The massive crowd that gathered at Grenada’s White in the Moonlight.
It was miles away from Grenada’s city streets but by any means necessary, the island’s party enthusiasts would brave even unexpected downpours to make it to one of the most anticipated events on the Spice Mas calendar- White in the Moonlight. Overnight, ETCETERABUZZ.COM and other media covering the carnival experience on the Spice isle, witnessed first hand, the thorough appreciation felt among Grenadians for not only their own artistes but also Caribbean superstars like Machel Montano. On stage at the event on Sunday morning, a flu struck Montano reminded Grenadians that he had in fact spent a lot of time in the countryside of the island during his youth.
Machel told the crowd he was happy to be able to perform at an event in the countryside of the island.
It was a like a sea of soca thirsty seagulls. Everyone had been clothed in white and in a venue that seemed to endlessly roll on, the crowd was as thick as could be imagined. They had come out to see Trinidad and Tobago’s reigning Road March and Power Soca Monarch king and his HD band. Montano would however only hit the stage after the likes of some of Grenada’s well known artistes- among them Inspector who came in 2nd in this year’s Power Soca Monarch and female entertainer, Valene Nedd whose amazingly strong vocals have cemented her name in our minds at the E-BUZZ camp. Truth be told, Valene whose single, ‘I Am Not A Saint’ has been receiving the welcome embrace on the island, captured our attention on Friday night when she competed in the Groovy Soca Monarch competition. She had shown a level of showmanship that was definitely on par with the likes of Fay-Ann Lyons and Destra Garcia. At around 6am, Montano was introduced and as is customary, the taipan of soca caused an eruption in the crowd that is sometimes inexplainable. He started off with ‘Pump Yuh Flag’ and proceeded into a number of his hits. Grenada however seemed to hold on tightly to the words of Montano’s 2011 single, ‘Bend Over.’ On the fence, women climbed, much like in Trinidad and Tobago, to get the perfect view while closer to the stage, the braver females stood on higher ground to get Montano’s attention. All the while, the man- known for creating a show with every inch of his body- eyes, tongue and even nipples, gesticulated sexually for the females to comprehend where he was coming from with every note sung.
Carib sponsored a water zone at the event.
At one corner of the venue Carib had sponsored a wet zone and Machel called on the operators to spray the water in the direction he wanted them to. He commanded those toward the back of the venue who had been standing on a roof, to wave and they did with no hesitation. Later, Patrice Roberts would also create a stir as she delivered her smash hit singles, among them, ‘A Little Wine’ which was lapped up. Wearing a black and white outfit that provided some eye candy for the guys in the audience, the artiste who spoke with us when we arrived on the island on Friday, worked the stage, showing her growth and ability to command the crowd, much like Montano. Farmer Nappy was next and with his groovy catalogue, he had the party lovers singing along with every melody. Noticeably absent from the dancing crew was Pablo, First Klase and Britney Dookie. Instead, Dancing Jade and another female dancer manned the stage, delivering some moves that were hot indeed.
Farmer Nappy brought some sweet groovy soca to White in the Moonlight.
White in the Moonlight would go on for a few hours after Montano’s performance but many had already begun trickling out of the venue when the band neared its on stage closure. It was testament of Montano’s pull and appeal. Later he told ETCETERABUZZ.COM in an exclusive interview that his band’s ability to pull such massive crowds was why he could charge the fees he could to promoters, as hiring Machel Montano and HD guaranteed that thousands would attend.
Grammy Award-winning reggae band Morgan Heritage returns with “Come Feel The Love,” an uplifting new single written and produced by nine-time Grammy Award-winning artist, producer, and songwriter Stephen Marley.
Released on July 10th through Ghetto Youths International, the song serves as a vibrant musical invitation to experience Jamaica through its people, culture, landscapes, and unmistakable spirit. According to a media release the song celebrates the essence of Jamaica through authentic storytelling, using the universal language of reggae to capture the island’s warmth, resilience, beauty, and enduring sense of community.
Led by the unmistakable voices of Gramps Morgan and Mojo Morgan, the single paints vivid images of Jamaica’s natural beauty, from the iconic lignum vitae and soursop trees to Negril’s coastline, Lovers’ Leap, and the communities where generations have shaped one of the world’s most influential musical cultures.
Complementing the song is a visually stunning official music video produced by Filmaica and directed by Fernando Hevia. Filmed entirely on location throughout Jamaica, the visual showcases many of the island’s breathtaking landscapes and cultural landmarks. Gramps Morgan’s performance scenes were captured in Negril and at the iconic Lovers’ Leap in St. Elizabeth, both destinations referenced in the lyrics, bringing an added level of authenticity and emotional connection, while celebrating the beauty and diversity of Jamaica.
Built around the infectious refrain, “Come Feel The Love,” the record embodies Jamaica as more than a destination – it is a feeling rooted in family, music, community, and connection.
Celebrating Home.
“Come Feel The Love” marks Morgan Heritage’s first newly recorded release since the ascension of one of its founding members, Peetah Morgan, opening a new chapter for one of reggae’s most celebrated groups while honoring the legacy he helped build. The single reflects the band’s enduring commitment to carrying its message of unity, love, and cultural pride to audiences around the world.
