MidnightRobbers, #MokoJumbies, #PierrotGrenade, and in this photo – BLUE DEVILS! The blue devils are the most energetic traditional characters in the Carnival of Trinidad and come out of the tradition of the #JabMolassie, French vernacular for “Molasses Devil.” The jab malassie would carry chains, and wear locks and keys around his waist, and carry a pitch fork. In this case the whole body is smeared with blue paint and the young men wear Wolf masks. The Blue devil “wines” (gyrates) to a beat that is played on tins or pans by his imps. Other devils or imps hold the chains or ropes around their waists, restraining their masked companions as they lunge savagely at the crowd screaming and showing their teeth, thrusting single fingers in the air to express their demand for money, sometimes receiving it with a net.”
Ronnie and Caro are the 2016 Champs of the Road!
True Carnival’s traditions, some say, have been replaced by a bikini and beads culture that has encouraged a lack of appreciation for the authentic Trinbago carnival culture. Two years prior to this year’s festival, pan ensemble, All Stars copped the top position on the masquerade route with their traditional Fancy Sailor presentations in both years. This year however, contributors to the art form, Ronnie and Caro have sealed the deal with their presentation, “Tears Of…” In an online post, Carol Mc Intosh said, “Congrats to our R&C Family. This win is not only ours but to our masqueraders, our committee, friends, sponsors, family- we sincerely thank you.”
Carnival Tribe’s The Lost Tribe came in second while Trini Revellers took the third place spot in the Large band category this year. K2K Alliance emerged victorious in the medium band category with their presentation, “Searching for Shangri-La”, a presentation that boldly fused fashion with mas.
Kes the Band has officially concluded its highly acclaimed Roots, Rock, Soca Tour, marking another groundbreaking moment in the band’s remarkable journey. The international tour captivated audiences across the United Kingdom, Europe and North America – making history as the first Soca act to sell-out stadium shows in the United States and to sell out the RBC Amphitheater in Toronto, Canada with 16,000 fans.
The tour featured sold-out shows in major music cities such as London, Vancouver, Los Angeles, New York, and its final stop in Toronto – with thousands of fans gathering night after night to experience the signature sound, musicianship, and infectious energy that have made KestheBand one of the Caribbean’s most influential live acts.
The ‘Roots, Rock, Soca’ Tour became a celebration of culture, connection, and community. Each performance in the concert series showcased the band’s ability to transcend borders and generations, bringing together audiences from diverse backgrounds through music rooted in Caribbean identity. With energetic performances spanning storied venues such as Forest Hills Stadium in New York and The Bellwether in California, Kes the Band continues to cement its place in history as an enduring, generational force that bridges rhythms, unites audiences, and elevates the heartbeat of Caribbean culture in communities across global borders.
KestheBand’s Frontman, Kees Dieffenthaller, serenades the sold-out audience at the RBC Amphitheater in Toronto, Canada to conclude the ‘Roots, Rock, Soca’ Tour.Photo; Jono Hirst
Led by charismatic frontman Kees Dieffenthaller, the band’s world-class lineup includes Dean Jameson drums, Jon Dieffenthaller on guitar, Riad Boochoon on bass, Mario Callender and Geiron Mangon keyboards, and Robert ‘Robbie Styles’ Persaud on DJ and Ableton. Together, they delivered dynamic performances that combined exceptional musicianship with the unmistakable spirit that has become synonymous with KestheBand.
Adding to the excitement throughout the tour were a number of memorable surprise guest appearances from some of soca’s most celebrated artists, including Coutain, Lady Lava, Barbados Soca legend Edwin Yearwood, Iwer George, London’s Haile of WSTRN, Haitian singer J Perry, and Ravi B. Their appearances created unforgettable moments for fans while highlighting the camaraderie and creative excellence that continue to define Caribbean music.
The overwhelming response to the tour underscores Kes the Band’s continued evolution from a beloved Caribbean band to a truly global cultural ambassador. Across every city, audiences embraced the music, creating an atmosphere that reflected the growing international appreciation for soca and Caribbean artistry.
Soca is joy: these fans could barely contain their excitement at the closing show of KestheBand’s ‘Roots, Rock, Soca’ Tour stop in Toronto, Canada. Photo: Jono Hirst.
As the curtain closes on the Roots, Rock, Soca Tour, Kes the Band is already focused on the next chapter. The band will soon return to the studio to begin work on new music for an upcoming album, continuing its tradition of pushing creative boundaries while staying true to the sound that has resonated with fans around the world.
The momentum also continues for Kes the Band on stage over Labor Day Weekend as the iconic group takes the stage at the DC Jazz Festival (DCJF), one of the United States’ premier music festivals, taking place September 2–6, 2026. Following the band’s debut on NPR Tiny Desk in the capital of the United States earlier this year, the band continues to expand its reach and introduce Caribbean music to new audiences on some of the world’s most respected stages.
With decades of groundbreaking music, unforgettable live performances, and an unwavering commitment to cultural excellence, Kes the Band continues to redefine what’s possible for Caribbean artists on the global stage. The success of the Roots, Rock, Soca Tour is both a celebration of an extraordinary series of performances and a defining chapter in the band’s enduring legacy, setting the stage for an exciting new era of music and global performances.
Two of the Caribbean’s most legendary hitmakers have joined forces for what is shaping up to be one of the Caribbean’s biggest records of the year.
Dancehall superstar Charly Black, whose global smash “Gyal You A Party Animal” has amassed more than one billion streams worldwide, joins forces with St. Vincent Soca hit maker, Kevin Lyttle, whose timeless international hit “Turn Me On” has generated hundreds of millions of streams. That single remains one of the most recognizable Caribbean songs ever recorded.
The single, “Island Ting,” unites the music of Jamaica and St. Vincent & The Grenadines, celebrating the beauty, confidence, and irresistible energy of island women. More than just a song, “Island Ting” is a celebration of the Caribbean, its vibrant diaspora, and everyone around the world who embraces the region’s unmatched culture, music, and love of celebration.
Blending irresistible Dancehall and Soca influences with an unmistakable tropical vibe, the record is poised to become the soundtrack of the summer, says a media release issued.
Produced by well known international producer, Walshy Fire, with the instrumental crafted by acclaimed producer Jason Julian, “Island Ting” is already making waves across the streaming landscape. The single has secured significant editorial playlist support from Apple Music and Spotify, with Spotify further backing the release through premium placement on its coveted Mobile Home Banner – one of the platform’s most prominent promotional spaces for new music.
Industry insiders are already tipping “Island Ting” as one of the Caribbean’s defining songs of the summer, with momentum expected to carry through Notting Hill Carnival, into Trinidad Carnival 2027, and beyond. From beach parties and festivals to clubs, radio, and playlists around the world, the record has all the ingredients of a timeless Caribbean anthem.
“Island Ting” is available now on all major streaming and digital platforms.
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