“Jamaica has given us so much, our identity, our music, our culture, and our purpose,” said Gramps Morgan. “This song celebrates everything we love about home and invites the world to experience the same warmth and inspiration that continues to shape who we are.”
Mojo Morgan added, “Reggae has always connected people across cultures and generations. ‘Come Feel The Love’ reminds us that Jamaica’s greatest gift isn’t just its beauty, it’s the love, unity, and positive spirit that people feel the moment they arrive.”
The record seamlessly blends Morgan Heritage’s signature harmonies with Stephen Marley’s timeless production, creating a contemporary roots,reggae anthem that honors Jamaica’s traditions while introducing its story to a new generation of listeners.
As one of reggae’s most celebrated families, Morgan Heritage has spent decades carrying Jamaican music to audiences around the world, earning a Grammy Award and building a legacy of socially conscious, spiritually uplifting recordings. Their collaboration with Stephen Marley, one of reggae’s most accomplished artists and producers, brings together two of Jamaica’s most influential musical legacies in a powerful celebration of the island, its people, and its culture.
More than the release of a new single, “Come Feel The Love” represents the beginning of Morgan Heritage’s next chapter, one rooted in the same values that have defined the band for generations while embracing a renewed purpose. As they honor Peetah Morgan’s enduring legacy, the group continues its mission of celebrating Jamaica through music and spreading love, unity, hope, and positivity to audiences around the world.
Kes the Band has officially concluded its highly acclaimed Roots, Rock, Soca Tour, marking another groundbreaking moment in the band’s remarkable journey. The international tour captivated audiences across the United Kingdom, Europe and North America – making history as the first Soca act to sell-out stadium shows in the United States and to sell out the RBC Amphitheater in Toronto, Canada with 16,000 fans.
The tour featured sold-out shows in major music cities such as London, Vancouver, Los Angeles, New York, and its final stop in Toronto – with thousands of fans gathering night after night to experience the signature sound, musicianship, and infectious energy that have made KestheBand one of the Caribbean’s most influential live acts.
The ‘Roots, Rock, Soca’ Tour became a celebration of culture, connection, and community. Each performance in the concert series showcased the band’s ability to transcend borders and generations, bringing together audiences from diverse backgrounds through music rooted in Caribbean identity. With energetic performances spanning storied venues such as Forest Hills Stadium in New York and The Bellwether in California, Kes the Band continues to cement its place in history as an enduring, generational force that bridges rhythms, unites audiences, and elevates the heartbeat of Caribbean culture in communities across global borders.
KestheBand’s Frontman, Kees Dieffenthaller, serenades the sold-out audience at the RBC Amphitheater in Toronto, Canada to conclude the ‘Roots, Rock, Soca’ Tour.Photo; Jono Hirst
Led by charismatic frontman Kees Dieffenthaller, the band’s world-class lineup includes Dean Jameson drums, Jon Dieffenthaller on guitar, Riad Boochoon on bass, Mario Callender and Geiron Mangon keyboards, and Robert ‘Robbie Styles’ Persaud on DJ and Ableton. Together, they delivered dynamic performances that combined exceptional musicianship with the unmistakable spirit that has become synonymous with KestheBand.
Adding to the excitement throughout the tour were a number of memorable surprise guest appearances from some of soca’s most celebrated artists, including Coutain, Lady Lava, Barbados Soca legend Edwin Yearwood, Iwer George, London’s Haile of WSTRN, Haitian singer J Perry, and Ravi B. Their appearances created unforgettable moments for fans while highlighting the camaraderie and creative excellence that continue to define Caribbean music.
The overwhelming response to the tour underscores Kes the Band’s continued evolution from a beloved Caribbean band to a truly global cultural ambassador. Across every city, audiences embraced the music, creating an atmosphere that reflected the growing international appreciation for soca and Caribbean artistry.
Soca is joy: these fans could barely contain their excitement at the closing show of KestheBand’s ‘Roots, Rock, Soca’ Tour stop in Toronto, Canada. Photo: Jono Hirst.
As the curtain closes on the Roots, Rock, Soca Tour, Kes the Band is already focused on the next chapter. The band will soon return to the studio to begin work on new music for an upcoming album, continuing its tradition of pushing creative boundaries while staying true to the sound that has resonated with fans around the world.
The momentum also continues for Kes the Band on stage over Labor Day Weekend as the iconic group takes the stage at the DC Jazz Festival (DCJF), one of the United States’ premier music festivals, taking place September 2–6, 2026. Following the band’s debut on NPR Tiny Desk in the capital of the United States earlier this year, the band continues to expand its reach and introduce Caribbean music to new audiences on some of the world’s most respected stages.
With decades of groundbreaking music, unforgettable live performances, and an unwavering commitment to cultural excellence, Kes the Band continues to redefine what’s possible for Caribbean artists on the global stage. The success of the Roots, Rock, Soca Tour is both a celebration of an extraordinary series of performances and a defining chapter in the band’s enduring legacy, setting the stage for an exciting new era of music and global performances.
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